As a string of mysterious killings grips Seattle, Bella, whose high school graduation is fast approaching, is forced to choose between her love for vampire Edward and her friendship with werewolf Jacob.
When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called Downworld.
Jamie Campbell Bower,
Beca, a freshman at Barden University, is cajoled into joining The Bellas, her school's all-girls singing group. Injecting some much needed energy into their repertoire, The Bellas take on their male rivals in a campus competition.
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
The final Twilight Saga begins with Bella now a vampire learning to use her abilities. And happy to see her daughter, Renesmee is flourishing. But when someone sees Renesmee do something that makes them think that she was turned. This person goes to the Volturi, because it is a violation to turn a child. And the penalty is death for both who turned the child into a vampire and the child, cause they deem a turned child too dangerous. Alice gets a vision of the Volturi coming after them. So the Cullens try to convince them that Renesmee is not a threat. So they ask friends and family to come stand with them. But when someone who has it in for the Volturi shows up and tells them they should be ready for a fight. And they get ready. Written by
The end credits are for the entire series, not just this installment. See more »
When Bella is on the highway back from Seattle, the speed limit marks 80kmph. The US uses miles, not kilometers. See more »
[Benjamin ignites the bonfire wood]
Now that's what I'm talking about. Old pre-battle bonfire, telling war stories, or just standing like freaking statues
[Jacob looking at the vampires talking each other]
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Every actor to appear in the Twilight Saga films is featured in the ending credits. See more »
There's something exhilarating about the Twilight Saga finally coming to a close.
Picking up almost immediately after the events of "Breaking Dawn Part 1," Bella Swan (Kristen Stewart) and Edward Cullen (Robert Pattinson) must brave raising their newborn child Renesmee (Mackenzie Foy) in a world where vampire children are forbidden. When Irina (Maggie Grace) spies close friend and werewolf guardian Jacob Black (Taylor Lautner) out for a snowy stroll with the rapidly growing Renesmee, she assumes the young girl was turned into a vampire as opposed to being born which in vampire lore, represents an unignorable dilemma from permanent immaturity, potentially destructive tantrums, and general untrustworthiness. Betraying this inaccurate vision to the inflexible Volturi leader Aro (Michael Sheen), she incites a war between the Cullens and their sympathizers and Aro's army of skillful followers.
There's something exhilarating about the Twilight Saga finally coming to a close. The repetitious nature of witnessing Lautner dramatically remove his shirt, seeing scantily clad forest people metamorphosing into over-sized werewolves that appear entirely too cuddly despite gritted canines, and looking at Stewart's blank face trying desperately to emote, has equated to a tiresome journey. The numerous problems plaguing the series haven't been solved, once again demonstrating the excruciating preposterousness of vampire strength and speed (and now more conspicuously the feeding on wild game), unconvincing computer graphics (isn't this franchise much too lucrative to ignore possibilities outside of Rodeo FX and Hydraulx?), and an overabundance of comic relief.
The pervasive humor in "Breaking Dawn" is perhaps the greatest scourge of the production. The first half-hour is so blanketed by one-liner riffs that it's difficult to understand the intent. These constant little jokes don't progress the story and only serve to pollute the tone, which gravely requires seriousness to market sense for the wildly fanciful, fairy-tale-like characters. Imprinting, the love triangle, a very PG-13 sex scene, Bella arm-wrestling to prove her fortitude all of these and more are purely comedic (while aspiring to be expectedly essential) and further detract from the severity of quenching bloodlust, rearing an enigmatic child, and engineering an army for an epic closing battle. The casting of Michael Sheen is easily the most garish selection, bestowing upon the goofy role expressions, dialogue, and cackles that garner awkward laughs. Later, the elaboration of special powers beyond merely being immortal bloodsuckers (the mastery of electricity, elemental distortion, mind control, etc.) is presented as pathetically derivative of X-Men mutants. The lengths the vampires will go to conceal their vampirism has apparently made it necessary to exploit flashier abilities, akin to superheroes. Jacob even comments of Bella's "Jedi training."
Admittedly, it's amusing to see the much-awaited culmination of the Volturi's mercilessness and the Cullen's protective righteousness. The highly anticipated, skull-ripping campaign isn't without unexpected and momentous casualties. An unfortunate twist surrounds this momentary enthusiasm and welcome realization of acerbity and violence, however, revealing a method of misdirection tantamount to storytelling treason which will unavoidably displease the casual or uneducated viewer (namely those not familiar with the book, should they exist in crowds for this release). At least Bella's narration quickens the overly simplistic plot, resulting in a finale for the theatrical phenomenon thankfully clocking in at less than two hours.
The Massie Twins (GoneWithTheTwins.com)
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