German-American Dieter Dengler discusses his service as an American naval pilot in the Vietnam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Vietcong, recreating many events for the camera.
In the 1950s, an adolescent Werner Herzog was transfixed by a film performance of the young Klaus Kinski. Years later, they would share an apartment where, in an unabated, forty-eight-hour ... See full summary »
This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions. The expressive pictures are accompanied by original sound bites quoting the villagers. Written by
Eike Wolf / Head of Corporate Communications, Studio Babelsberg
Interesting documentary about life in the rugged Russian Taiga
Interesting documentary on the lives of trappers and hunters in deep Siberia, along the banks of the river Yenisei, during the four seasons of the year. For instance, in summer, we see them fishing and collecting nuts and berries. In autumn, we see them preparing traps, collecting and splitting wood and hoarding food as they prepare for the winter, where the weather can be as low as -50 degrees centigrade. They have a hermit, mostly self reliant life style, living in log cabins deep in the forest accompanied only by their dogs, with minimal contact with other people. They also seem to be exclusively male. They have some modern technology at their disposal, though they also live and hunt with traditional instruments. Despite the title, they do not seem particularly happy, they look more like taciturn, silent and reserved, able to make a living with very little. The documentary also had a detour seeing the native, shamanistic, Vodka-ravaged Ket people fishing and building their boats (an interesting fact, not mentioned in the movie, is that the Ket people are believed by anthropologists and geneticists to be the closest ancestors of native Americans).
Note: This has been widely credited as a Werner Herzog film, but all the German director did was edit an original Russian TV miniseries directed by Dmitri Vasyukov (he filmed them year round) that lasted four hours into 90 minutes for international release. Herzog also provides narration in his trademark German accented English, accompanied sometimes by his ponderous philosophizing.
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