Bi-polar mall security guard Ronnie Barnhardt is called into action to stop a flasher from turning shopper's paradise into his personal peep show. But when Barnhardt can't bring the culprit to justice, a surly police detective, is recruited to close the case.
When seasoned comedian George Simmons learns of his terminal, inoperable health condition, his desire to form a genuine friendship causes him to take a relatively green performer under his wing as his opening act.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Los Angeles based organic chemist Andrew Brewster has just sunk his life savings into developing and now marketing an environmentally friendly, effective and human safe home cleaning product. Despite these attributes, he is having problems making any sales to distributors and retailers. He has planned a cross country business trip via automobile to make sales pitches to various companies along the way, starting in New York City and ending in Las Vegas. While in New York, Andy plans to stay with his overbearing mother, New Jersey residing Joyce Brewster, with who he has a love/hate relationship and who he does not see very often anymore. He doesn't want to tell her of his sales failures thus far as he knows she will only add more than her two-cents into the matter, which he doesn't want. Joyce's focus of attention is on Andy's single status and what looks to be his stalled romantic life, out of which again he wants her to stay. Widowed when Andy was eight, Joyce has never remarried or ... Written by
When Andy and Joyce first ring the doorbell on the house in San Francisco, the shot is of them from outside the house and their voices and the bell sound accordingly. When they ring the bell the second time, the shot is from inside, and their voices thus sound like they are on the other side of the door, correctly. However, the bell still sounds as though the microphone were still outside. See more »
Scieoclean is the best cleaning product that's ever been invented. It's completely natural, it's completely safe, and it cleans better than any product on the market. If any of my competitors are making the same claim, all I say is, come on TV and drink your product. But I don't think you will because no one wants to shit blood on TV.
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During the credits, more is shown of Andy and his mother dealing with each other during the long drive, that is, several of Rogen and Streisand's comic improvisations. The 'mini-screen' moves a few times to make room for the credits. See more »
When the previews before the main feature show about as much promise as a toddler would in a university seminar, your hopes for what you paid for on your trip to the cinema certainly diminish. The Guilt Trip is a high-concept film that revolves around a mother named Joyce (Barbra Streisand) and her son Andy (Seth Rogen) as they embark on a (you guessed it!) road trip across the US for Andy's career, and throw some romance in there too for no apparent reason.
It's never a good sign if you leave a supposed 'comedy' film being able to count the number of times you laughed with just one hand (I tallied three). The first hour or so of The Guilt Trip just continues to play off of the same non developing character traits and one archetypal joke. Joyce is the stereotypical, overly-attached mother whose incessant nagging and unwanted presence in her son's life is a fact oblivious to her. The film continues to regurgitate this one aspect of their relationship, and in no way deals with it with any style or substance.
It's as if screenwriter Dan Fogelman conjured up a single sentence for the bond between the two protagonists, then when he could write no more, just decided to rearrange the words of this sentence, hoping nobody would ever notice. The writer's intentions were clearly to be annoying but funny, but instead it is annoyingly unfunny just the way that this mother and son interact. It honestly felt as if my brain cells were being violated by hearing the same joke over and over again.
To be more optimistic, The Guilt Trip certainly leaves its worst qualities in the first half of the film. Midway through their trip, they refuel and begin to gain some momentum that makes the 95 minute journey considerably more tolerable, and my desire to punch the unlikable characters did in fact decline. The humour begins to become less one- dimensional but still can only manage to extract a minute amount of audience laughter. Nonetheless, this is most definitely what the picture needed following its motionless first half; the successor provides more instances of cheap amusement that keep you engaged enough to appreciate the minor modest revitalisation in cinematic quality. One way to have fun throughout The Guilt Trip is to try and guess the punch line of every joke during the time that the set up is being told. This is probably the only feeling of accomplishment one could obtain from their time experiencing the film.
The Guilt Trip is not a dreadful film by any means, but nor is it a good one. This is easily the least entertaining and most forgettable Seth Rogen film that his catalogue of comedies has to offer. It's predictable, it's a comedy without humour and the only thing that could make some of jokes more awkward (not in a good sense) would be if Barbra Streisand's character was sitting beside you, behaving in her annoying role. The only reason I would have for recommending you devote your time and money to this 'comedy' would be if you desire to occupy some time and nothing else appeals to you. Even then, I would suggest waiting until a Wednesday to use your Orange code and throw in your student card for extra discount, as full admission price would almost unquestionably make you feel a sense of guilt for making the trip after you leave the cinema screen.
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