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Hannah Arendt (2012)

Not Rated  |   |  Biography, Drama  |  10 January 2013 (Germany)
7.1
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Ratings: 7.1/10 from 6,341 users   Metascore: 69/100
Reviews: 31 user | 123 critic | 17 from Metacritic.com

A look at the life of philosopher and political theorist Hannah Arendt, who reported for The New Yorker on the war crimes trial of the Nazi Adolf Eichmann.

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(screenplay) (as Pam Katz) , (screenplay), 1 more credit »
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Title: Hannah Arendt (2012)

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Cast

Cast overview, first billed only:
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Lotte Köhler
Axel Milberg ...
Heinrich Blücher
Timothy Lone ...
News Speaker
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Francis Wells
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Jonathan Schell
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Student Enrico
Leila Schaus ...
Student Laureen
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Thomas Miller
Victoria Trauttmansdorff ...
Charlotte Beradt
Sascha Ley ...
Lore Jonas
Friederike Becht ...
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Storyline

In 1961, the noted German-American philosopher, Hanna Arendt, gets to report on the trial of the notorious Nazi war-criminal, Adolf Eichmann. While observing the legal proceedings, the Holocaust survivor concludes that Eichmann was not a simple monster, but an ordinary man who thoughtlessly buried his conscience through his obedience to the Nazi Regime and its ideology. Arendt's expansion of this idea through her resulting New Yorker articles would create the concept of the "Banality of Evil" that she thought even sucked in some Jewish leaders of the era into unwittingly participating in the Holocaust. The result is a bitter public controversy in which Arendt is accused of blaming the Holocaust's victims. Now, that strong willed intellectual is forced to defend her daringly innovative ideas about moral complexity in a struggle that will exact a heavy personal cost. Written by Kenneth Chisholm (kchishol@rogers.com)

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Genres:

Biography | Drama

Certificate:

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Details

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Release Date:

10 January 2013 (Germany)  »

Also Known As:

Hana Arent  »

Filming Locations:

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Box Office

Opening Weekend:

$31,270 (USA) (31 May 2013)

Gross:

$714,442 (USA) (1 November 2013)
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Did You Know?

Quotes

Hannah Arendt: Western tradition mistakenly assumes that the greatest evils of mankind arise from selfishness. But in our century, evil has proven to be more radical than was previously thought. And we now know that the truest evil, the radical evil, has nothing to do with selfishness or any such understandable, sinful motives. Instead, it is based on the following phenomenon: making human beings superfluous as human beings. The entire concentration cap system was designed to convince the prisoners they were ...
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Sherry Lane
Composed and Produced by Frank Stumvoll
Courtesy of Freshart Musicproductions
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User Reviews

 
brave film with intellectual challenges
23 January 2013 | by (Canada) – See all my reviews

Margarethe von Trotta's Hannah Arendt is a film about thinking. Moreover, it's in favour of it. It so values thinking that it offers some elegant speeches and debate, sans computer generated spectaculars.

Barbara Sukowa portrays the German Jewish philosopher during the period she covered the Adolf Eichmann trial in Israel for The New Yorker. The film confronts the controversy Arendt raised when (i) she redefined Eichmann not as a monster but as an ordinary nobody, exemplifying "the banality of evil," (ii) she reported that some Jews collaborated with the Nazis, resulting in more deaths than chaos would have caused, and (iii) she said she loves her friends but not any "people," in this case, the Jews. On all three counts she was condemned for abandoning her people. Today, at a remove from the heat of that moment, she was clearly correct on all counts. For more see www.yacowar.blogspot.com.

Not loving the Jews was not being anti-Semitic but refusing to emotionalize her consideration of the issues. Arendt was opposed to the blanket love of any group of people, not based on personal engagement, because such nationalist or other group identification precluded the thoughtful consideration of any issues around them. She most valued a rational, thoughtful approach that was not prejudged or proscribed by any -ism or convention. As for some Jews' collaboration, she simply reported facts that arose at the trial. (Indeed, Rudolf van den Berg's new film Suskind details precisely that collaboration.) Nor was that observation anti-Semitic, for the possibly well-intentioned collaboration in the face of horrid danger is a plausible response among any people. Arendt was pilloried for facing the facts and for rejecting myths. That's what historians are required to do and apparently what philosophers periodically have to remind them to do.


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