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Keyhole (2011)

R  |   |  Drama, Thriller  |  22 February 2012 (France)
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Ratings: 5.4/10 from 1,052 users   Metascore: 63/100
Reviews: 13 user | 88 critic | 16 from

Gangster and deadbeat dad, Ulysses Pick, embarks on an unusual journey through his home.



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Cast overview, first billed only:
Ulysses Pick
Dr. Lemke
Louis Negin ...
Calypso / Camille
Brooke Palson's body double / Gun Moll
Manners (as David Wontner)
Daniel Enright ...
Big Ed
Theodoros Zegeye-Gebrehiwot ...
Olivia Rameau ...
Jorge Requena ...
Mike Bell ...


In a house haunted with memories, gangster and father Ulysses Pick (Jason Patric) arrives home after a long absence tow­ing the body of a teenaged girl and a bound and gagged young man. His gang waits inside his house, having shot their way past police. There is friction in the ranks. Ulysses, however, is focused on one thing: journey­ing through the house, room by room, and reaching his wife Hyacinth (Isabella Rossellini) in her bedroom upstairs. His odyssey eventually becomes an emotional tour, as the strange nooks and crannies of the house reveal more about the mysterious Pick family. Written by Distributor

Plot Summary | Add Synopsis


"I'm only a ghost...but a ghost isn't nothing".


Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for graphic nudity, sexuality, violent content and some language | See all certifications »


Official Sites:




Release Date:

22 February 2012 (France)  »

Also Known As:

Dziurka od klucza  »

Filming Locations:

Box Office

Opening Weekend:

$3,884 (USA) (13 April 2012)


$22,099 (USA) (15 June 2012)

Company Credits

Show detailed on  »

Technical Specs


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


Ulysses quotes the first line of this verse from one of Emily Brontë's Gondal poems:

"By dismal rites they win their bliss By penance, fasts, and fears - I have one rite - a gentle kiss One penance - tender tears." See more »


Ulysses Pick: So many locked doors... and they all have to be opened.
See more »


Features Earth vs. the Flying Saucers (1956) See more »


The Planet, Opus 32: Neptune
Composed by Gustav Holst
Performed by the London Symphony Orchestra
See more »

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User Reviews

I tried... I really did... But, the film is ultimately just a superficial, crude mix of sounds, images, and odd dialog with no discernible mood or atmosphere to carry it...
18 February 2013 | by (Sunny Southern California, USA) – See all my reviews

Usually I do not go out of my way to give poor reviews; if I don't like a film, normally I just don't bother.


Since I AM an avid fan of Surreal, Abstract, and vague Art films, I felt that I really should leave some comments. Seriously, I really LOVE David Lynch, Jean De Cocteau, and even some Jodorowsky, etc. But this film... Well, it quite honestly left me flatter than Chaz Bono.

I mean, I really do like way out SUPER weird films, I do. But in this film, all I see are a bunch of quick, senseless edits, constant repetitive shots of people squawking, and just a TOTAL mishmash of noise and images. To me, THE key element missing here is that there is NO real atmosphere or mood at all. ZERO, at least for me personally... When a movie simply doesn't move you or do anything for you, then all you are left with is a feeling that it is completely meaningless and that it has no emotional or entertainment value. At least that is the way it made me feel after watching it. It just didn't resonate with me.

For example, let's say in 'ERASERHEAD', you have many, MANY long scenes where it seems like nothing is happening and so on the surface it LOOKS like just long, static shots. BUT... and it is a BIG BUT like Mariah Carey's... There is MOOD pouring and dripping from every damn frame. Intensity with layers of underlying tension in the soundtrack. The lighting is to die for, etc., etc., etc... But, with this film, you get NONE of that. YES, there are individual shots that could be viewed as nice set pieces, but the way they are all put together (or rather, NOT put together) ends up having no real impact at all. Cinematically, atmospherically, or in any other way really...

I DO respect the fact, though, that others here apparently really do like the film. In some way that I do not understand, it resonates with them as an authentic artwork and does indeed DO something for them personally. I guess whatever it is that others ARE relating to in this film, must be going right over me and I'm just not seeing whatever it is that they see in this movie.

I suppose what you can take from this is that if you are like me and you like your Surrealism / Art Films to be more ponderous and indirect and more heavily laced with a deep moodiness such as David Lynch's 'ERASERHEAD' or 'MULHOLLAND DRIVE' where you appreciate the silences and pauses. and where there is more of a dark, PALPABLE appeal to the subconscious, then you may not like this film where there is more of a superficial feel, with frenetic editing and imagery, that at least in my lowly opinion, is much more obvious and crude with big, fat, old, naked men lying on the floor with their little wee wee's and fat bellies hanging out and quick close-ups of his lined face, and fast, choppy edits between people's faces and dark rooms, and then back again as they let out these bizarre baying sounds. With odd comments like 'Now, all the people who are dead, stand over here' HUH...??? Sorry, that is just not my kind of thing...

I'm afraid that I must side with others here who just do not like this film; maybe I'm truly missing something, I don't know. I DID give it a '3' because the B&W photography looked nice. But quite honestly as far as I'm concerned, I think It rather rip my own testicles off then to have to ever, EVERY sit through this movie again (let's hope it doesn't come to that...)

4 of 13 people found this review helpful.  Was this review helpful to you?

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