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The Wait (2013)

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Two sisters decide to keep their deceased mother in their home after being informed that she will come back to life.

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3 nominations. See more awards »

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Cast

Credited cast:
...
...
Emma
...
Ben
...
Ian
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Ben's Dad
...
Sammy's Dad
Rest of cast listed alphabetically:
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Psychic (voice)
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Karen (as Lana Green)
Henry Gummer ...
Henry
Trey Hansen ...
Sammy
Karen Tolvstad ...
Sammy's Mom
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Storyline

An enigmatic phone call from a psychic, catapults a family into a state of suspended belief while waiting for their recently deceased mother to be resurrected. One sister believes the claim, and the other staunchly opposes it until she encounters a chance at love, giving her hope that anything, even resurrection, is possible. A discordant struggle between sisters plays out in a world where the virtual and real often converge. Written by monterey media inc

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Genres:

Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for some sexual content, brief nudity, language and drug use
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Details

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Release Date:

10 March 2013 (USA)  »

Also Known As:

Oczekiwanie  »

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Box Office

Opening Weekend:

$1,878 (USA) (31 January 2014)

Gross:

$2,109 (USA) (31 January 2014)
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Trivia

M. Blast had previously directed Jena Malone and Chloe Sevigny in the movie Lying (06). See more »

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User Reviews

 
Enchanting Though Warning: Vague
19 March 2014 | by (Poconos, Pennsylvania) – See all my reviews

For starters, Sevigny and Malone look more like sisters than many actual sisters, adding more affect than one might expect. The introduction to THE WAIT is great, it's subtle yet captivating and anyone who's gone through the experience of a like death (usually the big "C" involving a parent or grandparent) will immediately pick up on the chilling vibe. From there we begin a trip with the three bereaving children, beautifully encased in a gorgeous Oregon setting that is alternately threatening, benign, active and sterile. Sevigny does her usual wonderful turn, herein as sort of a passive-aggressive sister. Was unfamiliar with Malone, who steals the show. Young brother also engrossing. On one hand, captivating this film is!; i.e., to the point that the viewer (certainly THIS viewer) may become indifferent to whether the major plot item - mom's dead! - is even resolved. On this thought I was almost disappointed at the head scratching, curious attempt at resolution at the very end. Yes there are plot lines and characters aplenty completely untreated when the credits begin to roll. But the virtual submersion into THE WAITS' atmosphere leads me to recommend a watching. PS/The comparison to a David Lynch film; e.g., both the ambiguity and the TWIN PEAKS setting, comes to mind, though those put off by Lynch's strangeness, violence, etc., need not fear herein.


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