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Saw this at a local film festival with little to no information about
the movie whatsoever; little did I know this was going to become my
favorite film of the year, and that's saying a lot given that 2011 has
been a blast for moviegoers with new products by Woody Allen, Terrence
Malick, Lars Von Trier and Clint Eastwood.
The movie revolves around an poignant substitute teacher (perfectly played by Adrien Brody) who arrives at a vicious school, where students go around bullying people (including the teachers) and basically throwing their lives directly to the dumpster you know, teenage angst and such I didn't grow up in the USA, so two important things I must say, a) I don't know if this is an accurate depiction of any given school in America and b) I can't relate with the overall chronicle, which brings me to my next point.
The beauty of this movie comes within the subtext, whether you can directly relate with the characters or not, the movie takes the message and widens its range so everyone is able to understand the actual meaning of the film. Let's clear things out, this film is not about a school or the basis of education, this is about trying our best not to give a damn about others as most of us just go around doing everything in our power to be happy ourselves with a lousy job, a loveless marriage, a constant sense of abandonment or basically a crappy life (all of the above portrayed marvelously in the film).
Films by Tony Kaye tend to be really visceral with a thin slice of optimism in the undertones, I think this time he just went mental about everything, in the end you'll leave the theater with a slight sense of hopelessness, almost as if you're destined to watch daily misery without the power to control anything but your own life, as if the only battle you must fight is the constant reminder that even when everything falls apart and slowly turns into dust, you can't change the world, you just have to avoid the world from changing you This exposed stunningly in the final sequence of the movie.
Do yourself a favor, watch this film!
Terrence Malick should take a look at this movie to understand how art
films are supposed to be made not just images reflecting on a screen
but real emotions included. This was an outstanding movie and in my
eyes should of got more recognition and probably the Best Picture of
2011. Adrian Brodys deserved a nomination for his performance as a
substitute teacher who does not want a full time gig because he does
not want to be emotionally attached to his students. He shows real raw
emotion in his position.
I just want to say props to the director who did an outstanding job not trying to be too artsy and trying to make all viewers happy instead of one group of viewers. By far the best movie I have seen from 2011.
*** This review may contain spoilers ***
Wow! I was not expecting this movie to be this engaging. Its one of
those films that leave you sitting in silence for a while when the
credits roll much like excellent Dramas like "Requiem for a dream" or
This one spells it out pretty clear with the line "Henry Barthes is all of us"... its hard to grasp how the realization that we are indeed all the same can be so painful.
On the surface "Detachment" deals with the crumbling American education system through the eyes of substitute teacher Henry Barthes (played by Adrian Brody) who starts a new assignment in a new school with new teachers, in a new class with new pupils like he is obviously used to.
The beginning shows him trying to get into this new class around the bullies threatening him and other pupils, making it hard to teach anything. At first it looks like all those "good teacher turns around a bad class" movies but its not. You soon realize that the school is just the backdrop for a larger story about a teacher who tries to do his job by taking a role outside the play. Barthes makes clear that he is hollow and words can't hurt him which is his way of coping with a hopeless situation by neglecting his private life and detaching from the world. Like him every teacher seems to have developed his individual coping mechanism. For some its cynicism and dark humor, "happy pills" are regularly mentioned too and for others its just swallowing their emotions until they erupt. You see the teachers coping with their daily routine while hearing an answering machine in the background every now and then with other teachers resigning or parents shouting for better grades for their kids.
Its pretty tough stuff seeing kids void of hope, interest or enthusiasm and teachers trying to get to the few who are still to be reached in the classroom. But its here where it all falls apart because of hollow politics, parents that do not care or are just as dysfunctional as the kids they raised and dropped into the public education system and idiotic social rules and conventions we are all used to. When you see the pattern in all the peoples private lives and their desperate tries of holding on its obvious that "Detachment" is not just about the public school system but about our whole society, about each and every one of us.
When Barthes meets a young street hooker he decides to take her in with him and do his job outside school. Its quite heartbreaking to see him trying to make a change against all odds. At times Barthes comes across like a modern day Jesus when he sleeps on the floor of his small apartment and lets the girl sleep in bed. Some might say that "Detachment" is too light on the teachers because most of the blame falls onto parents and politicians. There is hardly an unsympathetic teacher in this movie. Yet there are scenes that show Barthes is no Jesus at all... like when he violently shouts at a nurse in a retirement home after an incident with his dying grandfather. Barthes is indeed like all of us, cracking when he struggles to cope and lashing out to get out the pressure, just like the parents at school push their pressure to the teachers.
And this is where the detachment cracks... amidst all the failures Barthes manages to connect to the girl, as well as to an outcast girl at school. And he connects through emotion and personal attachment but soon has to realize that it does not work. The scenes of him sending away the girl to a foster home when he tells her he cannot be her family or when he has do send away the outcast girl when she tries to share her sorrow with him are gut-wrenching. There are so many honest and deeply emotional scenes in this movie its hard to keep track. His grandfathers death with his total forgiving, Barthes monologues trying to make the pupils understand why they need basic education for their own sake are as brilliant as Lucy Lius Characters breakdown in which she shouts out her desperation and sadness towards a seemingly not caring girl.
