Inken (Diana Amft) is an eighteen-year-old girl, frustrated for not having had an orgasm yet with her boyfriend. Her two best friends are Vicky (Felicitas Woll), who is in the same ... See full summary »
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich ... See full summary »
Argentina, in the middle fifties. Sulamit is the daughter of German-Jewish refugees. Friedrich is the son of German-Nazis refugees. Both children are closely friends as times goes by ... See full summary »
Nathalie Lucia Hahnen
Tim and his friend Can go to bars and lie to girls about one of them being terminally ill so they can gain sympathy and be guaranteed a "hook up" for the night. Tim meets Marie hooks up ... See full summary »
When novelist Andrea Dewenter dies in a car accident, the lives of her husband Christian, grown-up son Lars, and adolescent daughter Elaine go off the rails. For all three, the few days ... See full summary »
Five friends spend their holidays on a faraway island in the sea. On the last day of the holidays, out of the blue, Björn informs his friends that he will not return home but intends to ... See full summary »
Thierry van Werveke
The vampires Louise, Charlotte and Nora arrive in Berlin after attacking the passengers and crew of an airplane in a flight to Paris. The leader Louise has been looking for centuries for her missed love and Charlotte misses her daughter that she saw in 1923 for the last time. Meanwhile, the smalltime pickpocket Lena steals a Russian mobster and is chased by Detective Tom. When Lena goes to a nightclub, the lesbian Louise believes that Lena is the love of her life and transforms her into a vampire. Lena initially feels lost with the transformation, but sooner she joins the trio of vampires in their nightlife. When the pack of vampires attacks a group of criminals, the police department investigates the case and hunts the women without knowing the risks that they are taking. Meanwhile the lonely Tom and the Lena fall in love with each other; but the unrequited love of Louise for Lena jeopardizes the couple. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The song "Au clair de la lune" that Charlotte sings and is used as her theme is the first song ever recorded and also the first sound ever recorded. It was recorded in 1860 by Édouard-Léon Scott de Martinville. See more »
At one point, the siren of a police car can be heard. However, this is not the typical sound German police cars use. See more »
Vampire films are ten a penny these days. But it's not all the same old crap over and over again. With vampire films, I think you just need to find the right balance between emotional moments that humanise these monsters, and those awesome cool moments. We Are The Night does pretty well in both departments, even if it is in favour of action. The first scene had me absolutely hooked. The camera pans around an airplane where all the passengers and crew have been killed. Still alive are three attractive women that soon reveal themselves to be vampires. After a bit of fun, they open the airplane door and dive out mid-air. From there we are introduced to Lena, a young criminal that soon finds herself involved with the vampires. Unfortunately for them, just before Lena is turned, she catches the eye of a young policeman that's interested in her. Like all vampire films, it starts by showing the luxurious excess. Clubbing, drinking, sex etc. But at the same time the film uses the character of Charlotte as an antidote to all this. She obviously suffers from depression. As the gang go out shopping, she stares longingly at some baby shoes. She also stands in the sunlight causing herself great pain. This character encompasses the strongest emotions, and counteracts the action nicely. We also have Louise. A lesbian vampire that is in love with Lena and feels jealous about Lena's crush on the young cop Tom. It shows that no longer how long you live for, certain human emotions are unavoidable. Towards the end it goes for all out action. With SWAT teams, prison breaks, and a beautifully shot fight that has the vampires moving all over the walls. The music was also enjoyable, but the amount of nightclub scenes did get tiring. Just one less could have made an improvement. We Are The Night is a string Vampire film, with stunning locals and excellent pacing. It was great seeing these girls have fun in a woman only vampire world. Another great example of Gansel's talent.
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