| Thomas Schubert | ... | Roman Kogler | |
| Karin Lischka | ... | Margit Kogler | |
| Georg Friedrich | ... | Rudolf Kienast | |
| Gerhard Liebmann | ... | Walter Fakler | |
| Stefan Matousch | ... | Gerhard Schorn | |
| Luna Mijovic | ... | Mona | |
| Georg Veitl | ... | Jürgen Hefor | |
| Klaus Rott | ... | Leopold Wesnik | |
| rest of cast listed alphabetically: | |||
| Johann Bednar | ... | Schlossermeister | |
| Michael Duregger | ... | Polizist #2 | |
| Elena Dörfler | ... | Roberta Fakler | |
| Magdalena Kronschläger | ... | Junge Frau | |
| Louis Markovics | |||
| Reinhold G. Moritz | ... | Josef Kallinger | |
| Martin Oberhauser | ... | Gefängniswärter #3 | |
| David Oberkogler | ... | Polizist #1 | |
| Robert Putzinger | ... | Zugbediensteter | |
| Peter Raffalt | ... | Richter | |
| Gabriela Schmoll | ... | Haushaltshilfe | |
| Stephanie Taussig | ... | Schwiegertochter | |
| Werner Wultsch | ... | Mann im Jogginganzug | |
Directed by | |||
| Karl Markovics | |||
Writing credits(in alphabetical order) | ||
| Karl Markovics | screenplay | |
Produced by | |||
| Dieter Pochlatko | .... | producer | |
| Nikolaus Wisiak | .... | producer | |
Original Music by | |||
| Herbert Tucmandl | |||
Cinematography by | |||
| Martin Gschlacht | |||
Film Editing by | |||
| Alarich Lenz | |||
Casting by | |||
| Nicole Schmied | |||
Costume Design by | |||
| Caterina Czepek | |||
Makeup Department | |||
| Monika Fischer-Vorauer | .... | key makeup artist | |
| Karoline Strobl | .... | makeup artist | |
Production Management | |||
| Petra Mayer | .... | unit manager | |
| Gregor Schmalix | .... | unit manager | |
| Bernhard Schmatz | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Anton Maria Aigner | .... | first assistant director | |
| Rainer Vierlinger | .... | second assistant director | |
Art Department | |||
| Julia Gmoser | .... | assistant production designer | |
| Isidor Wimmer | .... | film designer | |
Sound Department | |||
| Thekla Demelius | .... | mix assistant | |
| William Franck | .... | sound | |
| Nils Kirchhoff | .... | dialogue editor | |
| Stephan Michalik | .... | boom operator | |
| Philipp Mosser | .... | sound designer | |
| Ralph Thiekötter | .... | sound re-recording mixer | |
Camera and Electrical Department | |||
| Cedric Dugueperoux | .... | electrician | |
| Rainer Fritz | .... | digital imaging technician | |
| Robert Stopfer | .... | camera "b" operator and steadicam operator | |
Editorial Department | |||
| Reinhard Feichtinger | .... | digital intermediate editor | |
| Willi Willinger | .... | colorist | |
Transportation Department | |||
| Christian Raberger | .... | production driver | |
Other crew | |||
| Loredana Rehekampff | .... | production coordinator | |
| Recent Posts (updated daily) | User |
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| Rating | jsterli2 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Austria section |
Karl Markovics had to work hard to escape his signature role as Stockinger, the funny sidekick in the popular TV show "Kommissar Rex". It took a lot of "serious" theater work and the leading role in Stefan Ruzowitzky's Academy Award winning "Die Fälscher" until he finally got the respect he deserved as an actor. Now Markovics goes on to prove his talents extend beyond just acting: "Atmen" is his debut as a writer and director - and he hits the bull's eye on the first try.
Apparently, Markovics has worked on a lot of script ideas over the years, but never deemed any of them good enough to be developed into a movie. Finally his wife convinced him to go through with one of those ideas, and rightfully so. "Atmen" is an artistic triumph. Not only is the script brilliantly written, but it is also flawlessly executed. The direction seems almost effortless, as if Markovics was already an old master. He seems to know intentionally what to show when, he's got a great eye for frames and unagitated pictures, and, an actor himself, he naturally knows how to direct other actors. That's not to take away from the great cast. Veteran stars like Georg Friedrich and Karl Rott don't disappoint, but the focus lies on Thomas Schubert who says a lot with just facial expressions. Obviousl,y the movie's success depended on Schubert's performance and the first time actor lives up to the task. He's a great talent. Hopefully we'll see more of him in the future.
"Atmen" is a touching and believable movie about life and death, tight-lipped, but never boring, bleak, but in the end optimistic. It's very authentic in its depiction of Vienna, its depiction of a boy who hasn't been dealt the best cards in life. And, most of all, it's got its heart in the right place. This really deserves an Oscar win - much more than "Die Fälscher" did, actually.