
Eisenstein in Guanajuato (2015)
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- Unrated
- 1h 45min
- Biography, Comedy
- 04 Jun 2015 (Italy)
- Movie
- 2 wins & 10 nominations.
- See more »
Photos and Videos
Complete, Cast awaiting verification
Elmer Bäck | ... |
Sergei Eisenstein
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Luis Alberti | ... |
Palomino Cañedo
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José Montini | ... |
Diego Rivera
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Cristina Velasco Lozano | ... |
Frida Kahlo
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Rasmus Slätis | ... |
Grisha Alexandrov
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Jakob Öhrman | ... |
Eduard Tisse
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Sara Juárez | ... |
Mercedes
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Alaín Vargas | ... |
Gideon
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Maya Zapata | ... |
Concepción Cañedo
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Gustavo Galván | ... |
Rolando
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Emiliano Morales | ... |
Pascal
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Anna Knaifel | ... |
Pera
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Alenka Rios | ... |
Alba
(as Alenka Rios Hart)
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Lisa Owen | ... |
Mary Craig Sinclair
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Stelio Savante | ... |
Hunter S. Kimbrough
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César Fonseca | ... |
Bodyguard 1
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Paris Santibánez | ... |
Bodyguard 2
(as Paris Santibáñez)
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Idalí Soto | ... |
Respectable Woman
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Cristina Gilés | ... |
Whore
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Diego Gálvez | ... |
Blackmailer 1
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Ricardo Zarraga | ... |
Blackmailer 2
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Alejandro Salmán | ... |
Visa Official
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Irving Hernandez | ... |
Camorrista 1
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Humberto Granados | ... |
Camorrista 2
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Mario Robles | ... |
Camorrista 3
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Patrik Sigmundt | ... |
Camorrista 4
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Esteban Cansaya | ... |
Camorrista 5
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María Gálvez | ... |
Graveyard Scene
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Silverio Palacios | ... |
Graveyard Scene
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Mika Ainola | ... |
Eisensteins Fathers Scene
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Leo Idman | ... |
Eisensteins Fathers Scene
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Timo Jaatinen | ... |
Eisensteins Fathers Scene
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Markku Jokelainen | ... |
Eisensteins Fathers Scene
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Pertti Kiiveri | ... |
Eisensteins Fathers Scene
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Heikki Peltonen | ... |
Eisensteins Fathers Scene
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Raino Ranta | ... |
Meierhold
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Harry Viita | ... |
Eisensteins Fathers Scene
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Rest of cast listed alphabetically: | |||
Alan Del Castillo |
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Mauro González |
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Roscoe 'Fatty' Arbuckle | ... |
Self (uncredited) (archiveFootage)
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Thomas Ebert | ... |
Respectable Man at Restaurant (uncredited)
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Buster Keaton | ... |
Self (uncredited) (archiveFootage)
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Vladimir Lenin | ... |
Self (uncredited) (archiveFootage)
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Directed by
