| Jacob Wysocki | ... | Terri | |
| John C. Reilly | ... | Mr. Fitzgerald | |
| Bridger Zadina | ... | Chad Markson | |
| Creed Bratton | ... | Uncle James | |
| Olivia Crocicchia | ... | Heather Miles | |
| Tim Heidecker | ... | Mr. Flemisch | |
| Justin Prentice | ... | Dirty Jack | |
| Mary Anne McGarry | ... | Mrs. Hamish | |
| Curtiss Frisle | ... | Sex Ed | |
| Tara Karsian | ... | Mrs. Davidson | |
| Diane Salinger | ... | Mrs. Vick (as Diane Louise Salinger) | |
| Lisa Hoover | ... | Waitress | |
| Jenna Gavigan | ... | Samantha Goode | |
| Jessica D. Stone | ... | Rachel #1 | |
| Jamie Lee Redmon | ... | Rachel #2 | |
| Robert Towers | ... | Priest | |
| Eddie Pepitone | ... | Joe Hollywood | |
| Josh Perry | ... | Marcus Bloom (as Josh 'The Ponceman' Perry) | |
| Melanie Abramoff | ... | Amy | |
| Nelson Mashita | ... | Custodian | |
| Jeffrey Noah Silcock | ... | Donny Washburn | |
| Nate Sanchez | ... | Teenager #1 | |
| Francisco Pedrasa | ... | Teenager #2 (as Francisco 'Kico' Pedrasa) | |
| Logan Holladay | ... | Student on Rope | |
| rest of cast listed alphabetically: | |||
| Marty Hrejsa | ... | Bus driver (uncredited) | |
Directed by | |||
| Azazel Jacobs | |||
Writing credits | ||
| Patrick Dewitt | (written by) | |
| Patrick Dewitt | story | |
| Azazel Jacobs | story | |
Produced by | |||
| Jefferson Bjoraker | .... | co-executive producer | |
| Cameron Brodie | .... | executive producer | |
| Tyler Brodie | .... | executive producer | |
| Alison Dickey | .... | producer | |
| Johnathan Dorfman | .... | executive producer | |
| Temple Fennell | .... | executive producer | |
| Zack Free | .... | co-executive producer | |
| Hunter Gray | .... | producer | |
| Lynette Howell | .... | producer | |
| Dawn Cullen Jonas | .... | executive producer | |
| Sarah Lash | .... | executive producer | |
| David Guy Levy | .... | executive producer | |
| Christine No | .... | associate producer | |
| Alex Orlovsky | .... | producer | |
| Phaedon A. Papadopoulos | .... | associate producer | |
| Jacob Pechenik | .... | executive producer | |
| Crystal Powell | .... | associate producer | |
| Chris Stinson | .... | co-producer | |
Original Music by | |||
| Mandy Hoffman | |||
Cinematography by | |||
| Tobias Datum | |||
Film Editing by | |||
| Darrin Navarro | |||
Casting by | |||
| Nicole Arbusto | |||
| Joy Dickson | |||
Production Design by | |||
| Matt Luem | (as Matthew Luem) | ||
Art Direction by | |||
| Nicolas Kelley | |||
Set Decoration by | |||
| Lori Schindler | |||
Costume Design by | |||
| Diaz | |||
Makeup Department | |||
| Akiko Matsumoto | .... | makeup department head | |
| Maya Murakami | .... | hair department head | |
| Yoko Nobushi | .... | additional makeup artist | |
| Chie Noguchi | .... | makeup intern | |
| Yuko Takahashi | .... | additional makeup artist | |
| Lina Terai | .... | makeup intern (as Rina Terai) | |
Production Management | |||
| Brian Buckland | .... | additional production supervisor | |
| Samantha Housman | .... | post-production supervisor | |
| T. Scott Keiner | .... | additional production supervisor (as Scott Keiner) | |
| Daniela Roth | .... | production supervisor | |
| Louise Runge | .... | post-production supervisor | |
| Chris Stinson | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Chandra M. Alexander | .... | second second assistant director | |
| Dave Halls | .... | first assistant director | |
| Jonathan Southard | .... | additional first assistant director | |
| Karla Strum | .... | second assistant director | |
Art Department | |||
| Donahl Davila | .... | propmaker | |
| Dustin Dillard | .... | set dresser | |
| Ram Foulger | .... | set dresser | |
| Greg Gonzalez | .... | art department assistant | |
| Sara Beckum Jamieson | .... | art department assistant (as Sara Jamieson) | |
| Clayton Kemble | .... | set dresser | |
| Danielle Lee | .... | art department assistant | |
| Jonny Look | .... | set dresser | |
| Sally Park | .... | property master | |
Sound Department | |||
| Richard Beggs | .... | sound re-recording mixer | |
| Ronni Brown | .... | foley artist | |
| David A. Cohen | .... | dialogue editor | |
| Steven Iba | .... | adr mixer | |
| Doug Latislaw | .... | additional adr mixer | |
| Zsolt Magyar | .... | sound: additional photography | |
| Tony Max | .... | boom operator | |
| Julia Shirar | .... | additional sound mixer | |
| Julia Shirar | .... | sound designer | |
| William Storkson | .... | foley supervisor | |
| Eric Thomas | .... | sound mixer | |
Stunts | |||
| Logan Holladay | .... | utility stunts (uncredited) | |
Camera and Electrical Department | |||
| Len Borruso | .... | additional first assistant camera (as Len Boruso) | |
| Jean-Pierre Caner | .... | second assistant camera | |
| Sean Edwards | .... | grip | |
| Derrick Esperanza | .... | additional best boy electric | |
| Devon Hoff-Weekes | .... | loader | |
| Yu Karitani | .... | grip | |
| Phoebe Krueger | .... | additional second assistant camera | |
| Timothy McCrary | .... | set lighting | |
| Lawrence Montemayor | .... | first assistant camera | |
| Sergio Munoz Jr. | .... | grip | |
| Stephen R. Ohab | .... | additional best boy electric (as Stephen Ohab) | |
| Bill Otto | .... | gaffer | |
| Ashley Pavicic | .... | grip | |
| Tommy Phillips | .... | set lighting (as Tommy 'T-Bone' Phillips) | |
| Yanis Rutmanis | .... | additional gaffer | |
| John Stamps | .... | best boy grip | |
| Bela Trutz | .... | steadicam operator | |
