Alma returns to Mexico seeking the man who caused the loss of her childhood home. He is not easily found, but the road to him brings her closer to her late father, and the secrets he took with him to his grave.
A woman returning home falls asleep and has vivid dreams that may or may not be happening in reality. Through repetitive images and complete mismatching of the objective view of time and space, her dark inner desires play out on-screen.
While training at the gym 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits.
Sean (Colm O'Leary), an Irish immigrant to America, finds his heart and mind in disarray. Having returned from military service in Afghanistan, he befriends Ike (Will Oldham, A.K.A. Bonnie 'Prince' Billy), a strong willed evangelical, who endeavors to ensure his salvation. Inundated by a relentless fragility. Sean is confronted by a choice between the temptation of certainty and the chaos of the world around him. A meditation on friendship, human need and frailty, NEW JERUSALEM explores the allure and limitations of modern utopian belief. Written by
Basically a rehash of the same theme--- the world of a depressed individual--- that was explored in THE BUILDER, a film Alverson produced a year earlier. Only this time everything is transferred to a used tire shop. Lots of day to day minutiae, images which offer little of any substance with which the viewer can begin to understand what is transpiring in the protagonist's mind or what, if any, message the film is intended to convey.
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