The relationship between Barthes and the girl is stunning and constantly rocked by misunderstandings... plain because you don't expect it to be non-sexual with all the pedophile stories, sexual harassment laws and stereotypes. But against all odds it is and you realize that when there are no parents (like in the haunting "parents night" scenes with teachers waiting and no one coming) someone else must fill this void... how empty have we become that we cannot expect someone to help out of honest interest for his fellow man... or rather child?!
"Detachment" is a bleak and painful movie but it has some hope and even some humor (the cynic teachers way of teaching a girl about the dangers of STD with a picture of a rainbow and a picture of a disease ridden vagina is one of those much needed lighter moments).
Its like when Barthes says in one of his many off commentaries... life is an ocean of chaos and the realization that you are the one supposed to throw the buoy while struggling to stay afloat is devastating. But its the honesty about his own struggle that makes him connect with others. Its when they realize we indeed are all the same, all struggling and they are not alone in their strife that gives them their humanity. But thats what life is... so what can you do but be honest and hope for the best.... Its all going to be OK!
A story about a teacher who wants to make a difference. Very touching
story with some twisted story lines about real life. It makes you see
how hard life can be for a lot of adolescents. Of course, the people in
this movie project some of the saddest life stories and not everybody
has it this hard, but I think a lot of people can recognize some of the
life problems of this movie.
Adrien Brody projects the right emotions at the right time in the movie. Sadness, happiness, joy and trauma, every feeling has its place in this movie. The use of real students and an existing school in combination with great filming gives the viewer the feeling its all real. A quality that makes a movie great.
The movie inspired me. I'm a elementary school teacher and I see a lot of kids, sometimes heading in the wrong direction. It gave me a feeling of hope and drive to help these children, even if it seems hopeless.
Please, go and see this wonderful movie!
So many people are broken and hurt. Many fear of getting too close in
order to keep from getting hurt once more....
This movie is fantastic look into the brokenness of people in society, along with our need as humans for affirmation and too belong. It not only has an artistic side, but this movie is so real in many ways, which everyone (or at least most) can relate too.
I highly enjoy this film and is yet another brilliant role played by Adrian Brody, quite possibly his best role and story since "The Pianist." The supporting cast was also great.
My opinion on this film may be biased, solely on the fact that I only enjoy films that touch the heart and soul (or at least makes me think/feel) and this is one film that made me want to go out and change the world for the better.
This film is well worth while to watch from beginning to end. The Academy needs to look into nominated Adrian Brody for an Oscar with this performance. One of the few movies that I would watch over again with a friend and well worth your while.
I can see why it won so many awards at Film Festivals.
*** This review may contain spoilers ***
The truth about high school is that it's worse than you remember it.
Watching Tony Kaye's enthralling "Detachment," you can't help compare your high school to the one on screen. You remember the terrible teachers you had, the sterile hallways, the asinine classmates, and the absurd assignments. You can remember the "weight that presses on everyone" as Mr. Henry Barthes, played by Adrien Brody, tells his class.
"If you can just hang on, everything will be alright." Mr. Barthes is that hero teacher that we love tell stories about. He's the Christ, the Buddha. He's meant to save us from ourselves.
The problem? Mr. Barthes is a great teacher because he has no life outside of teaching. Like Socrates, Christ, Buddha, Gandhi, and countless other mythologized teachers, Barthes is a detached island to himself, without spouse, children, or personal life. He's a lonely dude.
As a public school teacher sitting in the audience at the world premiere last night in Tribeca, I have mixed feelings about telling you that Tony Kaye has masterfully succeeded in capturing public school in a macabre and beautiful chalkboard sketch. His lush, mannerist portrait brings a gorgeous but searing light to the lonely reality of the teaching profession. Mr. Kaye's "Detachment" presents school the way so many of us on the inside see it: a windswept wasteland scourged of its humanity by a culture that burdens its underfunded and unfairly censured teachers with rearing, policing, and institutionalizing our children.
I hate to say it: public school really is this bad. The few great teachers that our system manages to attract are barely hanging on from year to year, knocked senseless by a society that demands way too much from them.
Adrien Brody is riveting as a seemingly serene but deeply damaged substitute teacher. His sloping eyebrows, sometimes treacly or overwrought in other performances, here convey an- inch-from-the-cliff hopelessness without ever becoming a mask. Mr. Brody's Henry Barthes is sweetly but searingly honest with his students even as sadly skulks among the halls of his school. Barthes is also furious-- enough to throw desks in his classroom and scream at a late night nurse at his grandfather's assisted care facility. In close-up, documentary-style interviews, Mr. Brody's eyes flash like lightning one moment and then become as dull as concrete the next, daring us to try to understand how one can care so much and so little. His Barthes has a teacher's countenance in this film, acutely aware of how important yet futile his work is. It's a career performance.
