(2011)

Critic Reviews

63

Metascore

Based on 16 critic reviews provided by Metacritic.com
80
Though self-referential to a fault, the deadpan humour, frayed logic and monochrome dazzle cast their own richly peculiar spell.
75
Like Maddin's melancholic and relatively more conventional "My Winnipeg," Keyhole is about a memory house, but one that is even more fragmented, mythical and elusive.
75
A movie like Keyhole plays like a fever dream using the elements of film noir but restlessly rearranging them in an attempt to force sense out of them. You have the elements lined up against the wall, and in some mercurial way, they slip free and attack you from behind.
70
Just as Ulysses illustrates the reflective nature of his journey by constantly turning back the hands of the house's clocks, each film of Maddin's is a reset button for the past. The director operates like a ghost himself, going back over his personal history and the history of cinema in an endless loop until he gets them right.
63
A night of reckoning by a hoodlum in his haunted former home is a more sober and remote Freudian farrago than one expects from Guy Maddin.
63
I have to confess that this surreal departure by the iconoclastic filmmaker tried my patience more than a bit.
60
Time Out New York
For all the undeniable imaginativeness and visual dazzle (this is Maddin's first entirely digital feature, and it positively glistens), Keyhole ultimately comes off like a feature-length private joke that revels a bit too gleefully in its overall inscrutability. Close, Guy. But no Double Yahtzee.
50
An exercise in opaque supernatural storytelling that's as frustrating as it is beguiling.
50
I liked this movie somewhat, even if I'm not sure exactly what it means. Possibly it has something to do with arriving home, in the broadest sense. But in a Maddin film, uncertainty comes with the territory.
50
The first Guy Maddin movie that feels as if it got only halfway out of the director's head and onto the screen.

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