The lives of two lovelorn spouses from separate marriages, a registered sex offender, and a disgraced ex-police officer intersect as they struggle to resist their vulnerabilities and temptations in suburban Connecticut.
With a job traveling around the country firing people, Ryan Bingham enjoys his life living out of a suitcase, but finds that lifestyle threatened by the presence of a new hire and a potential love interest.
Sparks fly when spirited Elizabeth Bennet meets single, rich, and proud Mr. Darcy. But Mr. Darcy reluctantly finds himself falling in love with a woman beneath his class. Can each overcome their own pride and prejudice?
TIME magazine ranked Rachel Weisz's performance in the film as the fourth best performance of 2012 (November 2012), while New York Magazine named it the "Film Performance of the Year" (November 2012). See more »
Lust isn't the whole of life, but Freddie is, you see, for me. The whole of life. And death. So, put a label on that, if you can.
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Brilliant, is what I say. Terence Rattigan's 1950 play was filmed once before (and while I have not seen it, I can't think it would be more effective than the new version) but the current film puts the lie to our weird nostalgia for the "Keep Calm and Carry On" era. This movie is cool, efficient and heartbreaking. And it is directed with an eye on Rattigan's increasing stature. When one character goes on a John Osbourne style rant, we are not meant to fall for this particular Angry Young Man. Of course, Rattigan wrote it just before the Angry Young Man began storming the British stage. It shows he was gearing up for the onslaught. Rattigan is often mistaken for a conventional dramatist, but his explosions are deeper than Osbourne's, perhaps because he himself (Rattigan) doesn't cultivate anger. He knew how and when to use it.
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