A documentary on the indigenous people living in Bakhtia, the heart of the Siberian Taiga; some 300 villagers whose daily routines have barely changed over the last century and live according to their own values and cultural traditions.
Using state-of-the-art equipment, a group of activists, led by renowned dolphin trainer Ric O'Barry, infiltrate a cove near Taijii, Japan to expose both a shocking instance of animal abuse and a serious threat to human health.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
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A documentary that follows a billionaire couple as they begin construction on a mansion inspired by Versailles. During the next two years, their empire, fueled by the real estate bubble and cheap money, falters due to the economic crisis.
In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions. The expressive pictures are accompanied by original sound bites quoting the villagers. Written by
Eike Wolf / Head of Corporate Communications, Studio Babelsberg
If you like Werner Herzog then this film won't disappoint. His style is simple, honest and transparent. He gives you a clear sense of the reality of what most people would perceive to be a harsh way of life in the Russian Taiga. We see humans who are connected to the cycles of nature, to the animals, the forest and to their traditions. There is a quiet wisdom and deep joy in this way of life and the film serves as a powerful contrast to virtually every other piece of media being made today. The film is like poem to a way of life that now seems like a distant dream. It is beautifully shot, with vignettes that look like they are living paintings; Russian characters from the time of Tolstoy or Dostoyevesky.
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