A father and son ride the rails in their powerful locomotive. Witnessing a crash between two other engines, they rescue the lone survivor, Berenice, and make her a part of their family. All... See full summary »
Nikolai, a mortician, and Osip, an actor playing Christ in a play, are brothers in love with the same woman. Anna, a state scientist and said woman, is in love with both brothers and ... See full summary »
The patriarch of a troubled clan dies, but the resentment and yearning of the eldest son conspire to bring the errant father back for periodic visits in an only partially living state. ... See full summary »
Margaret Anne MacLeod,
Winnipeg, 1939: Bosnian immigrant Nihad Ademi conceives of a way to harness the power of the Aurora Borealis in order to broadcast imagery of his vast and beloved adopted land from coast to coast to coast.
In a house haunted with memories, gangster and father Ulysses Pick (Jason Patric) arrives home after a long absence towing the body of a teenaged girl and a bound and gagged young man. His gang waits inside his house, having shot their way past police. There is friction in the ranks. Ulysses, however, is focused on one thing: journeying through the house, room by room, and reaching his wife Hyacinth (Isabella Rossellini) in her bedroom upstairs. His odyssey eventually becomes an emotional tour, as the strange nooks and crannies of the house reveal more about the mysterious Pick family. Written by
Gangster Ulysses Pick (Jason Patric) has his men shoot their way into a home surrounded by police. Big Ed is second-in-command and he tells the dead to walk out. There is a bound and gagged man. The house is haunted. Ulysses has a girl Denny with him who is soaking wet, supposedly drowned and blind. They go in search for his wife Hyacinth (Isabella Rossellini). His gang wonders about Ulysses' plans and fight amongst themselves.
It's yet another Guy Maddin experimental film. This is almost watchable as the mystery of what this is truly about holds the audience's attendance. This is a black and white dreamscape or a nightmare. I wonder if Maddin can ever use his outlandish imagery in a more conventional movie. The production is relatively simple. There are a couple of interesting actors here. Like a lot of his movies, Maddin loses me about halfway through.
1 of 3 people found this review helpful.
Was this review helpful to you?