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| Jodie Foster | ... | Penelope Longstreet | |
| Kate Winslet | ... | Nancy Cowan | |
| Christoph Waltz | ... | Alan Cowan | |
| John C. Reilly | ... | Michael Longstreet | |
| Elvis Polanski | ... | Zachary Cowan | |
| Eliot Berger | ... | Ethan Longstreet | |
| Joseph Rezwin | ... | Walter (Telephone Voice) (voice) (as Joe Rezwin) | |
| Nathan Rippy | ... | Dennis (Telephone Voice) (voice) | |
| Tanya Lopert | ... | Michael's Mother (Telephone Voice) (voice) | |
| Julie Adams | ... | Secretary (Telephone Voice) (voice) | |
| rest of cast listed alphabetically: | |||
| Lexie Kendrick | ... | Jogger (voice) (uncredited) | |
Directed by | |||
| Roman Polanski | |||
Writing credits | ||
| Yasmina Reza | (play "Le Dieu du carnage") | |
| Yasmina Reza | (screenplay) & | |
| Roman Polanski | (screenplay) | |
| Michael Katims | translation | |
Produced by | |||
| Saïd Ben Saïd | .... | producer | |
| Oliver Berben | .... | co-producer | |
| Frederic Blum | .... | line producer | |
| Marisa Fernández Armenteros | .... | associate producer: Versatil Cinema (as Marisa Fdez. Armenteros) | |
| Eva Garrido | .... | associate producer: Versatil Cinema | |
| Martin Moszkowicz | .... | co-producer | |
| Javier Méndez | .... | executive producer: Versatil Cinema | |
| Piotr Reisch | .... | co-producer | |
| Jaume Roures | .... | co-producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Pawel Edelman | (director of photography) | ||
Film Editing by | |||
| Hervé de Luze | (as Herve de Luze) | ||
Casting by | |||
| Fiona Weir | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Jean-Michel Ducourty | |||
Set Decoration by | |||
| Franckie Diago | (as Frankie Diago) | ||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Laurent Bozzi | .... | hair stylist: Miss Foster | |
| Laurent Bozzi | .... | makeup artist: Miss Foster | |
| Jean-Max Guérin | .... | hair stylist (as Jean-Max Guerin) | |
| Anais Lavergne | .... | makeup artist | |
| Didier Lavergne | .... | key makeup artist | |
| Jean-Luc Russier | .... | hair stylist: Miss Foster | |
| Jean-Luc Russier | .... | makeup artist: Miss Foster | |
Production Management | |||
| Frédéric Blum | .... | production manager | |
| Abraham Goldblat | .... | post-production supervisor: I Mdiate Post Productions | |
| Vincent Lefeuvre | .... | unit manager | |
| Laurent Perrot | .... | assistant unit manager | |
| Christine Rothe | .... | head of production: Constantin Film | |
Second Unit Director or Assistant Director | |||
| Mareike Engelhardt | .... | third assistant director | |
| Sophie Le Guénédal | .... | third assistant director (as Sophie Le Guenedal) | |
| Ralph Remstedt | .... | first assistant director | |
| Caroline Veyssière | .... | second assistant director | |
Sound Department | |||
| Hortense Bailly | .... | assistant dialogue editor: sound | |
| Jean-Marie Blondel | .... | sound mixer | |
| Mélanie Blouin | .... | foley editor | |
| Katia Boutin | .... | dialogue editor | |
| Roberto Cappannelli | .... | sound re-recording mixer | |
| Guillaume D'Ham | .... | assistant sound editor | |
| Jacques Defrance | .... | foley artist assistant | |
| Thomas Desjonquères | .... | sound editor | |
| Philippe Dongé | .... | sound assistant (as Philippe Donge) | |
| Dean Humphreys | .... | sound re-recording mixer | |
| Didier Lesage | .... | foley recordist | |
| Stephane Lioret | .... | boom operator | |
| Elizabeth Nebout-Mevel | .... | executive director: Auditoriums De Boulogne | |
| Niels | .... | dialogue editor | |
| Theotime Pardon | .... | second boom operator | |
| Philippe Penot | .... | foley artist | |
