| Wes Bentley | ... | Hirokin | |
| Jessica Szohr | ... | Orange | |
| Angus Macfadyen | ... | Moss | |
| Laura Ramsey | ... | Maren | |
| Julian Sands | ... | Griffin | |
| Mercedes Manning | ... | Terra | |
| Justin Shilton | ... | Cain | |
| Rodney Charles | ... | Honsu | |
| Esteban Powell | ... | Sevren | |
| Newton Kaneshiro | ... | Airborne | |
| Max Martini | ... | Renault | |
| Rowena Zirbel | ... | Pheon | |
| Daz Crawford | ... | Kore | |
| Robert Fleet | ... | 1st Rebel Leader | |
| Lauren Mo-Sun | ... | Audowen | |
| Carrie Lazar | ... | Mid-wife | |
| Chiara Digiallorenzo | ... | Emerald | |
| Jason Barry | ... | Barson | |
| Mario Perez | ... | Third Man | |
| Brett A. Newton | ... | Lookout | |
| Edward Gusts | ... | Arid Leader 2 | |
| Stephane Nicoli | ... | Tribe Member | |
| Mark Anthony Lopez | ... | Human Survivor | |
| Josh Cowdery | ... | Rebel Leader | |
| Alexandra Amadio | ... | Bartender's Wife (as Alexandra Armadio) | |
| Amanda Peters | ... | Concubine #1 | |
| Emily Callaway | ... | Concubine #2 | |
| Ryan Everett Canfield | ... | Arid Rebel Leader | |
| Casey Larios | ... | Deacon #1 | |
| Joey Fantastico | ... | Deacon #2 | |
| Amber Asdourian | ... | Orange June 4th, 2010 | |
| Joseph Desmond | ... | Nuran | |
| Omar Wilkes | ... | Reaper | |
| Ron Geren | ... | Soldier #1 | |
| Patrick Bentley | ... | Soldier #2 | |
| Julie Engerman | ... | Arid Slave Girl / Arid Slave #2 | |
| Fabio Periera | ... | Soldier #3 | |
| Sigmund Watkins | ... | Honsu Photo Double | |
| Devin Manning | ... | Hirokin Photo Double | |
| Daniel Lennon | ... | Finley's Guard / Griffin Double | |
| Brooke Mueller | ... | Arid Mother | |
| Sydney Fiore | ... | Lila | |
| Mordecai Finley | ... | Finley (as Rabbi Mordecai Finley Ph.D.) | |
| Jenifer Cononico | ... | Ellen | |
| Stefania Digiallorenzo | ... | Emerald's Sister | |
| John L. Baker | ... | Rebel Leader #2 (as John Baker) | |
| Mariel Gomsrud | ... | Maren Double / Arid Woman | |
| Jill Frye | ... | Arid Women #2 | |
| James Fuentez | ... | Deacon #3 | |
| Jonathan Freed | ... | Arid Elder | |
| Dustin Reynolds | ... | Apostate | |
| Gregory Bell | ... | Deacon #4 | |
| Rowly Dennis | ... | Deacon #5 | |
| Andrew Gohl | ... | Arid Villager | |
| Larry Finlay | ... | Arid Villager | |
| James Miller | ... | Deacon #6 | |
| Pat Ledbetter | ... | Arid Elder #2 | |
| Ryan Miller | ... | Deacon #7 | |
| Nicole Corrao | ... | Arid Villagers #1 | |
| Kira Arias | ... | Arid Villagers #2 | |
| Jaynie Thompson | ... | Arid Villagers #3 | |
| Carla Cullen | ... | Arid Villagers #4 | |
| Jackie Chevalier | ... | Arid Villagers #5 | |
| Laryn Hundley | ... | Arid Villagers #6 | |
| Robin Kimbell | ... | Arid Villagers #7 | |
| Jamie Caldera | ... | Arid Villagers #8 | |
| Cassy Crippen | ... | Arid Villagers #9 | |
| Rebecka Gray | ... | Arid Villagers #10 | |
| Rhonda Dunbar | ... | Arid Villagers #11 | |
| Matthew Wolf | ... | The Voice of Kore | |
| rest of cast listed alphabetically: | |||
| Kohl V. Bladen | ... | Rebel Warrior #1 (uncredited) | |
| Wayne Brandenburg | ... | Villager (uncredited) | |
| Danielle Catherine | ... | Arid Slave (uncredited) | |
| Franq Ezenekwe | ... | Rebel (uncredited) | |
| Kira Muchnik | ... | Concubine #3 (uncredited) | |
| Adam J. Wagener | ... | Arid Slave (uncredited) | |
Directed by | |||
| Alejo Mo-Sun | |||
Writing credits(in alphabetical order) | ||
| Alejo Mo-Sun | written by | |
Original Music by | |||
| John Paesano | |||
Cinematography by | |||
| Cameron Duncan | |||
Film Editing by | |||
| Jennifer Harrington | |||
| Travis North | |||
| Bryan Roberts | |||
Production Design by | |||
