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360 (2011) More at IMDbPro »

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360 -- A dramatic thriller that weaves together the stories of an array of people from disparate social backgrounds through their intersecting relationships.
360 -- Trailer for 360
360 -- Trailer for 360

Overview

User Rating:
6.1/10   10,751 votes »
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MOVIEmeter: ?
Up 6% in popularity this week. See why on IMDbPro.
Director:
Writer:
Peter Morgan (screenplay)
(more)
Contact:
View company contact information for 360 on IMDbPro.
Release Date:
25 July 2012 (France) See more »
Genre:
Tagline:
Everything comes full circle.
Plot:
A dramatic thriller that weaves together the stories of an array of people from disparate social backgrounds through their intersecting relationships. Full summary » | Add synopsis »
Awards:
1 nomination See more »
User Reviews:
Better than expected, with its approach to "global", disconnected, modern life See more (37 total) »

Cast

  (in credits order)

Lucia Siposová ... Mirka

Gabriela Marcinková ... Anna

Johannes Krisch ... Rocco
Danica Jurcová ... Alina

Jude Law ... Michael Daly

Peter Morgan ... Salesman 2

Moritz Bleibtreu ... Salesman

Riann Steele ... Waitress
François-Xavier Demaison ... Taxi Driver

Jamel Debbouze ... Algerian Man
Dinara Drukarova ... Valentina

Vladimir Vdovichenkov ... Sergei
Patty Hannock ... Psychiatrist
Djemel Barek ... Imam

Rachel Weisz ... Rose
Juliano Cazarré ... Rui

Chipo Chung ... Editor

Maria Flor ... Laura
Sydney Wade ... Ellie

Ben Foster ... Tyler

Marianne Jean-Baptiste ... Fran

Anthony Hopkins ... John
William Byrd Wilkins ... Social Worker (as Byrd Wilkins)

Martin McDougall ... Policeman (Airport)

Gerard Monaco ... Airport Official (Security Desk)

Youssef Kerkour ... Policeman Phoenix (Morgue)

Sean Power ... AA Secretary

Mark Ivanir ... The Boss
Christoph Zadra ... Hotel Security Person

Tereza Srbová ... European Girl
Giorgio Spiegelfeld ... Photographer
Lisa Palfrey ... Psychologist
rest of cast listed alphabetically:

Russell Balogh ... Diner (uncredited)
Christopher Blythe ... Pushy Passenger (uncredited)
Martin Butler ... Usa prisoner (uncredited)
Gordon Coe ... Diner (uncredited)

Pamela Betsy Cooper ... Office worker (uncredited)

Philip Craik ... Denver Airport Passenger (uncredited)

Silvia Crastan ... Air Hostess (uncredited)
Ginny Dee ... Prison secretary (uncredited)
Darren Hammock ... Air Cabin Crew (uncredited)

Luke Howard ... Office Worker / Passer-by (uncredited)
Aisling Hughes ... Office Worker / Passer-by (uncredited)
Cyril Hutteau ... Grocer (uncredited)

Todd Von Joel ... Diner (uncredited)
Shaun Lucas ... Passenger / Restaurant Customer (uncredited)
Martyn Mayger ... Airline Passenger (uncredited)
Miguel Gonçalves Mendes ... Waiter (uncredited)
Jools Newman ... Airport Passenger (uncredited)

David Norfolk ... Well Dressed Passenger (uncredited)
Adam Nowell ... Office Worker (uncredited)
Stuart J. Prowse ... Warehouse Worker (uncredited)
Mary Robinson ... Disgruntled passenger (uncredited)

Gordon Round ... D.O.C. Officer: S. Millborough (uncredited)
Bryan Shao ... Military Officer (uncredited)

Katrina Vasilieva ... Alyssa (uncredited)
Eva Von Mitzka ... US Prison Office Worker (uncredited)

Jon Wennington ... Passerby (uncredited)
Josh Wichard ... Porter / Customer (uncredited)

Kelvin Wise ... Airport Passenger (uncredited)
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Directed by
Fernando Meirelles 
 
Writing credits
Peter Morgan (screenplay)

Arthur Schnitzler  play "Reigen" (uncredited)

Produced by
Graham Bradstreet .... executive producer
Chris Contogouris .... executive producer
Andrew Eaton .... producer
David Faigenblum .... executive producer
Steven Gagnon .... executive producer
Jordan Gertner .... executive producer
Chris Hanley .... producer
Danny Krausz .... producer
David Linde .... executive producer
David Linde .... producer
Emanuel Michael .... producer
Nikhil Sharma .... executive producer
Tim Smith .... executive producer
Andy Stebbing .... co-producer
 
Cinematography by
Adriano Goldman 
 
Film Editing by
Daniel Rezende 
 
Casting by
Nicole Schmied 
 
Production Design by
John Paul Kelly 
 
Set Decoration by
Nicolas Brechat (set dresser)
Anna Lynch-Robinson 
 
Makeup Department
Frédérique Arguello .... makeup artist
Fiona Matthews .... makeup artist: dailies
Victoria Nugent .... make up trainee
Françoise Quilichini .... key makeup artist
Daniela Skala .... makeup & hair designer
Helen Speyer .... makeup supervisor: London shoot
Elizabeth Yianni-Georgiou .... makeup and hair for Rachel Weisz
 
