| Photos (See all 10 | slideshow) | Videos (see all 8) |
| Rebecca Hall | ... | Florence Cathcart | |
| Dominic West | ... | Robert Mallory | |
| Imelda Staunton | ... | Maud Hill | |
| Lucy Cohu | ... | Constance Strickland | |
| John Shrapnel | ... | Reverend Hugh Purslow | |
| Diana Kent | ... | Harriet Cathcart | |
| Richard Durden | ... | Alexander Cathcart | |
| Alfie Field | ... | Victor Parry | |
| Tilly Vosburgh | ... | Vera Flood | |
| Ian Hanmore | ... | Albert Flood | |
| Cal Macaninch | ... | Freddie Strickland | |
| Isaac Hempstead Wright | ... | Tom Hill | |
| Anastasia Hille | ... | Dorothy Vandermeer | |
| Andrew Havill | ... | George Vandermeer | |
| Joseph Mawle | ... | Edward Judd | |
| Shaun Dooley | ... | Malcolm McNair | |
| Nicholas Amer | ... | Edgar Hirstwit | |
| Steven Cree | ... | Sergeant Paul Evans | |
| Ben Greaves-Neil | ... | Child Impostor | |
| Sidney Johnston | ... | John Franklin | |
| Charlie Callaghan | ... | Chris Hartley | |
| Spike White | ... | Alistair Howell | |
| James Kirkham | ... | William Ramsbottom | |
| Felix Soper | ... | Julian Dowden | |
| Daniel Pirrie | ... | Captain Mills | |
| Ewan Andrew Walker | ... | Richard McGorian (as Ewan Walker) | |
| rest of cast listed alphabetically: | |||
| Katie Hart | ... | Katie Forbes | |
| Joseph M. Jenkins | ... | Child Ghost | |
| Molly Lewis | ... | Child Florence | |
| Nick Murphy | ... | Teacher | |
| Adam Thomas Wright | ... | Max Tebbitts | |
| Neil Broome | ... | School Master (uncredited) | |
| Andy Callaghan | ... | Arresting Police Officer (uncredited) | |
| Andrew Foster | ... | Removal Man (uncredited) | |
| Terry Swoffer | ... | The gardener (uncredited) | |
| Sarah Weldon | ... | Passerby (uncredited) | |
Directed by | |||
| Nick Murphy | |||
Writing credits | ||
| Stephen Volk | (screenplay) and | |
| Nick Murphy | (screenplay) | |
Original Music by | |||
| Daniel Pemberton | |||
Cinematography by | |||
| Eduard Grau | |||
Film Editing by | |||
| Victoria Boydell | |||
Casting by | |||
| Shaheen Baig | |||
Production Design by | |||
| Jon Henson | |||
Art Direction by | |||
| Fiona Gavin | |||
| Nicki McCallum | (supervising art director) (as Nicola McCallum) | ||
Set Decoration by | |||
| Robert Wischhusen-Hayes | |||
Costume Design by | |||
| Caroline Harris | |||
Makeup Department | |||
| Anita Anderson | .... | crowd hair/makeup artist: dailies | |
| Julie Dorrat-Keenan | .... | makeup artist | |
| Olivia Jones | .... | crowd makeup artist | |
| Daniel Phillips | .... | makeup & hair designer | |
| Tapio Salmi | .... | make up & hair supervisor | |
| Melissa van Tongeren | .... | hair stylist | |
| Caroline Greenough | .... | makeup artist (uncredited) | |
Production Management | |||
| Jane Hawley | .... | production executive | |
| Alistair Hopkins | .... | post-production supervisor | |
| Danny Perkins | .... | chief executive: Optimum (as Daniel Perkins) | |
| Emma Pike | .... | production manager | |
| Suzie Shearer | .... | production manager: reshoot | |
| Lesley Stewart | .... | head of physical production | |
Sound Department | |||
| Mark Appleby | .... | adr mixer | |
| Laurent Boudaud | .... | sound mixer | |
| Ben Brazier | .... | foley editor | |
| Robert Brazier | .... | foley recordist | |
| Paul Cotterell | .... | adr mixer | |
| Paul Cotterell | .... | sound re-recording mixer | |
| Garry Davis | .... | sound trainee | |
| Colin Gregory | .... | sound maintenance engineer | |
| Sue Harding | .... | foley artist | |
| James Harrison | .... | sound effects designer | |
| Colin Nicolson | .... | sound mixer | |
| Ben Tat | .... | assistant adr mixer | |
| Andy Walsh | .... | sound trainee | |
| Ian Wilkinson | .... | dialogue and adr editor | |
| Rowena Wilkinson | .... | foley artist | |
| Yanti Windrich | .... | assistant adr mixer | |
Special Effects by | |||
| Neal Champion | .... | special effects | |
| Kristyan Mallett | .... | prosthetics supplier | |
Visual Effects by | |||
| Peter Anderson | .... | main title sequence and end credits | |
| Stefan Drury | .... | head of visual effects | |
| James Elster | .... | digital compositor | |
| Sean Farrow | .... | executive visual effects supervisor | |
