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Vous n'avez encore rien vu (2012)

From beyond the grave, celebrated playwright Antoine d'Anthac gathers together all his friends who have appeared over the years in his play "Eurydice." These actors watch a recording of the... See full summary »

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(adaptation) (as Alex Reval), (adaptation) | 1 more credit »

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Cast

Cast overview, first billed only:
...
Mathieu Amalric / M. Henri
...
...
Sabine Azéma / Eurydice #1
Jean-Noël Brouté ...
Jean-Noël Brouté / Mathias
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Anne Consigny / Eurydice #2
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Anny Duperey / La mère
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Gérard Lartigau ...
Gérard Lartigau / Le petit régisseur
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Michel Piccoli / Le père
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Antoine d'Anthac (as Denis Podalydès de la Comédie Française)
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Michel Robin / Le garçon de café
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Marcellin (as Andrzej Seweryn de la Comédie Française)
Jean-Chrétien Sibertin-Blanc ...
Jean-Chrétien Sibertin-Blanc / Le secrétaire du commissaire
Michel Vuillermoz ...
Michel Vuillermoz / Vincent (as Michel Vuillermoz de la Comédie Française)
...
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Storyline

From beyond the grave, celebrated playwright Antoine d'Anthac gathers together all his friends who have appeared over the years in his play "Eurydice." These actors watch a recording of the work performed by a young acting company, La Compagnie de la Colombe. Do love, life, death and love after death still have any place on a theater stage? It's up to them to decide. And the surprises have only just begun... Written by lletaif

Plot Summary | Add Synopsis

Genres:

Comedy | Drama

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Details

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Release Date:

26 September 2012 (France)  »

Also Known As:

A végakarat  »

Filming Locations:

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Box Office

Opening Weekend:

$5,343 (USA) (7 June 2013)

Gross:

$18,455 (USA) (27 September 2013)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Connections

Version of Eurydice (1957) See more »

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User Reviews

 
Rich, deep and poetic
6 September 2015 | by (Portugal) – See all my reviews

A theater playwright leaves instructions to be obeyed after his death to all his former performers of his theatrical version of the ancient Greek legend "Eurydice" to gather themselves at his house (an old big mansion) to appreciate the performance of that play by a recent company which is shown on a film. What goes on then is that there is a strong interpenetration of the acting by the new performers and one by the old ones who recreate now some scenes at the playwrights' house while watching the film. Here the dichotomies youth -- old age, death -- life and theatre -- real life are patent and crossed by love through rich, deep and poetic dialogues. The role of memory in human relations (a theme very dear to Resnais) is also present now and then. This is not an easy movie, I mean a movie practically accessible to the general public and needs special attention by the viewer.


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