A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
At a Montréal public grade school, an Algerian immigrant is hired to replace a popular teacher who committed suicide in her classroom. While helping his students deal with their grief, his own recent loss is revealed.
The whole world is trying to prove that I'm wrong. And no one sees my real mistake. Evil cannot be both ordinary and radical. Evil is always extreme. Never radical. Good is always deep and radical.
Would you have covered the trial if you knew what was expecting you?
Yes. I would have covered it. Maybe to learn who my real friends are.
Kurt was your friend and would have remaind such.
Kurt was my family.
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Folks, this is what Philosophy is all about: taking a stand which is not always popular and being able to justify it for the ages. Hannah Arendt is only in this century beginning to receive her due as the most perspicuous political philosopher of the 20th century. After all, it was Ms Arendt who first observed that post-Hiroshima, a conventional war could never again be fought and won. But rather, all pre-emptive invasions who devolve into occupations - that rather than full-scale war or revolutions - the world would sink increasingly into a mire of entropic violence. Her controversial thesis in Eichmann In Jerusalem - yet another masterpiece of at least five in her canon, is that mass atrocities are not committed by idiosyncratic madmen who erect vast engines of evil in which the followers (citizens of the state) serve as the 'cogs' but rather the architectonic of evil consists in the actions of rather ordinary people who for various reasons and rationalizations refuse to think about the ramifications of what they're doing. I mention this point because I've studied Ms Arendt's work for over three decades, lived in Greenwich Village when she was teaching at the New School, and when I saw the film premiere at the Santa Barbara Film Festival this past January I felt that most of the scant audience did not get the point any more than her contemporaries. The film-making is excellent. To dramatize philosophic ideas is challenge in itself. Von Trotta, in the old European style, makes her films with a regular group of actors, and, while the performances were effective throughout, in real life, Hannah Arendt was not nearly so physically engaging and Mary McCarthy quite a bit more which, I believe had something to do with the development their respective moral characters. All in all, a great, not merely a good, film and one of the few worth seeing thus far this year unless, of course, the attributes of fast and furious 6 or iron man 3 overwhelm.
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