Ex-criminal Jacob Sternwood is forced to return to London when his son is involved in a heist gone wrong. This gives his nemesis, detective Max Lewinsky, one last chance to catch the man he's always been after.
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A historical drama that illustrates Russian author Leo Tolstoy's struggle to balance fame and wealth with his commitment to a life devoid of material things.
Director:
Michael Hoffman
Stars:
Helen Mirren,
James McAvoy,
Christopher Plummer
Mary Surratt is the lone female charged as a co-conspirator in the assassination trial of Abraham Lincoln. As the whole nation turns against her, she is forced to rely on her reluctant lawyer to uncover the truth and save her life.
Shifty, a young crack cocaine dealer in London, sees his life quickly spiral out of control when his best friend returns home. Stalked by a customer desperate to score at all costs, and ... See full summary »
Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London's criminal underworld seizes an opportunity to assume another man's identity -- transforming into an avenging angel in the process.
Former criminal Jacob Sternwood is forced to return to London from his Icelandic hideaway when his son is involved in a heist gone wrong. This gives detective Max Lewinsky one last chance to catch the man he has always been after. As they face off, they start to uncover a deeper conspiracy they both need to solve in order to survive. Written by
Anonymous
When Max Lewinsky drains body fluids out of his knee using a syringe he is smoking a cigarette. After he drained the body fluids out of his knee he sprays the fluid into a pan and then taking a final smoke of his cigarette. The cigarette he throws into the pan with his body fluids appears to be taller than when he took the final draw. See more »
'Welcome to the Punch' is a solid idea that becomes a little overblown for its own good in the final act; clearly inspired by the crime classics like Mann's 'Heat', it doesn't pull it off as well. That and some pacing issues aside though, the terrific performances from a top-notch who's who British cast, including James McEvoy, who only has one obvious accent slip in the entire film, Andrea Riseborough, who can do anything, and the brooding, incredible Mark Strong, who almost steals the thing doing little more than looking around. Stylish to within an inch of its life, the fantastically brooding score to match the fantastically brooding faces on screen, and the gorgeous photography carry it through with unexpected panache. Nothing you don't expect, but basically what 'The Sweeney' wanted to be.
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'Welcome to the Punch' is a solid idea that becomes a little overblown for its own good in the final act; clearly inspired by the crime classics like Mann's 'Heat', it doesn't pull it off as well. That and some pacing issues aside though, the terrific performances from a top-notch who's who British cast, including James McEvoy, who only has one obvious accent slip in the entire film, Andrea Riseborough, who can do anything, and the brooding, incredible Mark Strong, who almost steals the thing doing little more than looking around. Stylish to within an inch of its life, the fantastically brooding score to match the fantastically brooding faces on screen, and the gorgeous photography carry it through with unexpected panache. Nothing you don't expect, but basically what 'The Sweeney' wanted to be.