After Steve has had another nightmare he and Rob move on to Hipping Hall,self-indulgence as ever ruling on the impersonation-filled drive . At their destination they meet two young women and Steve is...
Following a visit to Bolton abbey - an excuse for Rob to quote Wordsworth =- and an outdoor breakfast at the Angel at Hetton,the guys drop in on Steve's parents,who seem to be far bigger fans of Rob ...
When famous DJ Alan Partridge's radio station is taken over by a new media conglomerate, it sets in motion a chain of events which see Alan having to work with the police to defuse a potentially violent siege.
Alan Partridge a failed television presenter whose previous exploits had featured in the chat-show parody Knowing Me, Knowing You with Alan Partridge, and who is now presenting a programed on local radio in Norwich.
Steve Coogan has been asked by The Observer to tour the country's finest restaurants, but after his girlfriend backs out on him he must take his best friend and source of eternal aggravation, Rob Brydon.
Tommy Saxondale is an ex-roadie with anger management issues and his own pest control business in Stevenage. Having survived a hostile divorce, Tommy now lives with his girlfriend Magz. ... See full summary »
When Steve is asked by The Observer to tour Northern England's finest restaurants, he envisions it as the perfect getaway with his beautiful girlfriend. But, when she backs out on him, he has no one to accompany him but his best friend and source of eternal aggravation, Rob. Series two finds the men touring Italy. Written by
What we've really got is two series. One is the comedy of "Steve Coogan" and "Rob Brydon" exchanging barbs and doing impressions and making witty observations. These parts generally occur over the six meals they share, and I really enjoyed them. Some of their banter is hilarious... I had already seen the Michael Caine routine several times on YouTube and yet I still laughed at it. The other film involves the contrast between these people/characters: Steve, trying to bolster his acting career and struggling with a relationship that's starting to crack, and Rob the less successful but content family man. And I really enjoyed this part as well. Rob's calls home to his wife are amusing but also quite touching. Steve's existential midlife crisis is engaging and insightful as well. The two halves of the film do bleed into each other a bit, but I genuinely appreciated the separation between them. Winterbottom knows that it's okay to just let these two guys play off each other with their natural comedic chemistry and not worry about whether or not it's pushing the "plot" forward. The photography is mostly functional, concentrating on the personalities, but quite lovely when capturing all that gorgeous English countryside. While the film isn't as post-modern as the previous collaborations (24 HOUR PARTY PEOPLE and TRISTRAM SHANDY, both of which seem to get minor callbacks in the first episode, though it may be merely coincidence) it still maintains an unconventionality.
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