Peter Greenaway |
Written by
Peter Greenaway | ... | (written by) |
Produced by
Karin S. de Boer | ... | line producer |
Peter De Maegd | ... | co-producer |
Bruno Felix | ... | producer |
San Fu Maltha | ... | producer |
Simon Ofenloch | ... | associate producer |
Liisa Penttilä | ... | co-producer |
Carlos Sosa | ... | associate producer |
Alejandro Sánchez de la Peña | ... | production director |
Cristina Velasco | ... | producer |
Femke Wolting | ... | producer |
Cinematography by
Carlos Salom | ... | (videographer) |
Reinier van Brummelen |
Editing by
Elmer Leupen |
Editorial Department
Dieter Allaerts | ... | digital intermediate mastering |
Florentijn Bos | ... | digital intermediate colorist |
Erika de Bondt | ... | post-production coordinator |
Jef Grosfeld | ... | assistant colorist |
Thomas Van der Vorst | ... | assistant editor |
Casting By
Nancy Bishop | ||
Alejandro Caballero | ||
Karin S. de Boer | ... | (lead casting producer) |
Production Design by
Ana Solares |
Set Decoration by
Hector Iruegas |
Costume Design by
Brenda Gomez |
Makeup Department
Elena López Carreón | ... | key makeup artist |
Mari Paz Robles | ... | makeup designer/hair designer |
Marjut Samulin | ... | makeup artist |
Production Management
Sian Bolland | ... | production manager |
Alejandro Sánchez de la Peña | ... | production director |
Second Unit Director or Assistant Director
Dan Chavez | ... | second assistant director |
Julio Quezada Orozco | ... | first assistant director |
Art Department
Laura Frieyro | ... | construction coordinator |
Juan Manuel García Barrera | ... | construction coordinator: Juan Barrera |
Barbara Horcasitas | ... | Art department Coordinator |
Rogelio Nobara | ... | property master |
Raisa Torres | ... | graphic designer |
Irene Zamora | ... | assistant art director |
Sound Department
Dave Ashton | ... | supervising dialogue editor |
Emiliano Caballero | ... | technical assistant |
Cis Cuypers | ... | assistant sound re-recording mixer |
Digba Ener | ... | foley artist (as Digba Kurpjel) / supervising foley editor (as Digba Kurpjel) |
Marius Heuser | ... | quality controller: sound |
Jani Hietanen | ... | boom operator |
Srdjan Kurpjel | ... | supervising sound editor |
Tapio Liukkonen | ... | foley artist |
Gareth Llewellyn | ... | re-recording mixer |
Raúl Locatelli | ... | sound mixer |
Nick Lowe | ... | adr co-supervisor |
Elena Martín Hidalgo | ... | adr recordist / dialogue editor |
Micke Nyström | ... | sound recordist |
Vijay Rathinam | ... | sound effects editor |
Filippo Restelli | ... | boom operator |
Rafael Rivera Goyenechea | ... | adr recordist |
John Simpson | ... | foley artist |
Lisa Simpson | ... | foley mixer |
Chris Szott | ... | sound department intern |
Visual Effects by
Florentijn Bos | ... | visual effects supervisor: Flow VFX |
Paolo Finotto | ... | vfx producer |
Ewoud Heidanus | ... | visual effects artist: Flow VFX |
Kenn Hedin Kalvik | ... | visual effects artist: Flow VFX |
Harish Kumar | ... | visual effects artist: Flow VFX |
Nina Lankveld | ... | visual effects artist: Flow VFX |
Vincent van der Klaauw | ... | visual effects artist: Flow VFX |
Robert van Spanje | ... | visual effects artist: Flow VFX |
Camera and Electrical Department
Karin S. de Boer | ... | set photographer |
Jovany Garcia | ... | dolly grip |
Juan Fernando Guzmán | ... | gaffer |
Janne Jääskeläinen | ... | electrician |
Jouko Piipponen | ... | second assistant camera: additional |
Axel Rodil | ... | assistant camera |
Victor Romero | ... | second assistant camera |
Floris van der Lee | ... | camera operator |
Casting Department
Charles de Graaf | ... | extras coordinator |
Michael James Wright | ... | casting assistant: local casting |
Costume and Wardrobe Department
Brenda Gomez | ... | costume design |
Mariana Mazon | ... | key set costumer |
Irma García Ramírez | ... | costume supervisor |
Emilio Solorzano | ... | set costumer |
Location Management
Alexander De Graaf | ... | location manager |
Music Department
Wim Coryn | ... | musical clearances |
Ruy García | ... | music consultant |
Patrick Lemmens | ... | music supervisor |
Script and Continuity Department
Arturo R. Jiménez | ... | script supervisor |
Additional Crew
Ralph Broos | ... | post production executive |
Alexander De Graaf | ... | production assistant / production coordinator |
