Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Artie and Diane agree to look after their three grandkids when their type-A helicopter parents need to leave town for work. Problems arise when the kids' 21st-century behavior collides with Artie and Diane's old-school methods.
A Princeton admissions officer who is up for a major promotion takes a professional risk after she meets a college-bound alternative school kid who just might be the son she gave up years ago in a secret adoption.
After a stint in a mental institution, former teacher Pat Solitano moves back in with his parents and tries to reconcile with his ex-wife. Things get more challenging when Pat meets Tiffany, a mysterious girl with problems of her own.
David O. Russell
Robert De Niro
Dispatched from his basement room on an errand for his widowed mother, slacker Jeff might discover his destiny (finally) when he spends the day with his unhappily married brother as he tracks his possibly adulterous wife.
Two salesmen whose careers have been torpedoed by the digital age find their way into a coveted internship at Google, where they must compete with a group of young, tech-savvy geniuses for a shot at employment.
When a street magician's stunts begins to make their show look stale, superstar magicians Burt Wonderstone and Anton Marvelton look to salvage on their act - and their friendship - by staging their own daring stunt.
The Paramount marketing department were so certain that Barbra Streisand would gain a Golden Globe nomination for her performance, that not only did they put out an ad congratulating her victory, but posted it online moments before the nominations were announced, only to be swiftly pulled when Streisand ended up without the nod. See more »
In the opening scene of the movie, Joyce crumples up an M&M's bag in her hand, and then the next shot shows her putting this bag onto her nightstand, only it's not crumpled up, and is actually flattened out. See more »
During the credits, more is shown of Andy and his mother dealing with each other during the long drive, that is, several of Rogen and Streisand's comic improvisations. The 'mini-screen' moves a few times to make room for the credits. See more »
Ignore the Commercials. See Film on it's own Merits
The Paramount marketing department would have you think this film is a wacky laugh fest. Which is a pity, since more people would enjoy the film if their expectations were different. They go in thinking the film is one way. When in reality, it's a whole other thing. The film is much more touching, funny, and real. I cared about the two main characters, and how they interacted. I was interested in what was at stake for them. For me, the smaller moments of the film made it enjoyable. It was delightful to see Streisand and Rogen working off each other like they have known each other for years. Be sure to stay for the credits to see just how well they played off each other.
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