| Matt Foster | .... | matte painter: LipSync Post | |
| Scott Goulding | .... | online editor | |
| Lisa Jordan | .... | senior post producer | |
| Simon Leech | .... | digital compositor | |
| Abigail McKenzie | .... | digital lab operator | |
| Emelie Nilsson | .... | digital compositor | |
| Antonio Rodríguez Díaz | .... | digital compositor | |
| David Sjodin | .... | digital compositor | |
| Daniel Spain | .... | systems engineer | |
| Angela Stanley | .... | digital compositor (as Angela Rose) | |
| Jon Stanley | .... | senior systems engineer | |
| Lucy Tanner | .... | visual effects coordinator | |
| Daniel Tomlinson | .... | senior DI operator | |
| Diana Vasquez | .... | digital lab operator | |
Stunts | |||
| Abbi Collins | .... | stunt coordinator | |
| Susan Horton | .... | stunt double: Mishael Morgan | |
| Rob Jarman | .... | stunt double (as Robert Jarman) | |
| Belinda McGinley | .... | stunt double | |
| Daz Parker | .... | stunt double | |
| William Willoughby | .... | stunt double (as Will Willoughby) | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Aisha Walters | .... | casting associate | |
Costume and Wardrobe Department | |||
| Harriet Edmonds | .... | standby costume | |
| Louise Egan | .... | costume daily | |
| Graham Hunter | .... | assistant costume designer | |
| Anna Lau | .... | costume supervisor | |
| John Laurie | .... | standby costume | |
| Lyndie MacIntyre | .... | costume construction | |
| Elizabeth Pittok | .... | costume trainee | |
| Molly Rae Withers | .... | costume trainee | |
Editorial Department | |||
| Rob Ackerman | .... | technical support | |
| Chris Bentley | .... | d-lab operator | |
| Linden Brownbill | .... | post production engineer | |
| Alberto Buron | .... | digital restoration technician | |
| James Clarke | .... | digital intermediate supervisor | |
| Ritchie Ferguson | .... | technical support | |
| Stuart Fyvie | .... | digital colourist | |
| Scott Goulding | .... | on-line editor | |
| Ruth Halliday | .... | negative checker | |
| Scott Macbeth | .... | technical support | |
| Lea Morement | .... | assistant editor | |
| Daniel Tomlinson | .... | senior d-lab operator | |
| Diana Vasquez | .... | d-lab operator | |
| Rick White | .... | technical support | |
Music Department | |||
| Jennifer Bern | .... | soloist: soprano | |
| Gordon Davidson | .... | music assistant | |
| Andrew Dudman | .... | music mixer | |
| Andrew Dudman | .... | score recordist | |
| Stephanie Gonley | .... | leader: music | |
| Gareth Griffiths | .... | music coordinator | |
| Phil Hope | .... | music executive producer | |
| Helen Kaminga | .... | soloist: viola | |
| Daniel Pemberton | .... | score producer | |
| Andrew Skeet | .... | conductor | |
| Andrew Skeet | .... | orchestrator | |
| Hilary Skewes | .... | orchestra contractor | |
| David Temple | .... | choir director | |
| Alison Wright | .... | music supervisor | |
| Aled Jenkins | .... | assistant score engineer (uncredited) | |
Other crew | |||
| Reno Antoniades | .... | legal services | |
| Willie Bennie | .... | action cars coordinator | |
| Nicola Blacker | .... | senior production executive | |
| Mary Brehony | .... | legal services | |
| David Broder | .... | location manager | |
| James Buckler | .... | production and delivery coordinator | |
| Neil Calder | .... | completion guarantor | |
| Chris Cameron | .... | unit manager: Scotland (as Christopher Cameron) | |
| Lucy Cargill | .... | assistant to director | |
| Charlie Cobb | .... | fine art painter | |
| Joseph Courtney | .... | stand-in: child ghost | |
| Rob Darnell | .... | runner | |
| Peter Eardley | .... | production accountant | |
| Lorraine Edwards | .... | pre-production assistant | |
| Jim Elliott | .... | armourer | |
| Tina Ellis | .... | post-production assistant accountant | |
| Lucy Enfield | .... | script supervisor | |
| Leslie Finlay | .... | development executive | |
| James Forde | .... | chief financial officer | |
| Katie Goodson | .... | senior production executive (as Katie Goodson-Thomas) | |
| Clare Hardwick | .... | completion guarantor | |
| Tarn Harper | .... | post-production accountant | |
| Glynn Henderson | .... | health and safety advisor | |
