The vampires Louise, Charlotte and Nora arrive in Berlin after attacking the passengers and crew of an airplane in a flight to Paris. The leader Louise has been looking for centuries for her missed love and Charlotte misses her daughter that she saw in 1923 for the last time. Meanwhile, the smalltime pickpocket Lena steals a Russian mobster and is chased by Detective Tom. When Lena goes to a nightclub, the lesbian Louise believes that Lena is the love of her life and transforms her into a vampire. Lena initially feels lost with the transformation, but sooner she joins the trio of vampires in their nightlife. When the pack of vampires attacks a group of criminals, the police department investigates the case and hunts the women without knowing the risks that they are taking. Meanwhile the lonely Tom and the Lena fall in love with each other; but the unrequited love of Louise for Lena jeopardizes the couple. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Dennis Gansel got the idea for the movie while walking home to his apartment in Berlin after watching The Craft (1996). He came across a large abounded building and thought it was curious that such a place existed in Berlin. While walking home he began to fantasize about what could be going on in there. When he came home, his then girlfriend showed him some photos she had taken. There had been something wrong with the photos during the processing and the photos looked rather ghastly. And then the ideas came together in Gansel's head. See more »
The safety cars the girls drive after the police raid have completely tinted windows for obvious reasons. But cars with tinted front windows as shown in the film are forbidden in Germany. However, this is probably intentional as Louise is wealthy and might have gotten the cars through illegal ways as an emergency escape plan. See more »
And you want to try to arrest me again?
No, I'm afraid of you.
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Opening and closing credits are white initially, but just before fading out out, they turn blood-red. See more »
As a film, it's a nice one. As a genre - a modern vampire - flick, it might easily deserve a full tenner. It's one of the most intelligent, mature (no pun intended on the ladies, who have had about 300 years to ripe), technically apt movies about the life of a vampire in the modern world. The story might be only so-so, but the solid actors, the production values, the direction and the overall classy look of the outcome more than compensates for the (very slight) shortcomings of the structure. Basically a lesbian love (or lust) story, it never gets sappy or lame, whether dealing with girl-on-girl or straight passion. It's quite different from American vamp flicks (True Blood bares similarities in the overall mood), especially those vamp flicks, which pretend to be European. Wie sind die Nacht is a solid piece of good entertainment without most of the clichés of a traditional 'I suck your blood' romp. It's a vampire film, which never once mentions the word 'vampire'. My only negative complaint would be the appearance of Charlotte (the utterly gorgeous Jennifer Ulrich): why do we always assume, that a vampire sort of gets stuck to the fashion of the era he/she was actually young in? Look at Tom Cruise in The Vampire Chronicles: the guy has been around for - what? 250 years? And he NEVER gets tired of ruffs, laces and buckled shoes? Never once ventures to try out jeans, fishnet shirts, disco boots, zoot suits --- no?! I mean come on! - a vampire, if anyone, should be willing to always change its appearance, for the sake of sheer boredom! Yet, Charlotte, who was made a vampire in 1923, never outgrows the Charleston dress, even though she is a remarkably pretty dish. Hard to believe. But hey, the ladies have killed off all the male vampires in the world, so they may very well wear what ever they desire. Enjoyable!
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