When a mysterious young woman named Katie appears in the small North Carolina town of Southport, her sudden arrival raises questions about her past. Beautiful yet self-effacing, Katie seems determined to avoid forming personal ties until a series of events draws her into two reluctant relationships: one with Alex, a widowed store owner with a kind heart and two young children; and another with her plainspoken single neighbor, Jo. Despite her reservations, Katie slowly begins to let down her guard, putting down roots in the close-knit community and becoming increasingly attached to Alex and his family. But even as Katie begins to fall in love, she struggles with the dark secret that still haunts and terrifies her . . . a past that set her on a fearful, shattering journey across the country, to the sheltered oasis of Southport. With Jo's empathic and stubborn support, Katie eventually realizes that she must choose between a life of transient safety and one of riskier rewards . . . and ... Written by
While the detective is photoshopping Katies picture another police officer asks him about the Lumpkin case. One of the producers of the film is D. Scott Lumpkin. See more »
Katie calls and leaves a message on her neighbor's answering machine while at work at Ivan's on a Monday (according to the answering machine). When Kevin calls Ivan's and listens to the recording, it states that Ivan's is open Tuesday to Sunday, meaning it is closed on Monday. See more »
A real surprise and touching ending to this romantic thriller
Director Lasse Hallström pulls off a surprise ending to this otherwise seemingly ordinary romantic thriller; in doing so, he redeemed what would otherwise have been a movie not worth a mention. Sure, the movie is sweet for the most part and the dramatic moments are nothing to brag about, but Hallström has been hiding the real love story all along; when it's revealed in the last scenes, we ask ourselves, how could I have not seen this and then you melt. But you do have to stick it out to the end. I don't wish to spill the beans so I'll keep mum about it. I understand some viewers are not going to be interested in the movie because of the cast, but the director's following is not without merit; after all he delivered Salmon Fishing in the Yemen, Chocolat and Cider House Rules, and it's his uncanny ability to tell a story like no others is what made me want to watch the movie.
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