Alejandro Díaz San Vicente | ... | production coordinator |
Miguel Flores | ... | production assistant |
Waléra Kanischtscheff | ... | voice actor |
Frank Klein | ... | budget consultant |
Willemien Ruys | ... | archive researcher |
Carlos Salom Freixas | ... | still photo/behind the scenes |
Jean-Christophe Simon | ... | world sales: Films Boutique |
Production Companies
- Submarine
- Fu Works (in co-production with)
- Paloma Negra Films (Production)
- Edith Film Oy (in co-production with)
- Potemkino (in co-production with)
- Mollywood (in co-production with)
- ZDF/Arte (in association with)
- Vrijzinnig Protestantse Radio Omroep (VPRO) (in association with)
- Yleisradio (YLE) (in association with)
- Eficine 226 (supported by)
- Enterprise Flanders (supported by)
- Nederlands Filmfonds (supported by)
- Netherlands Film Production Incentive (supported by)
- Screen Flanders (supported by)
- Suomen Elokuvasäätiö (supported by)
- Tax Shelter du Gouvernement Fédéral Belge (supported by)
- Vlaams Audiovisueel Fonds (supported by)
Distributors
- B-Plan Distribution (2015) (Finland) (theatrical)
- Betta Pictures (2016) (Spain) (theatrical)
- Cinemien (2015) (Netherlands) (theatrical)
- Edition Salzgeber (2015) (Germany) (theatrical)
- Piano (2015) (Mexico) (theatrical)
- Pyramide Distribution (2015) (France) (theatrical)
- Strand Releasing (2015) (United States) (theatrical)
- Volga (2015) (Russia) (theatrical) (q)
- ARTE (2016) (France) (tv)
- ARTE (2016) (Germany) (tv)
- Future Film (2016) (Finland) (DVD)
- Homescreen (2015) (Netherlands) (DVD)
- Vrijzinnig Protestantse Radio Omroep (VPRO) (2016) (Netherlands) (tv)
- Yleisradio (YLE) (2018) (Finland) (tv) (also internet)
Special Effects
Other Companies
- Compact Media Group (collection account management)
- Eficine 226 (funding)
- Enterprise Flanders (funding)
- Equipment & Film Design (camera, lenses, lighting, grip, generator, dolly, truck)
- Finnish Film Foundation (production support: EUR 150,000)
- Galaxy Studios (post-production facilities)
- MEDIA Programme of the European Union (funding)
- Mollywood (funding)
- Nederlands Filmfonds (funding: EUR 450,000)
- Netherlands Film Production Incentive (funding: EUR 53,414)
- Screen Flanders (funding)
- Servicios Andrómeda Films (production accounting)
- Tax Shelter du Gouvernement Fédéral Belge (funding)
- Valofirma Cine Light Rental (Studio)
- Vlaams Audiovisueel Fonds (funding)
Storyline
Plot Summary |
The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such heights. On the back of his revolutionary film Battleship Potemkin, he was celebrated around the world, and invited to the US. Ultimately rejected by Hollywood and maliciously maligned by conservative Americans, Eisenstein traveled to Mexico in 1931 to consider a film privately funded by American pro-Communist sympathizers, headed by the American writer Upton Sinclair. Eisenstein's sensual Mexican experience appears to have been pivotal in his life and film career - a significant hinge between the early successes of Strike, Battleship Potemkin, and October, which made him a world-renowned figure, and his hesitant later career with Alexander Nevsky, Ivan the Terrible and The Boyar's Plot. Written by Peter Greenaway |
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Parents Guide | View content advisory » |
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Box Office
Budget | EUR2,472,000 (estimated) |
Did You Know?
Trivia | The starring actor Elmer Bäck is Finnish, his mother tongue is Swedish, his character is Russian and the film is set in a Spanish-speaking country - but the only language he speaks in the film is English. See more » |
Goofs | Eisenstein says Chaplin, Pickford, and Fairbanks were at Universal. They were at United Artists. See more » |
Movie Connections | Featured in The Greenaway Alphabet (2017). See more » |
Soundtracks | Romeo and Juliet Op. 64 Act 1 No. 13 Dance of the Knights See more » |
Crazy Credits | The end credits sequence is from the POV of a car driving through contemporary (2015) streets, as seen by present-day signage and cars it passes. It's the only part of the film not set in 1931. See more » |
Quotes |
Sergei Eisenstein:
My prick is a stowaway, and even sadder clown than me. He wears a sad clown's helmet. See more » |