Barthes' determination to be disconnected keeps him the perennial substitute-- in the classroom and in his personal life. Barthes tends to his grandfather but has more than enough time to help out two young girls, a young prostitute and an overweight loner. Despite his earnest efforts, almost none of it works out well. The complicating plot lines, all involving family surrogacy around Barthes, serve the notion that teachers must be dispassionate and alone in order to perform their jobs. The story survives its few yet regrettable school clichés by sticking to this thesis.
Despite the fact that the number of big names threatens to make the movie look like a cameo-fest (Lucy Liu? Christina Hendricks? Marcia Gay Harden? Blythe Danner? James Caan? Really?), the ensemble gels together surprisingly well. After all, weren't your teachers an impossible cast of characters? Every character seems just barely above water as each trudges to the blunt beat of the school bells ringing. The performances are just fine, largely, but two are particularly successful. While Mr. Caan's grinning jester provides a refreshingly necessary gallows' humor in some of the film's darkest moments, it's Ms. Liu's imploding truth-teller that lends undeniable heft to the story. As a guidance counselor faced with yet another unreachable know-it-all teen, Ms. Liu's character finally breaks down, berating the student with a bleak prophecy of the child's future. "You will NOT be a model! You will forever be on a carousel, competing with 80% of the country for a minimum wage job for the rest of your life!" the guidance counselor screams uselessly at the apathetic teen.
It's grim stuff, made more grave by the undeniable ring of truth.
The ancient Greeks tell us "we suffer our way to wisdom." By the end of the film, you'll hope that is true for most of these characters. Somewhere on screen, between a silent hug and the opening lines to Poe's "Fall of the House of Usher," you will find a glimmer of hope. But you have to work for it.
School, as the film has drawn it, is a Munch-esque desert of detachment where the best anyone (teachers and students) can do is survive. But the fact that Barthes, and teachers like him, won't give up-- and the fact that Mr. Kaye made this movie-- tells us that hope is alive, if not well.
The hope rests almost entirely in our lonely, detached teachers.
I was having a slow day at work and was able to download this film which i did mainly because I think Adrien Brody is a phenomenal actor. I sat and watched this movie and was amazed at how much I enjoyed it. The acting by the adult stars was so crisp that they each did their characters well, from Adrien Brody, Christina Hendricks, James Caan (who played the part to a tee of many teachers out there today...)and all the rest. The kids led by Sammi Gayle (who should get more story lines on Blue Bloods) and Betty Kaye with that very small but well written part for Rene Felice Smith brought this story to the top for me. The story was outstanding and really put things about our lives and even our education system in focus. This film deserves your attention and I think any awards it has received have been well deserved. I am adding this film to one of the top films I have seen in the last few years...Kudos to Mr. Brody......
I haven't seen a movie that drew me in to this extent in a long time. Extremely well written, directed, cast, acted ,edited etc. with all of the team talent that it takes to make a great film. Yes, there are a couple of "predictable" story lines. Ultimately, that doesn't matter at all . Watch it and get past them. It's not just a slam about the American school system. It's about how the flaws that all of us have affect us and others. Now I'm just annoyed by the fact that I have to write 10 lines in order to recommend this film . I guess that I can say that I was really surprised to see that American Express was one of the sponsors above the title. Now, just go see it !
What an excellent cinematic experience! Tony Kaye has done an excellent job portraying the 'existential angst' that all of us feel at sometime or the other. If emotions were like colors on a palette, the movie is a painting masterpiece. The pain and suffering that each character goes through; the search of an identity, the burden of past mistakes, redemption and forgiveness, the heart-wrenching pain of separation and the exuberant joy of reunion and so much more...It really made me feel that through this project, the actors and everyone else associated with this movie would have actually experienced 'the weighing down' effect of living that we all feel one or the other time. It had a deep impact on me. After watching this movie, I felt that I have a responsibility to do something to reduce human suffering. If not anything else at least a prayer. Thank you Tony & Adrien for an emotionally charged, thought-provoking experience!
I saw this at Woodstock Film Festival, a few months after it premiered at Tribeca. I had the pleasure of driving Tony to the screening, and decided that I would stay for a few minutes to see the opening few minutes of the film, after seeing just a few seconds of it during the tech rehearsal earlier. After 30 seconds, I was hooked and could not get away. This film needs to be seen, people need to understand the conditions and circumstances presented in it of urban school environments; the trials that teachers and students face everyday, and the ravages wrought by "No Child Left Behind". The role played by Sami Gayle is astonishing, where she found that character is beyond me. I gave it a 9 our of 10 only because there were some scene-break graphics in the film that, while making sense, seemed to me to break the flow of the film. A must see. Tough to watch in places, but necessary.
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