| Dominique Poujouly | .... | booking manager: Auditoriums De Boulogne | |
| Simon Poupard | .... | sound assistant | |
| Dominique Toussaint | .... | optical sound transfer: Cine Stereo | |
| Sabrina Felgueiras | .... | assistant sound editor (uncredited) | |
| Michel Monier | .... | sound consultant: dolby (uncredited) | |
| Chris Navarro | .... | adr mixer (uncredited) | |
| Florian Penot | .... | assistant foley artist (uncredited) | |
Special Effects by | |||
| George Demetreau | .... | special effects | |
| Alexis Kinebanyan | .... | special effects | |
Visual Effects by | |||
| Hugo Arcier | .... | 3d digital artist: def2shoot | |
| Jerome Binckly | .... | 2d digital artist: def2shoot | |
| Stéphane Bonnet | .... | technical supervisor: def2shoot (as Stephane Bonnot) | |
| Vincent Carré | .... | 3d digital artist: def2shoot (as Vincent Carre) | |
| Claude Chabot | .... | 3d digital artist: def2shoot | |
| Anthony Charbonnier | .... | 2d digital artist: def2shoot | |
| Matthieu Chatelier | .... | 2d digital artist: def2shoot | |
| Nicolas Coppolani | .... | 3d digital artist: def2shoot | |
| Olivier Debert | .... | 2d digital artist: def2shoot | |
| Emmanuel Denis | .... | 3d digital artist: def2shoot | |
| Simon Descamps | .... | in and out: def2shoot | |
| Alicia Etourneau | .... | 3d digital artist: def2shoot | |
| Fabien Guiliani | .... | 3d supervisor: def2shoot | |
| Alexandre Gény | .... | 2d digital artist: def2shoot (as Alexandre Geny) | |
| Jérémy Justice | .... | 2d digital artist: def2shoot (as Jeremy Justice) | |
| Nicolas Kermel | .... | 2d digital artist: def2shoot | |
| Marc Latil | .... | 2d digital artist: def2shoot | |
| Emilien Lazaron | .... | visual effects editor | |
| Nicolas Leblanc | .... | 3d digital artist: def2shoot | |
| Dominique Leconte | .... | 2d digital artist: def2shoot | |
| Thibault Martegani | .... | 2d digital artist: def2shoot | |
| Frederic Moreau | .... | visual effects designer: def2shoot | |
| Sarah Moreau | .... | visual effects producer: def2shoot (as Sarah Moreau-Flament) | |
| Olivier Osotimehin | .... | 3d digital artist: def2shoot | |
| Florence Pernet | .... | 2d digital artist: def2shoot | |
| Fred Roz | .... | titles: def2shoot | |
| Mikael Tanguy | .... | visual effects supervisor: def2shoot | |
| Jean-Francois Theault | .... | 2d digital artist: def2shoot | |
| Anne-Laure To | .... | 2d digital artist: def2shoot (as Anne Laure To) | |
| Olivier Veau | .... | 2d digital artist: def2shoot | |
| Nicolas Zborowska | .... | 3d digital artist: def2shoot | |
| Philippe Zozor | .... | 2d digital artist: def2shoot | |
| Aurélien Grand | .... | retouch and restoration (uncredited) | |
Camera and Electrical Department | |||
| Brice Bailly | .... | electrician | |
| Jérôme Baudouin | .... | electrician (as Jérôme Baudoin) | |
| Pascal Delaunay | .... | grip | |
| Guy Ferrandis | .... | still photographer | |
| Jan Gagnaire | .... | grip | |
| Antonin Gendre | .... | key grip | |
| Cédric Guerby | .... | electrician (as Cedric Guerby) | |
| Zbigniew Gustowski | .... | focus puller: "c" camera | |
| Marie Lafont | .... | video assist operator | |
| Kevin Laot | .... | camera assistant | |
| Benjamin Lefèbvre | .... | electrician (as Benjamin Lefebvre) | |
| Mikael Monod | .... | gaffer (as Michael Monod) | |
| Marcus Pohlus | .... | steadicam operator | |
| Jeremiasz Prokopowicz | .... | camera operator (as Jeremi Prokopowicz) | |
| Julien Coquillet | .... | grip (uncredited) | |
| Karine Feuillard | .... | additional second assistant camera (uncredited) | |
| Pierre-Hugues Galien | .... | additional cinematographer (uncredited) | |
| Jonathan Ly | .... | additional grip (uncredited) | |
| Giovanni Quéné | .... | grip (uncredited) | |
