Juliane's happiness seems perfect. She is head over heals in love and has just begun a new life with August. One morning, however, she wakes up to find that she has been unexplainable ... See full summary »
Inken (Diana Amft) is an eighteen-year-old girl, frustrated for not having had an orgasm yet with her boyfriend. Her two best friends are Vicky (Felicitas Woll), who is in the same ... See full summary »
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich ... See full summary »
Yella is estranged from her possessive and violent husband; but he can't quite bring himself to give her up. When their fraught interaction finally comes to dramatic conclusion, Yella's life takes an odd shift.
The vampires Louise, Charlotte and Nora arrive in Berlin after attacking the passengers and crew of an airplane in a flight to Paris. The leader Louise has been looking for centuries for her missed love and Charlotte misses her daughter that she saw in 1923 for the last time. Meanwhile, the smalltime pickpocket Lena steals a Russian mobster and is chased by Detective Tom. When Lena goes to a nightclub, the lesbian Louise believes that Lena is the love of her life and transforms her into a vampire. Lena initially feels lost with the transformation, but sooner she joins the trio of vampires in their nightlife. When the pack of vampires attacks a group of criminals, the police department investigates the case and hunts the women without knowing the risks that they are taking. Meanwhile the lonely Tom and the Lena fall in love with each other; but the unrequited love of Louise for Lena jeopardizes the couple. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
According to Dennis Gansel, the vampires each represents a time in German history he thought where a high point Louise represents the lat 1700's, Charlotte the 1920's and the golden age of German films and Nora the 1990's after the fall of the Berlin wall. See more »
When Lena calls the policeman she dials a mobile number (prefix 0174). Right after she finishes dialing you can hear the ring tone. However, when you call a German mobile phone there is a distinctive pause (ca. 6 seconds) between typing the number and hearing the ring tone (the connection to the mobile phone is established in this time). See more »
If you knew deep within your soul that there was only one person in the world meant just for you, the only person who could make you happy, what would you give up? What would you sacrifice? And how long would you search for them? How many centuries? And if you ever did find them, then what? Could you ever let them go? Wouldn't you grab onto them with both arms... and never... never let them go?
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Opening and closing credits are white initially, but just before fading out out, they turn blood-red. See more »
In We Are The Night, a girl, Lena, living on the street and stealing catches the eye of a vampire queen, Louise. Louise is always looking for her soulmate and thinks she can identify her by looking at her eyes. Her previous conquests were Nora a fun young girl and Charlotte a classy girl.
Also catching the eye of Lena is a cop looking to arrest her. But Lena outsmarted him and he fell for her. One night Lena is turned into a vampire by Louise and joins the group. The girls, immortal and rich, just live a life of fun, pleasure, and games. They race exotic cars in the city at night, go shopping in a mall all for themselves, dance in their club. Despite this life of opulence, Lena isn't all that thrilled about consuming blood and killing people. She does enjoy the powers of a vampire- super strength and the ability to defy gravity. But the cop doesn't give up and tries somewhat successfully to seduce her.
This will lead to the cops getting on the trail of the vampire clan, which was responsible for massacring some mobsters.
We Are The Night is a great title for a vampire movie, and the movie is also great. Unlike 95% of vampire movies in the last 15 years, it's not offensive to fans of the genre. It's a real cool, very stylish, and erotic vampire movie full of fantastic actions scenes. This day and age it's harder and harder to impress with action scenes but this movie does it. And the vampires, crawling, walking, and fighting on walls and ceilings looks excellent. The cast is outstanding. Nina Hoss' Louise in particular is very interesting, she's mature but attractive and has something animalistic about her. Anna Fischer's Nora is innocent, fun, playful, yet vicious. Jennifer Ulrich's Charlotte is distinguished and classy, she likes to smoke using cigarette holders and read books but is very deadly when necessary. This movie features the nastiest paper cut ever. Direction is first rate and the locations in and around new and old Berlin are quite unique.
But unfortunately, We Are The Night has to take the moralistic turn 3/4 of the way into it. That's when the "good" guys catch up with the "bad" guys and you know the outcome. The editing cold have been better. The ending still is surprising and interesting but vampires have always been the more interesting and sympathetic characters than the regular and boring humans. This movie should turn into a franchise, not sure how, but fans of vampire movies deserve a We Are The Night II.
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