Production Management
Antonin Depardieu .... production manager
Susan Kirr .... production manager: US
Cass Marks .... production manager
Michael Solinger .... post-production supervisor
Isabel Sztriberny .... production manager
 
Second Unit Director or Assistant Director
Tom Browne .... additional third assistant director
Glen Carroll .... additional third assistant director
Markus Hautz .... third assistant director
Karl King .... crowd assistant director
Carley Lane .... second second assistant director
Guilhem Malgoire .... third assistant director
Barrie McCulloch .... first assistant director
Christine Moarbes .... first assistant director: second unit
Melani Murkovic .... crowd second assistant director
Lisa Radin .... crowd second assistant director
Harriet Worth .... second assistant director
 
Art Department
Rob Anderson .... construction coordinator
Samudrika Arora .... art department assistant
Arwel Evans .... stand-by art director
Julia Gmoser .... assistant art director
Alain Guffroy .... art director: France
James Hendy .... prop buyer: UK
David Hindle .... art director: UK
Chris Lunney .... graphics art director
Hannah Moseley .... supervising art director
Paul Robinson .... standby props
Tony Statham .... signs
Benoît Tetelin .... prop buyer: France (as Benoit Tetelin)
Sebastian Thanheiser .... prop master: Austria
Nick Thomas .... property master
Holly Thurman .... art department assistant: UK
Richard Van Den Bergh .... key prop maker
Caroline Vion .... props buyer
Verena Wagner .... art director: Austria
 
Sound Department
Orin Beaton .... boom operator
Malte Bieler .... sound designer
Thomas Fennell .... sound assistant
Thomas Fennell .... sound trainee
Bernhard Maisch .... sound re-recording mixer
Theotime Pardon .... cable person: France
Ingo Pusswald .... dialogue editor
Ingo Pusswald .... supervising sound editor
Andreas Schneider .... foley artist
Andy Stallabrass .... adr recordist
Herbert Verdino .... boom operator
Thomas Voglreiter .... sound effects/dialogue editor
Stuart Wilson .... sound recordist
 
Special Effects by
David Holt .... special effects technician
Mark Holt .... special effects supervisor
 
Visual Effects by
Radamés Araujo .... CG artist
Fiorenza Bagnariol .... digital film bureau
Renato Carone .... digital compositor
Martin Cobelo .... digital compositor
Simone Coco .... digital compositor
Peter Collins .... digital intermediate
Omar Colocci .... digital compositor
Ronaldo Alves de Lima .... digital compositor
Andrea de Paula .... digital compositor
Fernando Faustino .... animator
Fernando Faustino .... digital artist
Diogo Girondi .... compositing supervisor
Adam Glasman .... DI colourist
Neil Harrison .... digital intermediate systems administrator
Timothy P. Jones .... digital film bureau
Ricardo Laganaro .... 3D coordinator
John Palmer .... digital film bureau manager
Gustavo Schiapim .... digital compositor
Aurora Shannon .... digital intermediate assistant
Marcelo Souza .... digital effects artist
Ana Claudia Streva .... visual effects coordinator
Gabriel Valente .... visual effects assistant coordinator
 
Camera and Electrical Department
Tim Battersby .... first assistant camera: 'B' camera, UK
Martin Bauer .... gaffer
Alex Bender .... camera trainee
Stefan Berger .... key grip: Vienna
Wailoon Chung .... electrician
Dominik Danner .... best boy
Camille de Chenay .... second unit: camera b
Antonin Drigeard .... electrician
Jean-François Drigeard .... gaffer: Paris
Glenn Dunning .... grip
Vincent Gallot .... director of photography: second unit
Manuel Gaspar .... electrician
Mark Hanlon .... best boy
Stuart Hendry .... still photographer
Stuart Howell .... camera operator
Stuart Howell .... cinematographer: second unit
Mark Karavite .... a camera operator: second unit
Andy Long .... gaffer
Laurent Martin .... grip
David Maund .... key grip
Quico Meirelles .... on set colourist
Julien Moine .... grip
John Saunders .... electrician
Trevor Speed .... clapper loader: dailies UK
Iain Struthers .... first assistant camera
Simon Surtees .... second assistant "a" camera
Paul Swann .... camera and equipment support
Benjamin Wagner .... camera trainee
Dave Wells .... b camera grip
 
Casting Department
Frederic Dagmey .... extras casting assistant (as Fred Dagmey)
Leo Davis .... casting
 
Costume and Wardrobe Department
Alex Cox .... trainee costume assistant
Vicki Hales-Daly .... costume assistant (as Vicki Hales)
Alicia Hood .... costume supervisor: UK
Jodie Knight .... trainee costume assistant
Sarah Monfort .... key costumer
 
Editorial Department
Rob Farris .... digital intermediate producer
Emily Greenwood .... senior digital film editor
Patrick Malone .... digital intermediate head of department
Justin Tillett .... digital on-line editor
Laurent Treherne .... digital film technical supervisor
Jon Ellis .... digital intermediate editor (uncredited)
 