Casting Department | |||
| Geneviève Acien | .... | additional casting | |
| Valerie Espagne | .... | additional casting | |
| Ruth Key | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Patricia Colin | .... | costume supervisor | |
| Judith de Luze | .... | wardrobe mistress | |
| Olivier Ligen | .... | costume designer assistant | |
| Nathalie Paillon | .... | seamstress | |
Editorial Department | |||
| Barbara Albucher | .... | post-production digital grader: Duboi (as Barbara Albucher Serci) | |
| François Aubé | .... | post-production: L.T.C. (as Francois Aube) | |
| Christophe Belena | .... | post-production digital grader: Duboi | |
| Lionel Cassan | .... | first assistant editor | |
| Christian Dutac | .... | grader: L.T.C. | |
| Grégory Gosse | .... | post-production digital grader: Duboi (as Gregory Gosse) | |
| Varujan Gumusel | .... | post-production: L.T.C. | |
| Claudia Leinert | .... | post-production manager: Germany, KOnstantin Film | |
| Loriane Lucas | .... | post-production coordinator | |
| Loriane Lucas | .... | post-production digital grader: Duboi | |
| Eric Martin | .... | post-production digital grader: Duboi | |
| Fabien Napoli | .... | dailies grader: Scanlab | |
| Fabien Pascal | .... | digital color grader: Duboi | |
| Josef Reidinger | .... | post-production distribution: Constantin Film | |
| Grégory Sapojnikoff | .... | post-production manager: Scanlab (as Gregory Sapojnikoff) | |
| Arnaud Caréo | .... | on-line editor (uncredited) | |
Music Department | |||
| Philippe Aiche | .... | orchestra leader | |
| Jean-Pascal Beintus | .... | orchestrator | |
| Christopher Briquet | .... | music contractor (as Christophe Briquet) | |
| Isabelle Degremont | .... | music supervision assistant: Explosante Fixe | |
| Alexandre Desplat | .... | conductor | |
| Alexandre Desplat | .... | orchestrator | |
| Andrew Dudman | .... | music mixer: Paris, Studios Guillaume Tell | |
| Andrew Dudman | .... | music recordist: Paris, Studios Guillaume Tell | |
| Xavier Forcioli | .... | music programmer | |
| Bruno Le Roux | .... | musician: guitar | |
| Solrey Lemonnier | .... | score producer (as Solre Lemonnier) | |
| Elise Luguern | .... | music supervisor: Explosante Fixe | |
| Michel Moragues | .... | musician: flute leader | |
| Lewis Morison | .... | music programmer | |
| Suzana Peric | .... | music editor | |
| Adrien Perruchon | .... | musician: percussions | |
| François Pinel | .... | musician: piano | |
| Marc Trenel | .... | musician: bassoon | |
| Norbert Vergonjeanne | .... | music preparation (as Norbert Vergonjanne) | |
| Cathialine Zorzi | .... | music contractor assistant | |
Transportation Department | |||
| Paul Bonfiglio | .... | driver: cast | |
| Herve Charbonnier | .... | driver | |
| Morgan Cluette | .... | driver (as Morgan Cluett) | |
| Rose Cool | .... | driver: trailer | |
| Lionel Desbrosses | .... | driver | |
| Clément Ducourty | .... | driver | |
| Denis Duncas | .... | driver: trailer | |
| Philippe Gallet | .... | driver: cast | |
| Kevin Mayer | .... | driver: trailer | |
| Pauline Pésery | .... | driver (as Pauline Pesery) | |
| Patrick Sesti | .... | driver: trailer | |
| Olivier Suffert | .... | driver: cast (as Olivier 'Tintin' Suffert) | |
| Trystram Sylvain | .... | driver: cast | |
Other crew | |||
| Aissa Abou-Elhassane | .... | accountants assistant | |
| Malgosia Abramowska | .... | set assistant: Roman Polanski | |
| Felicitas Achelis | .... | legal and business affairs: Constantin Film | |
| Julie Adams | .... | dialect coach: Christoph Waltz | |
| Carme Anglada | .... | press department: Versatil Cinema | |
| Ana Antunes | .... | assistant production coordinator | |