| Robyn Henderson | .... | floor runner | |
| Stuart Hendry | .... | assistant stills photographer | |
| Billy Hinshelwood | .... | legal services | |
| Ruth Hodgson | .... | completion guarantor | |
| Steve Joberns | .... | auditor (as Stephen Joberns) | |
| Ian Johnson | .... | unit publicist | |
| Helene Lenszner | .... | location manager: England | |
| Zander Levy | .... | development executive | |
| Alison Macdonald | .... | unit nurse | |
| Dan MacRae | .... | head of development | |
| Jacqui McBride | .... | assistant accountant (as Jacqueline McBride) | |
| Linda McClure | .... | business affairs | |
| Alex McEwan | .... | production assistant: reshoots | |
| Ashley McFarlane | .... | floor runner | |
| Zach Mitchell | .... | stand-in: child ghost | |
| Alexandra Montgomery | .... | post-production delivery | |
| Steven Moore | .... | production runner | |
| Paul Mortimer | .... | unit nurse | |
| Suzanne Noble | .... | head of press: and publicity | |
| Neeral Patel | .... | production assistant: Origin Pictures | |
| Linda Pather | .... | completion guarantor | |
| Ruth Price | .... | floor runner: dailies (as Ruth Howard) | |
| Peter Raven | .... | production executive: Lip Sync Productions | |
| Livy Sandler | .... | legal & business affairs: manager | |
| Hugh Spearing | .... | head of theatrical: marketing | |
| Andy Surry | .... | assistant production coordinator (as Andrew Surry) | |
| Cindy Thomson | .... | location manager: Scotland | |
| Michael D. Walsh | .... | assistant production coordinator | |
| Kevin Westley | .... | unit manager: England | |
| Ed Wethered | .... | development editor | |
| Jenny Williams | .... | production coordinator | |
Thanks | |||
| Kenny Dalglish | .... | special thanks | |
| Catherine Remy | .... | special thanks | |
|
|
|
|
|
| The Innocents | The Watcher in the Woods | The Ghost and Mrs. Muir | Those Glory Glory Days | The Nightcomers |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb UK section |
Between 1914 and 1919, one million people lost their lives to influenza. Society was more ignorant back then. Science and rational thinking were not then the forces they are today. People were open to anything, including the possibility of ghosts.
Florence Cathcart (Rebecca Hall) stands out in the London of the twenties for being a free-thinker and a debunker of the supernatural. A boarding school teacher (Dominic West) implores her to visit his school following the death of a pupil, where unexplained sightings are being reported.
Florence isn't a total sceptic. She leaves some room for belief, which caused me to note she is agnostic towards ghosts. Essentially, there are two stories. One is concerning the death of the pupil. The other is more interesting and distinguishes it from a deluge of other horror films which have vanished from my mind as quickly as the ghostly apparitions in them. It focuses on Florence herself, and I shall say no more as I will not spoil it for you.
This is not a scary film; there are several portents but few frights. What there is plenty of, however, is suspense. Nick Murphy, in his feature-length debut, also manages to sustain a melancholy mood, crucial for his story.
It's no surprise that Rebecca is the daughter of Peter Hall, founder of the Royal Shakespeare Company. She commands the screen in a way which would cause many of her peers to blush with envy. Her character is a difficult one to personify.
Dominic West, he with the simian countenance from the groundbreaking crime series 'The Wire', is very good as the guilt-ridden soldier-turned-teacher. Imelda Staunton is effective as the school matron. She has that look in her eye which is trying to tell us something.
I'm calling this a grown-up film because the spiritual element becomes auxiliary. Guilt and loneliness take over as leading themes. Murphy has the acuity to drop the ghost story because otherwise it would be a simulacrum of other period chillers and focuses on a story of locked emotion. The denouement is clever and original. The penultimate revelation would have been a superb ending on its own, so having a double-twist is all the more impressive.
www.moseleyb13.com