| Michael Reed | ... | Rex Romanski | |
| Sarah Nicklin | ... | Amoreena Jones | |
| Ruth Sullivan | ... | Rita Marie | |
| rest of cast listed alphabetically: | |||
| David Adams Murphy | ... | Dancin' Fool | |
| Alex Aponte | ... | Vargas | |
| Brandon Luis Aponte | ... | Manuel | |
| Babette Bombshell | ... | Bernie Munghat | |
| Jon Brandi | ... | Porn Soundman | |
| Ken Breese | ... | Porn Cameraman | |
| Gio Castellano | ... | Jack Toughskins | |
| Bruce Church | ... | Patrick Romanski | |
| Alexandra Cipolla | ... | Katie | |
| Christopher L. Ferreira | ... | Disco Dork #2 | |
| Danielle Gelehrter | ... | Detective Vargas | |
| Aurora Grabill | ... | Roller Girl #2 | |
| Stacey Forbes Iwanicki | ... | Disco Dancer | |
| Ali Johnston | ... | Roller Girl #1 | |
| Bernard Larrivee Jr | ... | Dirty Old Man | |
| Kevin Killavey | ... | The Unlucky Man | |
| Alexander Lewis | ... | Jermaine Romanski | |
| Erin M. Olson | ... | Helena | |
| Mary Paolino | ... | Voodoo Goddess | |
| Lee Rush | ... | Doris Romanski | |
| Jennifer Scharf | ... | Brenda | |
| Michael Thurber | ... | Marquis | |
| Rich Tretheway | ... | Angel Merisent | |
| Daniel Lee White | ... | Disco Dork #1 | |
| David Erin Wilson | ... | Sam | |
| Samantha Acampora | ... | Disco Dancer / Hatchet Witch (uncredited) | |
| Ken Bergmann Jr. | ... | Extra Dancer in Club (uncredited) | |
| David Langill | ... | Disco Dancer (uncredited) | |
Directed by | |||
| Richard Griffin | |||
Writing credits(in alphabetical order) | ||
| Ted Geoghegan | revisions | |
| Tony Nunes | screenplay | |
Produced by | |||
| Kristin Kayala | .... | associate producer | |
| Ted Marr | .... | producer | |
Original Music by | |||
| Daniel Hildreth | |||
Cinematography by | |||
| J. Poisson | |||
Film Editing by | |||
| Richard Griffin | |||
| Sarah Nicklin | |||
Makeup Department | |||
| Lois Munoz | .... | makeup artist | |
| Jordan Pacheco | .... | special makeup effects artist | |
| Eric Rodrigues | .... | special makeup effects artist | |
Second Unit Director or Assistant Director | |||
| Guy Benoit | .... | assistant director | |
Visual Effects by | |||
| John Dusek | .... | visual effects | |
Camera and Electrical Department | |||
| Robert Jude Buco | .... | still photographer | |
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| Necroville | The Sickness | Playing Dead | The Lumberjack of All Trades | Marty Jenkins and the Vampire Bitches |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
If you only look at the title and you have seen the trailer then you know that you are in a treat of exploitation. By saying that I mean, if you think that you are going to see a horror flick full of gore and blood forget it. This is way back memory lane when grindhouses galore.
The way this flick was filmed and been edited was so typical 70's style. Naturally it was shot with camera's nowadays but they added the scratches afterwards like you see on those old flicks. The use of lighting was also done like in those days with green lights when there is horror for example. Everything worked out fine on that department. The colours being washed and the bad sound editing, you know what I mean. The use of 'Shot Missing' wasn't that funny but okay, it was done back then so no probs with it. So far so good.
You can easily see that the makers do know their stuff of the seventies. When we are at a porn shooting just look at the posters behind the director, The Teacher, so 70's. And that they used roller-skates in their porn reminded me also of those old roller flicks. The way the opening credit was done was also an ode to the genre.
The acting itself was believable too. naturally for some it will be over the top but if you know your stuff then, again, those old ones had that too. The story do falls a bit down halfway the flick but picks up fast again. I can't understand why Michael reed or Ruth Sullivan hasn't made it further in the business.
But then the flick itself. There is naturally gore in it and red stuff. But it is all added with some humour on it. I won't spoil it all but you will see what I mean, just watch the end. There is one shot that really pulls out the intestines and I must say that the effects used were really good. Don't take it all too seriously, the shoot for a porn flick do have some comedy elements. But you have heard me say a few times porn. Don't expect to see some porn, that isn't in it but there is a lot of nudity in it. Maybe one complaint on that part, they all had shaved armpits, something not done back then. But there's full frontal male and female nudity and so much gratuitous nudity that if you love Kleenex you will need a package to wipe your smut away. The possession of one of the girls does look like acting but again go back into your collection and see that it was done that way. I guess a lot won't understand this flick but for those who dig seventies sleaze I surely recommend it. I enjoyed it a lot and made me think of Boogeyman (1980) or trash like that. It isn't a roughie just pure exploitation sleaze.
Gore 2/5 Nudity 4/5 Story 3/5 Effects 3/5 Comedy 1/5