| Emma Baksi | .... | assistant: Jodie Foster | |
| Candice Barrada | .... | craft service: Macadam Miam | |
| Manuel Barrionuevo | .... | accounting department: Versatil Cinema | |
| Regine Baschny | .... | press agent: Germany, Just Publicity, Constantin Film | |
| Sylvette Baudrot | .... | script supervisor | |
| Joel Behr | .... | legal: Behr & Abramson and Intervista | |
| Stephane Beissy | .... | production accountant | |
| Meike Bockelmann | .... | coordinator: Constantin Film | |
| Laurent Bouzereau | .... | director: making of | |
| Olga Alvariño Cerro | .... | assistant: Constantin Film (as Olga Alvariño) | |
| Emilie Chave | .... | craft service: Macadam Miam | |
| Kevin Chneiweiss | .... | assistant to producer: SBS productions | |
| Isabelle Dassonville | .... | assistant: Roman Polanski | |
| Emma Davie | .... | unit publicist | |
| Ivan De Labbey | .... | assistant to producer: SBS Productions | |
| Wiebke Döhla | .... | publicity: Constantin Film | |
| Hélène Fabre | .... | production runner (as Helène Fabre) | |
| Laurent Fenestre | .... | web designer | |
| Helena Fernández Pérez | .... | legal services: Versatil Cinema (as Helena Fernandez Perez) | |
| Jean-Patrick Flande | .... | product placement: Film Media Consultant | |
| Heike Forster | .... | accountant: Constantin Film | |
| Johanna Fuchs | .... | assistant: Constantin Film | |
| Laurence Garcia | .... | accountant: SBS Productions | |
| Inés Gete | .... | legal services: Versatil Cinema (as Ines Gete) | |
| David Godino | .... | chief financial officer: Versatil Cinema | |
| Anna Gonzálvez Ortuño | .... | press department: Versatil Cinema (as Anna Gonzalvez) | |
| Gilles Goutal | .... | caterer: Cine Resto | |
| Katja Graf | .... | animal wrangler: Fauna & Films | |
| Alex Grden | .... | production unit assistant | |
| Frédéric Guy | .... | legal: Behr & Abramson and Intervista | |
| Susan Hegarty | .... | dialect coach: Kate Winslet | |
| Anne-Sophie Henry-Cavillon | .... | assistant production coordinator | |
| Undine Holz | .... | assistant: Oliver Berben, Constantin Film | |
| Stephan Imparto | .... | stand-in | |
| Torsten Koch | .... | general manager marketing and distribution: Constantin Film | |
| Hannah Kohtz | .... | chief accountant: Constantin Film (as Hanna Kohtz) | |
| Oliver Koppert | .... | general manager sales and distribution: Constantin Film | |
| Laurent Lambert | .... | set assistant: Kate Winslet | |
| Maxime Lecluyse | .... | stand-in | |
| Clémentine Lepecq | .... | assistant to producer: SBS Productions (as Clementine Lepceq) | |
| Jennifer Levy | .... | legal: Behr & Abramson and Intervista | |
| Carrie Lukasiewicz | .... | assistant: Kate Winslet | |
| Yasmina Majid | .... | coordinator: Constantin Film | |
| Annegret Michel | .... | assistant: Torsten Koch, Conctantin Film | |
| Maud Mischi | .... | legal: SBS Productions | |
| Axel Moine | .... | dailies runner | |
| Agnieszka Odorowicz | .... | general director: Poish Film Institute | |
| Friederich Oetker | .... | creative affairs assistant: Constantin Film | |
| Agathe Ossard | .... | craft service: Macadam Miam | |
| Tim Pedegana | .... | production services: Los Angeles and New York | |
| Christelle Philippe | .... | stand-in | |
| Sandra Puig | .... | business affairs: Versatil Cinema | |
| Myriam Rak | .... | clearances | |
| Mariana Ramlow | .... | assistant: Constantin Film | |
| Antoine Richy | .... | production unit assistant | |
| Marc Romy | .... | accounting department: Versatil Cinema | |
| Julio Rubio | .... | press department: Versatil Cinema (as Julia Rubio) | |
| Yaiza Ráez | .... | production assistant: Versatil Cinema | |