| Stephanie J. Gordon | |||
Art Direction by | |||
| Michael Rixon | |||
Costume Design by | |||
| Jessica Wenger | |||
Makeup Department | |||
| Stephanie Bravo | .... | makeup department head | |
| George Frangadakis | .... | special makeup effects project supervisor | |
| Andrew Freeman | .... | creature designer | |
| Andrew Freeman | .... | sculptor | |
| Vincent J. Guastini | .... | special makeup & creature effects designer and supervisor | |
Production Management | |||
| Elaine Dysinger | .... | unit production manager | |
| Brianna Kondrat | .... | assistant production supervisor: pick-ups | |
| Will Raee | .... | production supervisor: pick-ups | |
| Jaki West | .... | additional unit production manager | |
Art Department | |||
| Steve Clarke | .... | previsualisation artist | |
| John Dimmick | .... | prop maker | |
| Ben Estes | .... | construction grip | |
| John Everett | .... | laborer | |
| Ian Ferguson | .... | construction grip | |
| Cary Garrison | .... | construction grip | |
| Jacqueline Kay | .... | set dresser | |
| Daniel McAlpine | .... | prop maker | |
| Arthur 'Chip' Norris | .... | laborer | |
| John Blake Pietrolungo | .... | prop maker | |
| Liz Wilson | .... | on-set dresser | |
| David Zachary | .... | prop maker | |
| Hannah Zachary | .... | set dresser | |
| Sarah Zachary | .... | set dresser | |
Sound Department | |||
| Julie Altus | .... | adr recordist | |
| Patrick Cusack | .... | adr editor | |
| Paul Flinchbaugh | .... | digital assistant | |
| Alexandra Gallo | .... | boom operator | |
| Greg Hayes | .... | sound recordist | |
| Richard Hocks | .... | foley artist | |
| Gina Manegio | .... | adr recordist | |
| Glenn T. Morgan | .... | supervising sound designer & editor | |
| Lisa Pinero | .... | sound mixer | |
| Ricky Rogers | .... | adr recordist | |
| Warren Santiago | .... | foley artist | |
| Dean St. John | .... | adr mixer | |
| Greg Steele | .... | adr mixer | |
| Mathew Waters | .... | sound re-recording mixer | |
| Mathew Waters | .... | supervising sound designer & editor | |
| Ben Wilkins | .... | foley supervisor | |
| Ben Wilkins | .... | sound re-recording mixer | |
| Greg Zimmerman | .... | adr recordist | |
Visual Effects by | |||
| Andrew Lewitin | .... | visual effects | |
| Ken Locsmandi | .... | visual effects | |
| Jeremy Shuback | .... | digital artist | |
| Diego Torroija | .... | visual effects | |
| Michael Joseph Warren | .... | visual effects artist (as Michael Warren) | |
Stunts | |||
| Lloyd Barachina | .... | stunts | |
| Patrick Bentley | .... | stunt performer | |
| Timothy Thomas Brown | .... | stunt double: Angus Macfadyen | |
| Timothy Thomas Brown | .... | stunts | |
| Robert Chapin | .... | stunts | |
| Joey Fantastico | .... | stunt performer | |
| Joey Gardner | .... | stunts | |
| Julius LeFlore | .... | stunt coordinator | |
| Mario Perez | .... | fight coordinator | |
| Mario Perez | .... | stunt double: Julian Sands | |
| Mario Perez | .... | stunt double: Wes Bentley | |
| Samuel Reynolds | .... | stunt double | |
| Scott Rosen | .... | stunt double | |
| Marcus Salgado | .... | fight coordinator | |
| Paul Anthony Scott | .... | stunts | |
| Tom Waite | .... | stunts | |
Camera and Electrical Department | |||
| Emma Alling | .... | second assistant camera: "b" camera | |
| John L. Baker | .... | video assist (as John Baker) | |
| Kevin Ball | .... | key grip | |
| Justin Browne | .... | steadicam operator: "a" camera operator | |
| Scott Dropkin | .... | additional steadicam operator | |
| Nikki Gray | .... | first assistant camera: second unit | |
