IMDb > The Hunter (2011/IV)
The Hunter
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The Hunter (2011/IV) More at IMDbPro »

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The Hunter -- Martin, a mercenary, is sent from Europe by a mysterious biotech company to the Tasmanian wilderness on a hunt for the last Tasmanian tiger.
The Hunter -- Trailer for The Hunter

Overview

User Rating:
6.8/10   24,703 votes »
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Director:
Writers:
Alice Addison (screenplay)
Wain Fimeri (original adaptation) ...
(more)
Contact:
View company contact information for The Hunter on IMDbPro.
Release Date:
6 October 2011 (Australia) See more »
Genre:
Tagline:
Some Mysteries Should Never Be Solved
Plot:
Martin, a mercenary, is sent from Europe by a mysterious biotech company to the Tasmanian wilderness on a hunt for the last Tasmanian tiger. Full summary » | Add synopsis »
Awards:
4 wins & 20 nominations See more »
User Reviews:
Beauty of primordial simplicity in a modern time See more (78 total) »

Cast

  (in credits order)

Directed by
Daniel Nettheim 
 
Writing credits
Alice Addison (screenplay)

Wain Fimeri (original adaptation) and
Daniel Nettheim (original adaptation)

Julia Leigh (based on the novel by)

Produced by
Tenille Kennedy .... assistant producer
Anita Sheehan .... executive producer
Vincent Sheehan .... producer
Liz Watts .... executive producer
Paul Wiegard .... executive producer
 
Original Music by
Andrew Lancaster 
Michael Lira 
Matteo Zingales 
 
Cinematography by
Robert Humphreys 
 
Film Editing by
Roland Gallois 
 
Casting by
Jane Norris 
 
Production Design by
Steven Jones-Evans 
 
Art Direction by
Amanda Sallybanks 
 
Set Decoration by
Christopher Bruce 
 
Costume Design by
Emily Seresin 
 
Makeup Department
Chiara Tripodi .... hair designer
Chiara Tripodi .... makeup designer
 
Production Management
Ann Folland .... production manager
Linda Micsko .... executive in charge of production: Porchlight Films
 
Second Unit Director or Assistant Director
Nerida Groth .... third assistant director
John Martin .... first assistant director
Samantha Smith .... second assistant director
 
Art Department
Frank Brinken .... art department assistant
 
Sound Department
Glenn Butler .... re-recording engineer
Peter Climpson .... sound attachment
Liam Egan .... sound designer
Les Fiddess .... foley artist
Sam Hayward .... sound re-recording engineer
Tom Heuzenroeder .... sound effects editor
Robert Mackenzie .... sound re-recording mixer
Tony Murtagh .... dialogue editor
Martin Oswin .... foley mixer
Sam Petty .... sound designer
 
Special Effects by
David J. Barker .... special effects: Kosovo
 
Visual Effects by
Kate Auld .... digital compositor
Sam Cole .... compositing supervisor: Fuel VFX
Felix Crawshaw .... visual effects producer: Fuel VFX
Troy Darben .... digital intermediate compositor
Ian Dodman .... digital effects supervisor
Sean Dollins .... matchmove & layout artist: Fuel VFX
Brad Dunn .... digital compositor
Rebecca Dunn .... visual effects producer
Danny Janevski .... digital matte painter (as Danny Janveski)
Alex Lay .... digital compositor
Owen Longstaff .... digital compositor: Fuel VFX
Blake Muir .... compositing supervisor
Greg O'Connor .... digital artist: modeling and texturing
Pawel Olas .... visual effects
Sebastian Ravagnani .... visual effects
Kurtis Richmond .... senior matte painter
James Rogers .... visual effects supervisor
Cameron Sharp .... visual effects editor: Fuel VFX
Richard Skelton .... layout & matchmove artist
Nathan Smith .... I/O supervisor
Anders Thonell .... visual effects supervisor
Colin Ware .... modeler and texture artist
Alex Holcombe .... i/o operator assistant: Fuel VFX (uncredited)
 
Stunts
Harry Dakanalis .... stunt coordinator
Mark Hennessy .... stunt double: Martin
 
Camera and Electrical Department
Steven Bailey .... first assistant camera: "b" camera
Leuke Marriott .... video split operator
Zac Murphy .... gaffer
Matt Nettheim .... documentary videographer (as Matthew Nettheim)
Matt Nettheim .... still photographer (as Matthew Nettheim)
Kevin Scott .... director of photography: second unit
Oliver Scott .... additional first assistant camera: second unit
Damian Seagar .... best boy
Brendan Shanley .... key grip
Shaun Wilson .... additional electric
 
Animation Department
Konstantin Kovalenko .... animator
 
Costume and Wardrobe Department
Christina Validakis .... costume buyer
 
Editorial Department
Sophie Dick .... assistant editor
Olivier Fontenay .... colorist
Matthew T. Griffin .... digital intermediate editor
David Gross .... editorial supervisor
David Gross .... post production services
Katherine Heads .... digital intermediate producer
Matthew M. North .... digital intermediate supervisor
 
Music Department
Wes Chew .... music engineer/mixer
Andrew Kotatko .... music supervisor
James K. Lee .... orchestrator
 
Other crew
Jeremy Atcliffe .... production accountant
Amy Barclay .... script supervisor
Frank Brinken .... security
Holli Brinken .... unit assistant
Stephen Cleary .... script editor
Jim Dobson .... publicist
Erin Good .... production secretary
Hilton Howson .... production coordinator
Ranald MacLurkin .... unit manager
Brendan Shanley .... locations scout
Adam Signorelli .... production runner: pre-production
Gary Ticehurst .... helicopter pilot
Jennifer White .... dialect coach
 
Thanks
Brendan Shanley .... special thanks
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
MPAA:
Rated R for language and brief violence
Runtime:
102 min | USA:100 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
The fictional Redleaf company is revealed to be based in Germany. The company papers list "redleafgmbh.de" as the address.See more »
Goofs:
Continuity: As Martin is driving towards Jarrah's house there is a GPS located on the dashboard in front of him. When he turns on the road towards the house, the GPS is now located on the left side of the dashboard location were it was before.See more »
Quotes:
[first lines]
Martin David:Who's he?
See more »
Soundtrack:
LargoSee more »

FAQ

This FAQ is empty. Add the first question.
18 out of 32 people found the following review useful.
Beauty of primordial simplicity in a modern time, 4 February 2012
Author: Max Mantis from Delphi, Greece

There is something pure and truthful about this movie. Of course, it has a story, but the story is just a symbol. The depth behind the story and what it implies is what matters here. A work of art is never entertaining and just served as it is.

This work of art explores the relation between the remains of that what is primordial in nature and what is essential in a man. It does not speak to us, but rather shows us instead. Through it's impeccable imagery we can almost sense something primordial in the outbacks of the modern day world. And in that world, as he is also in nature, a man is without direction, until an insight is born. True compass is on the inside.

And for that, I applaud the artists.

Was the above review useful to you?
See more (78 total) »

Message Boards

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The importance of music in movies afox9119
Muddled mess of a movie Bear1027
Directly drinking the stream water. lav208001
This movie gives Australian's a bad name.. rkw2705
simply the best An_Irish_Guy
netflix lucasland
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