The Guilt Trip (2012)

As inventor Andy Brewster is about to embark on the road trip of a lifetime, a quick stop at his mom's house turns into an unexpected cross-country voyage with her along for the ride.

Director:

Anne Fletcher

Writer:

Dan Fogelman

Stars:

Barbra Streisand, Seth Rogen, Julene Renee-Preciado

1 nomination.

Cast

Cast overview, first billed only:
Barbra Streisand	...	Joyce Brewster
Seth Rogen	...	Andrew Brewster
Julene Renee-Preciado	...	kmart Receptionist
Zabryna Guevara	...	kmart Executive
John Funk	...	kmart Executive
Robert Curtis Brown	...	kmart Executive
Kathy Najimy	...	Gayle
Miriam Margolyes	...	Anita
Rose Abdoo	...	Diana
Tom Virtue	...	Mature Singles Man
Vivian Vanderwerd	...	Mature Singles Woman
Worth Howe	...	Bob
Vicki Goldsmith	...	Young Joyce
Matthew Levinson	...	Toddler Andy
Joseph Levinson	...	Toddler Andy

Storyline

As inventor Andy Brewster is about to embark on the road trip of a lifetime, a quick stop at his mom's house turns into an unexpected cross-country voyage with her along for the ride.

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Plot Keywords:

cross country | road trip | trip | humor | conversation | 

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Taglines:

Get ready for one mother of a road trip

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Genres:

Comedy

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Motion Picture Rating (MPAA)

Rated PG-13 for language and some risque material

Details

Official Sites:

Official site

Country:

USA

Language:

English

Release Date:

19 December 2012 (USA)

Also Known As:

My Mother's Curse

Filming Locations:

Grand Canyon National Park, Arizona, USA

Box Office

Budget:

$40,000,000 (estimated)

Opening Weekend:

$5,290,629 (USA) (21 December 2012)

Gross:

$37,101,011 (USA) (1 March 2013)

Company Credits

Production Co:

Paramount Pictures, Skydance Productions, Michaels-Goldwyn

Technical Specs

Runtime:

95 min

Sound Mix:

Datasat Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The Paramount marketing department were so certain that Barbra Streisand would gain a Golden Globe nomination for her performance, that not only did they put out an ad congratulating her victory, but posted it online moments before the nominations were announced, only to be swiftly pulled when Streisand ended up without the nod.

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Goofs

The 50-ounce steak is described in subsequent dialogue as a "4 1/2 pound steak." A 4 1/2 pound steak is 72 ounces. A 50-ounce steak is 3 pounds, 2 ounces.

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Connections

Featured in Maltin on Movies: The Hobbit: An Unexpected Journey (2012)

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Soundtracks

"Cherry Pie"
Performed by Warrant
Written by Jani Lane

User Reviews

enjoyably sweet, surprisingly low key film, makes the most of the chemistry between its two stars even tho its a little flat in places

Sweet movie with a few well handled sour moments that shows you the gradual reconnecting of a somewhat strained mother/son relationship. Its not that the two don't like each other, just that they're way too easily annoyed by one another (yes especially rogen by streissand with her constant phone messages consisting of nothing but questions, but also the other way around too in a couple of quick scenes where Streissand is seemingly all too aware of how annoying her son finds her, which leads to her surprised reaction at being asked by him to go on this road trip.) The film does a very good job of showing you (and not just telling you) the two characters starting to not just like each other but appreciate each other as actual people throughout the course of the film even if it is a little slanted on the side of the mother (but of course it would be--its barbra steissand after all) I especially liked the recurring scenes of the two of them listening to a book on cd of Middlesex throughout the film--all 22 discs of it! Its a cute device that could double as a nice representative of the film as a whole--a little hokey at first, the jokes made are a little shopworn at first as well (Rogen is rather uncomfortable with the subject matter of the book, which is understandable given that its so not the kind of book you'd wanna experience with your mom at your side) but the recurring scenes throughout the movie as both characters keep coming back to that book on cd (rogen gradually giving in to the narrative as well despite its over length) are effective. The film itself started to have that kind of effect on me as well in that the film is a little on the hokey shopworn side but you kind of connect to them as people as the film goes on and hope they manage to work out whatever differences they have. The film is actually full of recurring things like that that start out kind of corny but become effective thru repetition. Like, Streissand's character loves m and m's--she's seen waking up or going to bed and covered in wrappers in a scene at the beg and then again in the middle and then towards the end when Rogen spots a big m and m figure his pointing out of it to his mom was a cute moment that was well built up to. Details like that are really nice touches that to me go a long way to keeping the film's characters likable and human and not just stick figures in a movie. The movie could probably be best described as cute, but there are some very funny one liners throughout as well as some scenes that do a good job wringing drama out of the situation as well without being too heavy handed about it.

Its been mentioned here as well but this is also a fundamentally nice film too-there aren't many scenes here that would make you squirm if you were sitting next to your mom watching it--and i think to their credit the writer and director did a good job making a mother/son film that successfully exploits the gap between the two without piling on what could have been really obvious and labored jokes--there's a very nice sense of low key chemistry between the two stars that even when the two of them are confronting one another on their shortcomings, never quite crosses into uncomfortable hostility despite the fact that it could have very easily done so. Also despite some predictable stretches, and some scenes that don't really add anything except minutes to the running time, there is a nice lived in and somewhat laid back vibe to the film as a whole. (for example the quick breakdown of the car in the middle of the highway and them having to wait for the tow truck to arrive while at a strip club scene while nicely low key might not really add anything plot wise, but it is fairly plausible that's that how the 2 characters would react in that situation and thankfully at no point does the film threaten to descend into shrill unpleasant characterizations and unlikely "comedic" things happening which a lesser film like the meet the focker sequels that streissand herself appeared in would've indulged in.) I think for me the best parts and prob the meat of the film were the ones that involved streissand in rogen's attempts to sell his cleaning product--throughout the film he's bombing at his various sales presentations where he's supposed to be enticing the store buyers (including Costco and K-Mart) into wanting to know more about his new product--and its only at the end when he finally gets over himself long enough to actually listen to what his mom had been telling him earlier in the film that he starts to actually change his sales tactics--and again i think this was just a very nice and effective way to show the character growth without hitting you over the head with the fact that the son managed to learn a couple things from his mom after all, despite the very annoying tendencies of his mom to couch the actual valid arguments in rather nagging tones that would of course lead him to discard anything she might actually have to say. Its a sweet little film and thankfully it doesn't hit you over the head with its own sweetness or hostility or mawkish sentiment, going down smoothly and pleasantly enough. (well maybe the big grand speech at the end overdoes it with the sentiment--but again its barbara streissand in the central role--if she can't get a nice somewhat big moment to play then what's the point in having her right?)