A corrupt, junkie cop with Borderline Personality Disorder attempts to manipulate his way through a bid to secure a promotion in order to win back his wife and daughter while also fighting his own borderline-fueled inner demons.
Mary Surratt is the lone female charged as a co-conspirator in the assassination trial of Abraham Lincoln. As the whole nation turns against her, she is forced to rely on her reluctant lawyer to uncover the truth and save her life.
Shifty, a young crack cocaine dealer in London, sees his life quickly spiral out of control when his best friend returns home. Stalked by a customer desperate to score at all costs, and ... See full summary »
When the kinetic Rory moves into his room in the Carrigmore Residential Home for the Disabled, his effect on the home is immediate. Most telling is his friendship with Michael, a young man with cerebral palsy and nearly unintelligible speech. Somehow, Rory understands Michael, and encourages him to experience life outside the confines of home.
Former criminal Jacob Sternwood is forced to return to London from his Icelandic hideaway when his son is involved in a heist gone wrong. This gives detective Max Lewinsky one last chance to catch the man he has always been after. As they face off, they start to uncover a deeper conspiracy they both need to solve in order to survive. Written by
There is a slow-motion scene in the middle of the film. The 2009 film Wanted, also starring James McAvoy is best known for its epic slow motion action sequences. See more »
In the slow motion shoot-out in Iris Warn's house, only the cartridge should be ejected after the bullet is fired down the barrel. The ejects can plainly be seen to still have the bullets attached. See more »
Do you want to know the real reason they first asked you to head up the Sternwood case?
Not fucking really. Uh, my good looks, my charm.
We hadn't been able to get anywhere near Sternwood for years. Our incompetence could be passed off as your inexperience.
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When thinking about English Police dramas, The Bill usually comes to mind, episodes where two overweight police officers would run around estates trying to find out who robbed the local Sainsbury's. Thankfully, Welcome To The Punch, is a lot more sophisticated and glamorous than that, directed by Eran Creevy ,(who also made the fantastic Shifty), this film features quite possibly the most beautiful presentation of London as a modern city that I've ever seen on the big screen. But visuals are only part of a film, so how was the rest of it....
Dropping us right into the middle of a complicated heist, we see rugged cop Max (James McAvoy) ignore orders and get shot in the leg by one of the criminals (Mark Strong, bald bad guy from Sherlock Holmes). The film then zoom three years into the future and we're on board a plane, where a young Asian/Arab man reveals he's been shot and runs off the plane (it hadn't taken off yet, or that would have just been silly), whereby he calls his dad to come and help him.... his dad who happens to be the criminal we saw shoot the cop three years ago!!! Madness. This all leads to a broken down and now permanently injured cop Max realising that this is his big chance to get vengeance for what happened three years ago....but is everything as clear as it seems, who is he actually chasing?
This film is no classic, in fact, it's just about verging on being a good film, for all the spectacular scenes of explosions and shoot outs, there lacks an intensity to the film, James McAvoy does well in his scenes as a cop who's seemingly given up on life, but it's hard to really believe he is a tough and guilt-ridden cop when he still looks about 12 years old (even with a beard). To it's credit, the story does manage to change it's focus numerous times, and these twists initially kept me engaged with the plot, characters we hate manage to gain sympathy and vice-versa, but after a while, the plot just becomes too complicated, and verges on becoming a comedy. So overall, a decent film, one worth checking out on a Friday night if you're a fan of action, but in no ways a film that changes the genre.
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