| Danny Grunes | .... | first assistant camera: "b" camera | |
| Matt Kennedy | .... | still photographer | |
| Nvard Khachatryan | .... | d.i.t assistant | |
| Brandon Margulies | .... | first assistant camera | |
| Clint Moran | .... | second assistant camera: "a" camera | |
| Scott Snare | .... | dit red camera | |
| Michael P. Tedford | .... | additional cinematographer | |
| Bas Tiele | .... | first assistant camera: "a" camera | |
Costume and Wardrobe Department | |||
| Krystine Couch | .... | set costumer | |
| Christina Matthews | .... | costume assistant | |
| Fabiola Ruiz | .... | wardrobe assistant | |
| Tiffany Welt | .... | costume supervisor | |
Editorial Department | |||
| Lysandra Petersson | .... | assistant editor | |
| Lysandra Petersson | .... | assistant editor | |
Music Department | |||
| Peter Fuchs | .... | scoring mixer | |
| Joshua Johnson | .... | composer: additional music | |
| Braden Kimball | .... | composer: additional music | |
| Braden Kimball | .... | music scoring mixer | |
Transportation Department | |||
| John Proctor | .... | transportation coordinator | |
| Tim Schau | .... | transportation | |
Other crew | |||
| Jeff Beachnau | .... | office assistant | |
| Patrick Bentley | .... | assistant to wes bentley | |
| Eric Clarke | .... | location assistant | |
| Elissa Cohn | .... | assistant production coordinator | |
| Helen de Vivien | .... | production coordinator | |
| Nicholas Fabiano | .... | assistant to Ms. Szohr | |
| Joey Fantastico | .... | key set production assistant (as Joey Valenti) | |
| Angie Kern | .... | set medic | |
| Ruba Kharuf | .... | first assistant accountant | |
| Esther Kiss | .... | adr loop group | |
| Brianna Kondrat | .... | assistant to director | |
| Daniel Lennon | .... | production coordinator: pick-ups | |
| Jill Naumann | .... | location manager | |
| Alice Loney Oestreich | .... | production assistant | |
| Kristin Owings | .... | script supervisor | |
| Jason Suhrke | .... | set production assistant | |
| Amery Thao | .... | production assistant | |
| Angela Trevino | .... | production accountant | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
People are comparing this to some big $50 million dollar studio films which it is simply not. It had an extremely small budget, but looks absolutely nothing like a low-budget movie. The fact that it's confusing people into thinking it was a studio movie is technically a really good thing.
Think about it, the cinematography, the quality of the film it was shot on, the posters, the CGI, the sound effects and the score, everything about the movie is able to compete with big budget studio movies-that's impressive.
Some of the actors aren't the best and the story isn't groundbreaking, but that's not unusual for indie movies especially when there are hundreds of movies with an entire cast of terrible actors (Hirokin had Wes Bentley as the lead) much worse than in Hirokin. It even has some surprising side-characters. The two stoner-buddy smugglers are extremely funny.
When you think about it like this, Hirokin is an achievement. An independent sci-fi action film is unheard of and extremely ambitious these days. Most indie movies involve characters sitting in an apartment or storefront and talking about hyper-specific culturally sensitive idiosyncratic topics and ideas for extremely niche audiences while Hirokin has SFX, an orchestral score, and looks like it was shot on another planet. Also Hirokin can travel internationally just fine.
Hirokin is not a 'studio blunder' like John Carter-it is a new breed of indie film that is able to confuse you into thinking it was a studio level movie.