| Raquel San Segundo Riesco | .... | legal services: Versatil Cinema | |
| Desiree Schildt | .... | assistant: Martin Moszkaowicz, Constantin Film | |
| Pamela Schuster | .... | assistant: Torsten Koch, Conctantin Film | |
| Katrin Sepmeier | .... | assistant: Oliver Berben, Constantin Film | |
| Elena Sota García | .... | legal services: Versatil Cinema (as Elena Sota Garcia) | |
| Karolin Stetter | .... | assistant: Constantin Film | |
| Géraldine Sérafini | .... | production coordinator (as Geraldine Serafini) | |
| Franz Trosthammer | .... | executive assistant to board: Constantin Film | |
| Karine Ventalon | .... | stand-in | |
| Meritxell Ventanilla | .... | business affairs: Versatil Cinema | |
| Martin Veyssiere | .... | production runner | |
| Jean-Pierre Vincent | .... | publicist | |
| Daniela Von Keyserlingk | .... | assistant: Christine Rothe, Constantin Film | |
| Christian von Tippelskirch | .... | production services: New York, CVT Productions | |
| Marc-Emmanuel Vuaillat | .... | legal services: Behr & Abramson and Intervista | |
| Pierre-Axel Vuillaume-Prézeau | .... | production runner (as Pierre-Axel Vuillaume-Prezeau) | |
| Katja Wirz | .... | head of publicity: Constantin Film | |
| Gero Worstbrock | .... | legal and business affairs: Constantin Film | |
| Anna Zenowicz | .... | script supervisor | |
| Emilie Chave | .... | cook: clafoutis maker (uncredited) | |
| Anna Gonzálvez Ortuño | .... | press (uncredited) | |
| Melody Korenbrot | .... | publicist: Block Korenbrot (uncredited) | |
| Jennifer Malone | .... | publicist: Block Korenbrot (uncredited) | |
| Daniel Pollack | .... | location scout (uncredited) | |
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Size matters, right? even for Roman, after the brilliantly intricacy-crafted THE GHOST WRITER (2010), the scale of CARNAGE shrinks just like a hors d'oeuvre, no wonder its lukewarm feedback is percolating in spite of the lure of 4 Oscar-bounded leading thespians. Actually the response is par for the course, the film hinges on a more stringent time schedule (literally the exact time audience spends in front of the big screen), which is too featherweight to be considered seriously for the Oscar race (referring to other play-adapted Oscar dearest CLOSER 2004 or DOUBT 2008, both at least possess a decent time span), but which doesn't thwart all the fun one could obtain from a feature film.
The disintegration of these two pairs of parents is intrigued bit by bit with derision, insult and disdain, the initial wrangle of two flatly unfamiliar couples are reflecting everyone's customary procedure of dealing with strangers, the approach of eclipsing others in a restrained manner in order not to break a fragile bottom line "our face of respect", and once Nancy (Kate Winslet's character) has lost her face with a hilarious vomit to all the civil pretentiousness, the battle of matrimony, sex, social supremacy and civil wit is officially instigated, the carnage of verbal assaults prevails and within a compact 80 minutes, the dialogues are drolly sharp and incisive, wounds are acute without bleeding,
The grand cast is beyond any accomplishment, Jodie Foster manifests her excellent curb in melodrama in many years though is a shade over-the-top during the end and Kate Winslet never mislead her devotees albeit being self-conscious in sundry scenes, Christoph Waltz fiendishly holds his introvert nature all the time while being socially authentic; arguably the weakest line, john C. Reilly is in his comfort zone to liberate the venom under his goody-goody disguise.
One big plus is the film ends ideally when the fray starts to become stale, so Polanski is still as crafty as any filmmakers could ever wish for.