Frank Rautenbach leads a strong cast as Angus Buchan, a Zambian farmer of Scottish heritage, who leaves his farm in the midst of political unrest and racially charged land reclaims and ... See full summary »
Regardt van den Bergh
An unforgiving sun, a parched earth, and a failed economy have left a small Texas town desolate. For ten years Promise, Texas has known nothing but one curse after another. It's barren, ... See full summary »
Paul Tyson is a loving husband, devoted father and well-respected businessman on the brink of the biggest business deal of his career. And then Julia walks in. Breathtakingly beautiful, ... See full summary »
When nuclear weapons are smuggled into America, FBI Agent Shane Daughtry (David A.R White) is faced with an impossible task -- find them before they are detonated. The clock is ticking and ... See full summary »
David A.R. White,
Luke is a young up-and-coming golfer. His father has pushed him to succeed on the green his entire life. After finally hitting rock bottom, he runs from his circumstances and his past and meets a man who took the time to care, Johnny Crawford. Johnny continues to surprise Luke at every turn, as he tries to help him bury his past and uncover the key to his future. Written by
"Seven Days in Utopia" is the third film credit which Robert Duvall and Lucas Black share. In addition to the 1996 film "Sling Blade" in which they shared no screen time, they appeared in the 2009 film "Get Low" which also starred Bill Murray and Sissy Spacek. See more »
None of the vehicles had a registration or inspection sticker displayed on the lower left corner of the windshield, as required by Texas law, in order to drive on a public highway. See more »
How can a game have such an effect on a man's soul? The way I see it, how can it not? You don't chose the game, it choses you. And when it does, life and golf become forever connected. That's how it was for a young man named Luke Chisholm.
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If I had read the plot of the movie beforehand, I would have skipped it. And ten-or-so minutes into the film, it seemed like it was going to be a hackneyed, cloying been-there-done-that type of film. For some reason, I was enjoying it just enough not to stop watching. The film - be it considered a parable, a sports story or a bit of cinematic religious dogma - somehow transcends all of these. Yes, the characters are stereotyped, and the movie, as any first-year college student of writing could tell you, needs all of them to interplay with each other. Film-writing 101. The film, though, has sensitive writing (no freshmen college kids in the writing pool, obviously), great acting (Duvall and Black are both wonderful), phenomenal cinematography, and, in all, tends to be a touching film, rather than an annoying treacly bit of fluff. I never would have guessed from either the synopsis of the film nor from the first few minutes that it would make it to my "save for repeat viewing" bin.
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