Critic Reviews



Based on 23 critic reviews provided by
In addition to being one of the finest golf movies ever, this film raises the bar on faith-based cinema.
Duvall can play an avuncular cowboy sage in his sleep, but there's truly no one on Earth you'd rather see dishing out homespun aphorisms, so it's pointless to resist the pleasure of watching him do what he can do better than anyone else. Baker and Melissa Leo, as the waitress' mom, are not asked to exhibit a fraction of their talent, but they further class the joint up.
Provides little more than a pleasantly passable Christian sports parable delivered as a sort of Texan golfer's version of "The Karate Kid."
Village Voice
For a time, the film shoulders its hokum rather well, with Black strutting convincingly and Duvall's mouthy mugging mostly in check. But all those shots of heavenly shafts of light eventually climax in unabashed Christian conversion.
Orlando Sentinel
Lacks surprises.
Slant Magazine
God bless Robert Duvall. An American cinematic institution, our greatest living actor makes the fortune-cookie bromides of Matthew Dean Russell's Seven Days in Utopia sound like Yates.
Boxoffice Magazine
A squishy Hallmark Channel-level melodrama that rarely bothers to mask its propagandistic intentions.
I would rather eat a golf ball than see this movie again.
Not a second of it is convincing - or compelling - but then the film is about "utopia," a blandly idealized place unblemished by hardship, malice, sin, or errant golf strokes.
Director Matt Russell shamelessly pitches woo to the already converted with an unholy barrage of heavy-handed flashbacks and phony Christian uplift. If any film ever needed a mulligan….

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