Based on the extraordinary true story of Operation Anthropoid, the WWII mission to assassinate SS General Reinhard Heydrich, the main architect behind the Final Solution and the Reich's third in command after Hitler and Himmler.
When, one day of 1929, writer Thomas Wolfe, decided to keep the appointment made by Max Perkins, editor at Scribner's, he had no illusions: his manuscript would be turned down as had invariably been the case. But, to his happy amazement, his novel, which was to become "Look Homeward, Angel", was accepted for publication. The only trouble was that it was overlong (300 pages) and had to be reduced. Although reluctant to see his poetic prose trimmed, Wolfe agreed and helped by Perkins, who had become a true friend, with the result that it instantly became a favorite with the critics and best seller. Success was even greater in 1935 when "Of Time end the River" appeared, but the fight for reducing Wolfe's logorrheic written expression had been even longer, with 5,000 pages, Perkins managed to cut 90,000 words from the book, and bitter ultimately taking its toll, the relationships between the two men gradually deteriorating. Wolfe did not feel grateful to Perkins any longer but had started... Written by
The third collaboration between Colin Firth and Nicole Kidman, and this is first time they don't portray each other's spouse. They previously starred in The Railway Man (2013) and Before I Go to Sleep (2014). This also marks the second collaboration between Kidman and Jude Law, after Cold Mountain (2003). See more »
Maxwell Perkins tells Thomas Wolfe his book needs a new title that will appeal to potential purchasers, and gives the example of F. Scott Fitzgerald changing the title of a novel from "Trimalchio in West Egg" to "The Great Gatsby." The real Perkins, as Fitzgerald's editor, certainly would have known that "The Great Gatsby" was a flop upon its release in 1925 and did not sell well until the 1950s. See more »
Colin Firth and Jude Law Portray editor Max Perkins and his newest client, Tomas Wolfe. Perkins is a tight wound package of seriousness, work being his life. Wolfe is a frenetic writer, eating up everything around him with voracity. The polar opposites take on Wolfe's first novel, "Look Homeward, Angel." I admit, Law's Wolfe is energizer- bunny out-of-control frenetic at times, but it's that kind of mind that gave us one of the greatest (if not the greatest) American novels of all time. Having read "Angel," I completely bought into it. The relationship between editor and writer becomes extremely close, at times casting aside the women in their lives. Laura Linney is Louise Perkins, devoted wife to Max and their 5 daughters. She is also trying to keep her own writing career alive, with little help from her work obsessed husband. Nicole Kidman is Aline Bernstein, a married woman currently shacking up with Wolfe. She was his inspiration in writing "Angel" and is over zealously jealous of Tom's relationship with Max. Like, seriously, wack-job crazy. This role was the weak link for me, didn't like her from her second appearance on screen. The movie moves through their lives, another published book, and on to Wolfe's untimely death. (I am pretty sure that isn't a spoiler.) I don't want to go in to the plot anymore, except to say that I agree with another reviewer about the scene in the jazz club. A really great way to show how minds, and the streaming of thought, can be so different between people.
The cinematography is beautiful, sepia tones bring you back to the years right before and during the depression. Extravagance and soup kitchens, back-to-back. The music bangs out with Wolfe's bombastic behavior, and mellows with Max.
This movie is a movie about writers and readers, for what editor isn't a closet writer? It's also for the same audience, with several nods to a few other greats of that period; Hemingway and F. Scott Fitzgerald, but mostly, to Wolfe. When Max is reading "Angel" through for the first time, his daughter walks in. She looks at the page and says, "Wow, that's a really long paragraph" and Max answers "It started four pages ago..." THAT is Wolfe. That book was the most difficult book I have ever read. This movie is also about, who exactly is the genius? Wolfe is, obviously. But does that make Max, who edited, made these books marketable, and made Wolfe a celebrity of his day, any less of a genius? That is left for the viewer.
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