| Photos (See all 13 | slideshow) | Videos (see all 7) |
| Willem Dafoe | ... | Martin | |
| Frances O'Connor | ... | Lucy | |
| Sam Neill | ... | Jack | |
| Morgana Davies | ... | Sass | |
| Finn Woodlock | ... | Bike | |
| Jacek Koman | ... | Middleman | |
| Callan Mulvey | ... | Rival Hunter | |
| John Brumpton | ... | Publican | |
| Dan Wyllie | ... | Pool Player | |
| Sullivan Stapleton | ... | Doug | |
| Jamie Timony | ... | Free | |
| Dan Spielman | ... | Simon | |
| Maia Thomas | ... | Shakti | |
| Marc Watson-Paul | ... | Jarrah |
Directed by | |||
| Daniel Nettheim | |||
Writing credits | ||
| Julia Leigh | (novel) | |
| Alice Addison | screenplay | |
| Wain Fimeri | original adaptation | |
Produced by | |||
| Anita Sheehan | .... | executive producer | |
| Vincent Sheehan | .... | producer | |
| Liz Watts | .... | executive producer | |
| Paul Wiegard | .... | executive producer | |
Original Music by | |||
| Andrew Lancaster | |||
| Michael Lira | |||
| Matteo Zingales | |||
Cinematography by | |||
| Robert Humphreys | |||
Film Editing by | |||
| Roland Gallois | |||
Casting by | |||
| Jane Norris | |||
Production Design by | |||
| Steven Jones-Evans | |||
Art Direction by | |||
| Amanda Sallybanks | |||
Set Decoration by | |||
| Christopher Bruce | |||
Costume Design by | |||
| Emily Seresin | |||
Makeup Department | |||
| Chiara Tripodi | .... | hair designer | |
| Chiara Tripodi | .... | makeup designer | |
Production Management | |||
| Ann Folland | .... | production manager | |
| Linda Micsko | .... | executive in charge of production: Porchlight Films | |
Second Unit Director or Assistant Director | |||
| Nerida Groth | .... | third assistant director | |
| John Martin | .... | first assistant director | |
| Samantha Smith | .... | second assistant director | |
Art Department | |||
| Frank Brinken | .... | art department assistant | |
Sound Department | |||
| Glenn Butler | .... | re-recording engineer | |
| Peter Climpson | .... | sound attachment | |
| Liam Egan | .... | sound designer | |
| Les Fiddess | .... | foley artist | |
| Sam Hayward | .... | sound re-recording engineer | |
| Tom Heuzenroeder | .... | sound effects editor | |
| Robert Mackenzie | .... | sound re-recording mixer | |
| Tony Murtagh | .... | dialogue editor | |
| Martin Oswin | .... | foley mixer | |
| Sam Petty | .... | sound designer | |
Special Effects by | |||
| David J. Barker | .... | special effects: Kosovo | |
Visual Effects by | |||
| Kate Auld | .... | digital compositor | |
| Sam Cole | .... | compositing supervisor: Fuel VFX | |
| Felix Crawshaw | .... | visual effects producer: Fuel VFX | |
| Janevski Danny | .... | digital matte painter (as Danny Janveski) | |
| Troy Darben | .... | digital intermediate compositor | |
| Ian Dodman | .... | digital effects supervisor | |
| Sean Dollins | .... | matchmove & layout artist: Fuel VFX | |
| Brad Dunn | .... | digital compositor | |
| Rebecca Dunn | .... | visual effects producer | |
| Alex Lay | .... | digital compositor | |
| Owen Longstaff | .... | digital compositor: Fuel VFX | |
| Blake Muir | .... | compositing supervisor | |
| Greg O'Connor | .... | digital artist: modeling and texturing | |
| Pawel Olas | .... | visual effects | |
| Sebastian Ravagnani | .... | visual effects | |
| Kurtis Richmond | .... | senior matte painter | |
| James Rogers | .... | visual effects supervisor | |
| Cameron Sharp | .... | visual effects editor: Fuel VFX | |
| Richard Skelton | .... | layout & matchmove artist | |
| Nathan Smith | .... | I/O supervisor | |
| Anders Thonell | .... | visual effects supervisor | |
| Colin Ware | .... | modeler and texture artist | |
Stunts | |||
| Harry Dakanalis | .... | stunt coordinator | |
| Mark Hennessy | .... | stunt double: Martin | |
Camera and Electrical Department | |||
| Steven Bailey | .... | first assistant camera: "b" camera | |
| Leuke Marriott | .... | video split operator | |
| Zac Murphy | .... | gaffer | |
| Matt Nettheim | .... | documentary videographer (as Matthew Nettheim) | |
| Matt Nettheim | .... | still photographer (as Matthew Nettheim) | |
| Kevin Scott | .... | director of photography: second unit | |
| Oliver Scott | .... | additional first assistant camera: second unit | |
| Damian Seagar | .... | best boy | |
| Brendan Shanley | .... | key grip | |
| Shaun Wilson | .... | additional electric | |
Animation Department | |||
| Konstantin Kovalenko | .... | animator | |
Costume and Wardrobe Department | |||
| Christina Validakis | .... | costume buyer | |
Editorial Department | |||
| Sophie Dick | .... | assistant editor | |
| Olivier Fontenay | .... | colorist | |
| Matthew T. Griffin | .... | digital intermediate editor | |
| Katherine Heads | .... | digital intermediate producer | |
Music Department | |||
| Wes Chew | .... | music engineer/mixer | |
| Andrew Kotatko | .... | music supervisor | |
| James K. Lee | .... | orchestrator | |
Other crew | |||
| Jeremy Atcliffe | .... | production accountant | |
| Amy Barclay | .... | script supervisor | |
| Frank Brinken | .... | security | |
| Holli Brinken | .... | unit assistant | |
| Stephen Cleary | .... | script editor | |
| Erin Good | .... | production secretary | |
| Hilton Howson | .... | production coordinator | |
| Ranald MacLurkin | .... | unit manager | |
| Brendan Shanley | .... | locations scout | |
| Adam Signorelli | .... | production runner: pre-production | |
| Gary Ticehurst | .... | helicopter pilot | |
| Jennifer White | .... | dialect coach | |
Thanks | |||
| Brendan Shanley | .... | special thanks | |
|
|
|
|
|
| Derelict | The Adventures of Tintin | Broken Road | Hard Contract | The Jungle Book 2 |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Adventure section | IMDb Australia section |
Magnificent movie, with films like this being made, it's hard to understand why so many bad films are still being produced.
This movie is the perfect example for the winning combination ALL! directors/producers/writers should be aiming for.
The winning combination consisting of the following:
>>> Good solid actors
>>> Awesome photography
>>> Simple effective script
>>> Emotional content
>>> Fluid screenplay
The ending was a little different to how I would have done it. However still a very good movie and one I will never forget!
I highly recommend this film to anyone that cares. Basically this is a MUST SEE! before you die type movie.