From aboard the IMDboat at San Diego Comic-Con, Kevin Smith talks to the cast of "Teen Wolf" about the solemn yet celebratory panel for the upcoming season. This news and more in our Guide to Comic-Con.
In the 1850s, Ellen Ternan is a minimally talented actress who catches the eye of the hailed British author, Charles Dickens. Bored with his intellectually unstimulating wife, Dickens takes the educated Ellen as his mistress with the cooperation of her mother. What follows is a stormy relationship with this literary giant who provides her with a life few women of her time can enjoy. Yet, Ellen is equally revolted by Charles' emotional cruelty and determination to keep her secret. In that conflict, Ellen must judge her own role in her life and decide if the price she pays is bearable. Written by
Kenneth Chisholm (firstname.lastname@example.org)
Ralph Fiennes both directed and stars in the film (playing Charles Dickens). See more »
When collecting cash for the hospital, there is an 1895 Crown coin on the plate. Charles Dickens died in 1870. See more »
Mr. George Wharton Robinson:
Our boys' curriculum is very wide. They perform a short play at the end of every term. Theater's an abiding interest of my wife... Ah, Mary, tea if you please.
Mr. George Wharton Robinson:
Through the open door... Nelly, where were you? Mr. Benham has been here since 3:00.
I'm so sorry. Mr. Lambourne has been organizing the boys best he can.
I lost all sense of time...
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The full cast list (in order of appearance) is presented in the style of a Dickens era theatre programme, with contemporary font and the performers' names preceded by "Mr." or "Ms." See more »
As an Anglophile, Dickens aficionado, and period movie lover, I had Great Expectations about this movie (wink!). Alas, I was barely able to force myself to sit through to the end.
The movie does little to shed light on Dickens' inner motivations or character, and has even less to say about the authorial process or creative impulse. The romance at the heart of the story falls flat because the female lead (the eponymous Invisible Woman) is not just invisible but for the most part inexpressive: she doesn't talk, she doesn't emote, doesn't communicate.
The plot contains a number of disjoint, unconnected episodes that add nothing to our understanding of the characters. The character interactions are awkward, forced, and unappealing.
On the positive side, the score contains some magnificent cello music; the sets and costumes are lavish; the architecture and landscapes are beautifully presented. Scott-Thomas turns in a solid matronly role as the love interest's mother. But nothing can fill the vacuum left at the heart of this film by Felicity Jones' non- performance. In fact, this is much more of a French film in English clothing, given the minimalist plot, long silences, and generally depressing atmosphere.
Avoid at all costs.
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