| Joyce McKinney | ... | Herself | |
| Peter Tory | ... | Himself | |
| Troy Williams | ... | Himself | |
| Jackson Shaw | ... | Himself | |
| Kent Gavin | ... | Himself | |
| Dr. Hong | ... | Himself (as Jin Han Hong) |
Directed by | |||
| Errol Morris | |||
Produced by | |||
| Julie Ahlberg | .... | producer (as Julie Bilson Ahlberg) | |
| Ajae Clearway | .... | co-producer | |
| Max Daly | .... | associate producer | |
| Robert Fernandez | .... | executive producer | |
| Mark Lipson | .... | producer | |
| Errol Morris | .... | executive producer | |
| Angus Wall | .... | executive producer | |
Original Music by | |||
| John Kusiak | |||
Cinematography by | |||
| Robert Chappell | (director of photography) | ||
Film Editing by | |||
| Grant Surmi | |||
Production Design by | |||
| Steve Hardie | |||
Makeup Department | |||
| Fran Maxwell | .... | makeup artist | |
Production Management | |||
| Aimée Flaherty | .... | associate production supervisor (as Aimee Flaherty) | |
| Mark Lipson | .... | post-production supervisor | |
| Adam Picchietti | .... | associate production supervisor | |
| Dina Marie Piscatelli | .... | production supervisor | |
| Rebekah Sindoris | .... | associate production supervisor | |
Second Unit Director or Assistant Director | |||
| Michael Brawer | .... | first assistant director | |
Art Department | |||
| Rob Feng | .... | graphic artist | |
| Jon Gold | .... | property master | |
| Jeremy Landman | .... | graphic artist | |
| Daniel Turk | .... | construction coordinator (as Dan Turk) | |
Sound Department | |||
| David Bach | .... | dialogue editor | |
| David Bach | .... | sound re-recording mixer | |
| Phil Barrie | .... | assistant sound editor | |
| Joel Dougherty | .... | sound effects editor | |
| Skip Lievsay | .... | sound re-recording mixer | |
| Skip Lievsay | .... | supervising sound editor | |
| Bruce Perlman | .... | sound mixer | |
Visual Effects by | |||
| Kurt Lawson | .... | digital compositor | |
| Hameed Shaukat | .... | additional visual effects producer: a52 (uncredited) | |
Camera and Electrical Department | |||
| Brian Beverly | .... | key grip | |
| Simon S. Cho | .... | gaffer (as Simon Cho) | |
| Mauricio Gutierrez | .... | digital imaging technician (as Mauricio Guitierrez) | |
| Aaron Kaikko | .... | video assist | |
| Rob McCarthy | .... | gaffer | |
| Joel Prescott | .... | grip | |
| Will Reid | .... | electrician | |
| Paul Salmi | .... | grip | |
| John Sekula | .... | first assistant camera | |
| Jared Washburn | .... | second assistant camera | |
| Joe Weireter | .... | electrician | |
| Peter Welsh | .... | grip | |
Animation Department | |||
| Steven Do | .... | additional animator | |
| Jonathan Ficcadenti | .... | animator | |
| Jiaren Hui | .... | additional animator | |
| Michael Reith | .... | additional animator | |
Costume and Wardrobe Department | |||
| Miriam Burke | .... | wardrobe supervisor | |
| Lee Ann Jarvis | .... | wardrobe supervisor | |
Editorial Department | |||
| Kevin Bass | .... | technical engineer | |
| David Brodie | .... | additional editor | |
| Brendan Crockett | .... | on-line editor | |
| Austyn Daines | .... | editorial assistant | |
| Steven Hathaway | .... | contributing editor | |
| Yannick Leblanc | .... | technical engineer | |
| Nathan Sumperton | .... | editorial assistant | |
| James Taylor | .... | on-line producer | |
| Angus Wall | .... | contributing editor | |
| Paul Yacono | .... | colorist | |
Music Department | |||
| Shie Rozow | .... | music editor | |
| Andrew Willis | .... | composer: additional music (as P. Andrew Willis) | |
| Stefan Karrer | .... | soundtrack album producer (uncredited) | |
Other crew | |||
| Steven J. Bagnara | .... | production assistant (as Steve Bagnara) | |
| Nevada Basile | .... | production accountant | |
| Sam Bjork | .... | researcher | |
| Jacquie Boubion | .... | production assistant | |
| Sophia Branson | .... | researcher (as Sophie Branson Gill) | |
| Doug Bratcher | .... | production assistant | |
| Josh Braun | .... | distribution advisor: Submarine Entertainment | |
| Dave Burg | .... | production assistant | |
| Maggie Causey | .... | script supervisor | |
| Julie Fischer | .... | researcher | |
| Matthew Hinrichs | .... | production assistant | |
| Nicki Lingroso | .... | production assistant | |
| Won Park | .... | translator: Korean | |
| Christopher L. Perez | .... | clearance counsel | |
| Ann Petrone | .... | senior researcher | |
| Mcihael Rubman | .... | production assistant | |
| Calla Statszko | .... | production assistant | |
| Anais Wade | .... | production assistant | |
| Mel Young | .... | production assistant | |
| T.J. Young | .... | researcher | |
| Natalie Cubides Brady | .... | researcher (uncredited) | |
Thanks | |||
| Bruce Perlman | .... | special thanks | |
| Karen Schmeer | .... | in memory of | |
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| This Is America | Jesus Camp | Conan O'Brien Can't Stop | Corman's World: Exploits of a Hollywood Rebel | Glastonbury |
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| Full cast and crew | Company credits | External reviews |
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By the last quarter of this turgid, unremitting virtual-monologue, I was in fear of losing my own marbles -- Joyce having clearly lost hers long ago. Pointing a camera at someone and letting them damn themselves with their own deluded waffle is not my idea of effective film making. Completely lacking in visual impact, this "film" might as well have been done on radio.
The supporting cast of tabloid creeps interviewed herein are enough to make one's skin crawl. Exploiting a crazy lady is neither funny nor clever so quite why the guy from The Daily Mirror appeared to be so proud of his machinations is beyond me.
I'd hoped for some deeper insight. I didn't get any. Only denial and madness. On this showing the woman needed to be sectioned. Too late now though. Far too late.