| Somsy Vejsiri | .... | best boy electric | |
| Lauren Ward | .... | additional still photographer | |
| Nate Wayman | .... | key grip | |
| Alexandra Weiss | .... | still photographer | |
Casting Department | |||
| Brandi S. Hawkins | .... | extras casting (as Brandi Hawkins) | |
| Patty Majorczak-Connolly | .... | adr voice casting (uncredited) | |
| Mark Sussman | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Samantha Brown | .... | set costumer | |
| Diana Contreras | .... | wardrobe supervisor | |
| Caiti Hawkins | .... | set costumer | |
| Oskir Pierantoni | .... | costume intern | |
Editorial Department | |||
| Brian Beard | .... | digital intermediate editor | |
| Jean-Pierre Caner | .... | editorial support | |
| Doug Delaney | .... | digital intermediate colorist | |
| Calvin Dunham | .... | post-production production assistant | |
| Joseph Krings | .... | editorial support | |
| Kit Lubold | .... | digital intermediate data manager | |
| Sheila MacMullan | .... | drs operator | |
| Ross Miltenberg | .... | digital intermediate scanner | |
| Sharra Stetson Platt | .... | digital intermediate producer | |
| Steven White | .... | digital intermediate editor | |
| Michael John Koetter | .... | software engineer (uncredited) | |
Music Department | |||
| Peggy Baldwin | .... | musician | |
| Mandy Hoffman | .... | musician | |
| John Mason | .... | musician | |
| David Morrin | .... | musician | |
| Joe Rudge | .... | music supervisor | |
Transportation Department | |||
| Ed Adams | .... | driver (as Ed 'Fast Eddie' Adams) | |
| Domingo Bustamante | .... | driver (as Domingo 'Mingo' Bustamante) | |
| Jay Norof | .... | driver | |
| Hugo Ocana | .... | transportation captain | |
| Tony Ruiz | .... | transportation coordinator | |
| Emily Skelton | .... | driver | |
| Terry Smith | .... | driver: honeywagon | |
| Kenneth Thompson | .... | driver (as Ken 'Mississippi' Thompson) | |
| Matt Voytish | .... | driver: honeywagon (as Matt 'BB' Voytish) | |
| John W. Wierman | .... | driver: Lietske (as John Wierman) | |
Thanks | |||
| Richard Abramowitz | .... | special thanks | |
| Athena Currey | .... | very special thanks | |
| Burton Gray | .... | very special thanks | |
| Josh Hartnett | .... | thanks | |
| Corey Walter | .... | special thanks | |
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| Lymelife | Angus | Thumbsucker | Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan | Happy Endings |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Terri (Jacob Wysocki) has been dealt a rough hand. A heavy-set teenager with more than a touch of social anxiety, Terri finds school to be a hellhole where he goes unnoticed (when he's lucky). His home life is not much better. He doesn't know where either of his parents are and he lives with his uncle (Creed Batton) who is slipping further and further into dementia. When he gets in trouble for firing back at one of his many mockers, the school's principal, Mr. Fitzgerald (John C. Reilly), sees a kid who desperately needs a friend. He sets up weekly meetings with Terri and attempts to take the boy under his wing. But the many years of loneliness have taken a toll on Terri and despite the influence of Mr. Fitzgerald, transitioning into a fully functioning member of high school society proves more difficult than originally thought.
There is serious promise to be found within Terri. Up-and-coming director Azazel Jacobs has a firm handle on his subject matter and he works hard to show Terri for the good hearted boy that he is. It is a very simple and understated film (more on this in a minute) as Jacobs lets his protagonist move at his own pace. You can see why so many respected critics have identified Jacobs as a name to watch in the future. Wysocki himself gives an honest performance and displays solid chops for a kid who has almost no acting experience. He makes it easy to identify with Terri and that brings about a sense of natural empathy that is essential to the film's success. Likewise, Reilly is a perfect choice for the would-be-cool principal who tries extremely hard to be relevant and accessible to his students but can't quite make it work. The relationship between Terri and Fitzgerald is poignant and heartfelt and without question their shared scenes are the best of the film.
When Terri diverts from its main storyline, however, it tends to bog down. What starts out as sympathy for Terri eventually turns into near depression as his narrative struggles to find an upswing. His interactions with his friends Chad (Bridger Zadina) and Heather (Olivia Crocicchia) are tenuous and never fully realize the potential they have together resulting in a choppy feel that I never could quite shake. Jacobs adds very little in the way of production value, too, and while I can appreciate that sort of simplicity, in this case a pronounced soundtrack and the like would have added to the experience. I found myself growing bored with Terri and had a hard time staying invested when Terri and Fitzgerald weren't on screen together. That's a real shame because I really wanted to care about Terri's relationships with Chad, Heather, and his uncle but Jacobs story didn't quite give me enough reason to get there. With a little more focus, Terri would be a touching and possibly even uplifting coming-of-age vision based around the Terri-Fitzgerald dynamic. Instead, it becomes too dull and convoluted for my tastes and limited my ability to stay connected.
Check out my reviews at ieatfilms.com