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Margarethe von Trotta
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Joaquim de Almeida,
Colonel Chabert has been severely wounded in the French-Russian Napoleonic war to the point that the medical examiner has signed his death certificate. When he regains his health and memory... See full summary »
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Alexandru Virgil Platon,
After another cardiac arrest, Armand knows he doesn't have long to live. But after more than 70 years in the same house, he doesn't want to die anywhere else. His wife, Rose, has secretly ... See full summary »
Jean Pierre Lefebvre
J. Léo Gagnon,
In 1961, the noted German-American philosopher, Hannah Arendt, gets to report on the trial of the notorious Nazi war criminal, Adolf Eichmann. While observing the legal proceedings, the Holocaust survivor concludes that Eichmann was not a simple monster, but an ordinary man who had thoughtlessly buried his conscience through his obedience to the Nazi regime and its ideology. Arendt's expansion of this idea, presented in the articles for "New Yorker", would create the concept of "the banality of evil" that she thought even sucked in some Jewish leaders of the era into unwittingly participating in the Holocaust. The result is a bitter public controversy in which Arendt is accused of blaming the Holocaust's victims. Now that strong willed intellectual is forced to defend her daringly innovative ideas about moral complexity in a struggle that will exact a heavy personal cost. Written by
Kenneth Chisholm (email@example.com)
The whole world is trying to prove that I'm wrong. And no one sees my real mistake. Evil cannot be both ordinary and radical. Evil is always extreme. Never radical. Good is always deep and radical.
Would you have covered the trial if you knew what was expecting you?
Yes. I would have covered it. Maybe to learn who my real friends are.
Kurt was your friend and would have remained such.
Kurt was my family.
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A great episode of history told on an average movie
Hanna Arendt is a biopic of the homonymous German philosopher focusing on her coverage of the Eichmann trial in Jerusalem and the outrage that her articles on it ensued.
As a historical document, the movie is gripping and mostly clear (though some lines of the discussions of her with her friends are a bit unclear) to laymen. I, for one, had never heard of Arendt and the 'banality of evil' before, but I believe that now I'd be able to talk about her thoughts with making a fool out of myself. For that, I thank the film.
Though, on a movie-making viewpoint, it is a letdown. The flow of the film is pretty odd, with leaps in time and space (eg. suddenly she is in Israel), and the efforts to use transition scenes are pretty untimely. The dialogs aren't the best either, with strange remarks here and there, and philosophic remarks not everyone could grasp.
Hannah Arendt is much more of a history and philosophy class, than a great movie. Though, it deserves a bit of appreciation for successfully exposing a great woman's thoughts to a new generation.
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