6.2/10
13,978
38 user 140 critic

360 (2011)

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A dramatic thriller that weaves together the stories of an array of people from disparate social backgrounds through their intersecting relationships.

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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
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Salesman 2
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Salesman
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Waitress
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Taxi Driver
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Algerian Man
Dinara Drukarova ...
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Patty Hannock ...
Psychiatrist
Djemel Barek ...
Imam (as Djemel Barak)
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Storyline

Screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative. Written by 360 Films Ltd

Plot Summary | Add Synopsis

Taglines:

Everything comes full circle.

Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for sexuality, nudity and language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

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Release Date:

25 July 2012 (France)  »

Also Known As:

360 - Jede Begegnung hat Folgen  »

Box Office

Opening Weekend:

$12,186 (USA) (3 August 2012)

Gross:

$99,603 (USA) (21 September 2012)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Karl Markovics was originally set to play Rocco but had to drop out due to a scheduling conflict. He was replaced by Johannes Krisch. See more »

Goofs

Tyler has a "cross" tattoo behind his left ear. This is not visible when he follows the girl into her hotel room. See more »

Quotes

John: Run into someone cute. Never done this kind of thing before, but you only live once, how many chances do we get?
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Connections

Version of Karrusel (1998) See more »

Soundtracks

Helium Reprise
written by Mark Orton
performed by Mike Patton and Mark Orton
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User Reviews

 
Poor copy of a classic original

360 lacks the glint of malice and sardonic cynicism of its model, Schnitzler's La Ronde, filmed in 1950 by Max Ophfuls. It wastes the talents of two fine actors, Jude Law and Anthony Hopkins. Law's part, in particular, amounts to a sniffle and a sneeze; Hopkins is given a monologue — in which he conveys the secret of life according to a Jesuit he knows: "Fuck it." His search for his missing daughter never acquires suspense or urgency. And the sterile, fluorescent lit morgue sucks oxygen from the movie. 360 is a travelogue that pings from Berlin to Paris to London and pongs to Denver and Phoenix and back again. But in each city we see only hotel rooms and airports. A drive around Vienna's famed Ringstrasse, the final act is meant to connote the casting off of shackles — from employer, from exploitative sister — in favor of impulse, liberation, and life. But it leaves us skeptical that the pair will end up differently from the couple at the end of The Graduate, a film with which it otherwise has little in common.


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