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Hannah Arendt (2012)

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A look at the life of philosopher and political theorist Hannah Arendt, who reported for The New Yorker on the war crimes trial of the Nazi Adolf Eichmann.

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Title: Hannah Arendt (2012)

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Cast

Cast overview, first billed only:
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Lotte Köhler
Axel Milberg ...
Heinrich Blücher
Timothy Lone ...
News Speaker
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Francis Wells
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Jonathan Schell
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Student Enrico
Leila Schaus ...
Student Laureen
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Thomas Miller
Victoria Trauttmansdorff ...
Charlotte Beradt
Sascha Ley ...
Lore Jonas
Friederike Becht ...
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Storyline

A look at the life of philosopher and political theorist Hannah Arendt, who reported for The New Yorker on the war crimes trial of the Nazi Adolf Eichmann.

Plot Summary | Add Synopsis

Genres:

Biography | Drama

Certificate:

Not Rated | See all certifications »
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Details

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Release Date:

10 January 2013 (Germany)  »

Also Known As:

Hana Arent  »

Filming Locations:

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Box Office

Opening Weekend:

$31,270 (USA) (31 May 2013)

Gross:

$714,442 (USA) (1 November 2013)
 »

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Did You Know?

Quotes

Kurt Blumenfeld: [on Eichmann] And he thinks he is in no way responsible for the fate of the people he had transported?
Hannah Arendt: Yes. It is his vision. He's a bureaucrat.
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Connections

Featured in Democracy Now!: Episode dated 26 November 2013 (2013) See more »

Soundtracks

Sherry Lane
Composed and Produced by Frank Stumvoll
Courtesy of Freshart Musicproductions
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User Reviews

 
Philosophy With A Hammer.................
1 June 2013 | by (Arroyo Grande, California) – See all my reviews

Folks, this is what Philosophy is all about: taking a stand which is not always popular and being able to justify it for the ages. Hannah Arendt is only in this century beginning to receive her due as the most perspicuous political philosopher of the 20th century. After all, it was Ms Arendt who first observed that post-Hiroshima, a conventional war could never again be fought and won. But rather, all pre-emptive invasions who devolve into occupations - that rather than full-scale war or revolutions - the world would sink increasingly into a mire of entropic violence. Her controversial thesis in Eichmann In Jerusalem - yet another masterpiece of at least five in her canon, is that mass atrocities are not committed by idiosyncratic madmen who erect vast engines of evil in which the followers (citizens of the state) serve as the 'cogs' – but rather the architectonic of evil consists in the actions of rather ordinary people who for various reasons and rationalizations refuse to think about the ramifications of what they're doing. I mention this point because I've studied Ms Arendt's work for over three decades, lived in Greenwich Village when she was teaching at the New School, and when I saw the film premiere at the Santa Barbara Film Festival this past January – I felt that most of the scant audience did not get the point any more than her contemporaries. The film-making is excellent. To dramatize philosophic ideas is challenge in itself. Von Trotta, in the old European style, makes her films with a regular group of actors, and, while the performances were effective throughout, in real life, Hannah Arendt was not nearly so physically engaging and Mary McCarthy quite a bit more – which, I believe had something to do with the development their respective moral characters. All in all, a great, not merely a good, film – and one of the few worth seeing thus far this year – unless, of course, the attributes of fast and furious 6 or iron man 3 overwhelm.


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