Music Department
Robert Burger .... composer: additional music
 
Transportation Department
Lee Edwards .... driver: Sir Anthony Hopkins
Charles Heidet .... picture car coordinator: Paris unit
Derek McPhail .... driver: Rachel Weisz
Bohdan Stoklasa .... driver
Bohdan Stoklasa .... driver: costume
Bohdan Stoklasa .... facilities driver
Theresa Thanhofer .... production driver
Dave Williams .... facilities captain
 
Other crew
Juan Carlos Alvarez Vasquez .... post production coordinator
Richard Berkeley .... assistant location manager: France
Volker Beyer .... production accountant
Ben Breen .... first assistant accountant
Paula Casarin .... script supervisor
Bruno Cassoni .... assistant location manager: uk
Isabel Chick .... miscellaneous crew
Jonah Coombes .... location manager
John Crampton .... unit manager
Matt Curtis .... titles designer
Cole Dabney .... social media & marketing
Anders Erden .... head of business and legal affairs: Prescience Film Finance Ltd
Emmanuel Fleury .... set production assistant
Jonathan Fong .... production executive: Muse
Kya Garwood .... stand-in for Rachel Weisz
Gwen Gorst .... production secretary
Jim Hajicosta .... financial controller
Michael-Joachim Heiss .... voice actor
Raphaël Holt .... crowd marshall: france (as Raphael Holt)
Paula Jack .... dialect coach: Dinara Drukarova
Marty Jurek .... production assistant
Rachel Kennedy .... unit publicist
Clare Kirby .... miscellaneous crew
Nick Laurence .... additional floor runner
Graeme Law .... miscellaneous crew
Jenni Lewis .... location scout
Anna MacLeod .... location runner
Simon Mills .... production coordinator
Jean-Baptiste Morguet .... legal manager
Clémentine Mourão-Ferreira .... business affairs
Tanya Phegan .... development editor
Rebecca Pick .... legal services
Loredana Rehekampff .... production coordinator: Austria
Carole Schmidlin .... set production assistant
Julien Schmitt .... assistant location manager
Rob Seager .... location accountant
Jennifer Semler .... production executive
Anne Sheehan .... miscellaneous crew
Jennifer Simonnet .... production coordinator
Daniel Smith .... floor runner
Rebecca Puck Stair .... location manager: New Mexico
James Swarbrick .... miscellaneous crew
Iris Wegscheider .... assistant line producer
Loreta Zajarskyte .... travel coordinator
Antoine Zylberberg .... legal affairs
Shoky Carter .... daily crowd runner (uncredited)
Tony Statham .... signs (uncredited)
 

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Additional Details

Also Known As:
MPAA:
Rated R for sexuality, nudity and language
Runtime:
110 min
Country:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
Argentina:16 | Australia:MA15+ | Austria:16 | Brazil:14 (re-rating on appeal) | France:U | Germany:12 | Hungary:16 | Ireland:15A | Netherlands:16 | Portugal:M/12 | Singapore:M18 (edited version) | Sweden:11 | Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | UK:15 | USA:R
Company:

Did You Know?

Trivia:
Karl Markovics was originally set to play Rocco but had to drop out due to a scheduling conflict. He was replaced by Johannes Krisch.See more »
Goofs:
Continuity: Tyler has a "cross" tattoo behind his left ear. This is not visible when he follows the girl into her hotel room.See more »
Quotes:
John:Run into someone cute. Never done this kind of thing before, but you only live once, how many chances do we get?See more »
Movie Connections:
Version of The Circle (2000)See more »
Soundtrack:
Helium RepriseSee more »

FAQ

This FAQ is empty. Add the first question.
Better than expected, with its approach to "global", disconnected, modern life, 13 August 2014
Author: dierregi from Belgium

Movies linking different stories taking place all over the world are usually are praised for the interweaving plot coming together with some big revelation. Think about Babel, universally praised for mixing intercontinental tragedy. I liked it moderately, as it was a bit too gloomy, and I would not put it in my top-ten list.

On the other hand, 360 working on a similar take, was vilified almost unanimously. On a different merry-go-round we have the stories of an English businessman ready to stray with a prostitute in Vienna, while his wife is already straying in London with a Brazilian guy, whose fiancée is dumping him for said infidelity and traveling back home, etc… Since the prostitute is having her photos taken by a photographer for her online advert, the movie starts and finishes with a girl entering the study, thus coming round 360 degrees. A couple of stories are quite weak, such as the Brazilian girl meeting a sex offender en route to Brazil and the prostitute's sister running away with a stranger. However, compared to Babel what is missing here is mega tragedy and that is exactly what made Babel so pretentious, with its existentialist grandeur.

Therefore, I liked 360 better because its characters are more "normal" – except, perhaps, the Russian mobsters – and their lives are not experiencing huge calamities. They just change or adjust slightly. I guess that was not liked by the critics (and public). Nowadays, a level of extra-drama seems to be required in ever massive doses to relieve with excitement our numbed existences … at least for a couple of hours.

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Eminem? mman12-2
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