Luna (I) (2014)

 |  Drama, Fantasy  |  24 April 2015 (USA)
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Ratings: 7.0/10 from 126 users  
Reviews: 2 user | 11 critic

After losing their baby, Grant and Christine visit a friend in his isolated and idyllic seaside house. Over a long weekend, secrets are revealed and the life of the dead child is lived out in a series of fantastical dreams.



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Cast overview:
(Jacob) Doctor
Sonny Notaro ...
(Jacob) Baby
George Brooks ...
(Jacob) Young Boy
Liam McKean ...
(Jacob) Youth / Moon Boy
Ben Parr ...
(Jacob) Birdman
Godfrey Jackman ...
(Jacob) Old Man
Laura Michaels ...
Moon Woman
Yolanda McKean ...


Grant and Christine are still struggling with the storm of grief following the death of their baby. They visit an old friend, Dean, with his new girlfriend Freya, in their isolated house by the sea. Dean tries but fails to control his drinking. Freya worries about the age difference between her and Dean. Christine confesses her secrets to Dean, upsetting his comfortably stable world of escapist fantasy and children's books. Over a long weekend, old loves, losses and resentments are revisited and the life of the dead child is lived out in a series of strange, hallucinatory dreams. Luna is a fantasy film about reality that uses cinematic imaginative language to portray the tangible and mundane alongside the fantastical and fleeting elements of life. The film combines live action with the unique animation and graphics of Dave McKean. Written by Anonymous

Plot Summary | Add Synopsis


Fantasy, reality and the place in between.


Drama | Fantasy



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Release Date:

24 April 2015 (USA)  »

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Aspect Ratio:

2.35 : 1
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Did You Know?


Filming was completed in 2007 but shortly after financing fell through and the project was canceled until March 2010 when post-production re-started and some additional filming took place. See more »

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User Reviews

A unique, haunting experience.
28 September 2014 | by (Toronto) – See all my reviews

If someone were to ask me what Luna is about and expect a quick tagline like, for example "Sandman meets The A-team", they would probably be disappointed with my response. It's a difficult film to sum up in a catchy phrase or even categorize in a genre. In spite of this, here is my ill-advised summary of Luna: Two couples meet at a remote house for a weekend, during which unresolved grievances and mourning mix in a mesh of fantasy and reality. The failure of that last sentence to communicate anything useful is indicative of Luna's vision. There is no tidy box you can lock it away in and move on.

At its heart, Luna is a film about grief and loss, and the ghosts they create. Grant and Christine meet with old friend Dean and his recent wife Fraya after years of estrangement. The reason for their distance is soon revealed: Grant and Christine lost their child years earlier. It's a heavy note to start a film on, but what follows is more than a simple study of grief. As the attempt at a lovely weekend derails, memories and emotions surface, and with them so do spirits who haunt the isolated home. Yes that's right, the characters in Luna occupy a kind of "haunted house", but similarities with the Poltergeist series end there. The house is not haunted by malicious poltergeists, but rather the lost dreams and lingering demons of its guests. These often appear personified as woodland sprites or malignant monsters, haunting the chambers of a character's mind and likewise the house itself.

The images in Luna are vivid, painterly compositions, rich with meaning. McKean uses symbolism in the classical art sense, but without using any classical art symbols. The imagery is far too personal for that. On first viewing, some of the images may seem esoteric. However, on second viewing, a distinct language emerges early in the film, and fluency soon follows. The film's symbolism works within the context of the world it inhabits, like logic within a dream.

Of course, Luna's visual lustre would count for nothing without capable acting to carry the considerable dramatic weight. All four lead actors achieve this with nuanced, personal performances, often read through lingering close-ups. For example, during the scene in which Grant (Ben Daniels) drunkenly argues the role of fantasy, the disdain in his eyes is piercing. The performances give tangible weight to the baggage these old friends carry between them.

Luna is a unique work of cinema, and as is often the case with films like this, it's impossible to say who will or won't like it. Personally, I was fully engaged until the credits rolled, then found the film haunting my thoughts for days after. McKean has a distinct voice in the medium of film, separate from his illustration and graphic novel work; I can only hope we hear more of it soon.

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