Five maids in São Paulo are observed in this episodic, impressionistic film. The women interact with each other, ride busses, work, and have longings: Rai for a husband, Créo for her lost ... See full summary »
A city is ravaged by an epidemic of instant "white blindness". Those first afflicted are quarantined by the authorities in an abandoned mental hospital where the newly created "society of ... See full summary »
Gael García Bernal
The inside story of the planning, execution, rousing aftermath and ultimate downfall of the kidnappers of beer tycoon Alfred "Freddy" Heineken, which resulted in the largest ransom ever paid for an individual.
The daughter of a brilliant but mentally disturbed mathematician, recently deceased, tries to come to grips with her possible inheritance: his insanity. Complicating matters are one of her father's ex-students, who wants to search through his papers, and her estranged sister, who shows up to help settle his affairs.
Screenwriter Peter Morgan and director Fernando Meirelles' 360 combines a modern and dynamic roundelay of stories into one, linking characters from different cities and countries in a vivid, suspenseful and deeply moving tale of love in the 21st century. Starting in Vienna, the film beautifully weaves through Paris, London, Bratislava, Rio, Denver and Phoenix into a single, mesmerizing narrative. Written by
360 Films Ltd
Taking as its, admittedly uncredited, source Arthur Schnitzler's play "Reigen", screen-writer Peter Morgan and director Fernando Meirelles' 360 combines several stories in something of the disjointed manner of Inarritu's "Amores Perros" or "Babel". It's very skillfully made and yes, it holds our attention but that's all it does. On an emotional level it never really engages us and the 'stories', which are naturally related, aren't particularly interesting. The film is clever, well-written, often beautifully directed and the large, international cast are all fine but there's a distinct lack of substance; this isn't a memorable film. Still, there is at least one thing about this film that is great and it occurs whenever Anthony Hopkins is on screen. It isn't a big part and there isn't a great deal of character development in the writing but Hopkins is such a great actor that he makes the part great. You get the impression he's making it up as he goes along; in other words, you feel you are seeing a real person rather than the actor playing him. He's only on screen for much too short a time but he's magnificent. As can he guessed from the title, the film is called 360 because the stories go full circle; if only they had been better this film might have been as great as something like "Amores Perros" or "Pulp Fiction" which were constructed in much the same way. It's certainly not a bad film but it could have been so much better while the closing story seems both melodramatic and really rather tagged on for effect. On hindsight this would probably have made a good six-part television series rather than a two hour movie.
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