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Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised competition in which two teenagers from each of the twelve Districts of Panem are chosen at random to fight to the death.
Katniss Everdeen is in District 13 after she shatters the games forever. Under the leadership of President Coin and the advice of her trusted friends, Katniss spreads her wings as she fights to save Peeta and a nation moved by her courage.
In a world divided by factions based on virtues, Tris learns she's Divergent and won't fit in. When she discovers a plot to destroy Divergents, Tris and the mysterious Four must find out what makes Divergents dangerous before it's too late.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Four magicians each answer a mysterious summons to an obscure address with secrets inside. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. This puts agents Dylan Rhodes of the FBI and Alma Dray of Interpol on the case to find out how they did it. However, this mystery proves difficult to solve even with the insights of the professional illusion exposer, Thaddeus Bradley. What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see. Written by
Kenneth Chisholm (email@example.com)
While in New Orleans, French INTERPOL agent, Alma Dray, is wearing a striped shirt. This is a reference to a famous French New Wave film, Breathless (1960), in which the main female character, Patricia Franchini, wears striped clothes throughout the film. This look, along with short hair, became the "look" throughout the 60's and 70's. This "look" has been revamped among celebrities recently, as the popular culture looks to French New Wave as a retro and stylish inspiration. See more »
When Jack tackles Agent Fuller in the apartment, he grabs his jacket, pulls it down, and shoves the sleeves into the garbage disposal. When Jack turns on the disposal, some sort of utensil holder falls into the sink on the left side. After Fuller yells out "Dylan" after spitting out a wet cloth forced into his mouth, a shot of the sink is shown and the utensil holder has suddenly shifted slightly to the right. Fuller couldn't have moved it since his arms were stuck in his jacket and his jacket was stuck inside the garbage disposal. See more »
Um... Allow me to make plain what we've both been thinking.
And what's that?
Well, obviously you have feelings of affection for Daniel. Unrequited and misguided, owing to his lack of emotional availability. Consequently, you're very tightly... how should I put it? Um... corked.
Oh, I am?
Now, recognizing that you have physical needs not being met, and strictly in the vein of helping a sister out, I invite you to think of me as your own personal corkscrew.
Wow, thanks. Let me mull over that ...
[...] See more »
Includes the credit: "Magic Inspired By... David Copperfield" See more »
trying desperately hard to be more intelligent than it is
Overall a showman of a film. Flashy, loud with bells and whistles and big personalities, an exciting premise... illusionists rob banks using (supposed) magic but the four horsemen are just puppets in a game, but the hype is more than the substance of the film itself.
You'd expect suspense, twists, intelligent plot misdirection and all sorts of thrilling viewing? No. This film tries to be a lot more intelligent than it actually is. Like Atlas (Eisenberg) says, "Always be the most intelligent person in the room" or something similar, this film thinks it is being intelligent but actually it's not challenging enough. It gives too much away, isn't as unpredictable as it should be (really, you couldn't see that ending coming?) and just isn't as clever as it promises. The tricks I really wanted explaining weren't... the ones that were more obvious, were explained. The ending actually isn't a denouement, as it's been laying clues all along - and anyone who's seen a lot of films can see the "twists" coming a mile away. I focus on the twists and reveal because as a heist movie, the end is the big reveal. But, unlike Oceans Eleven, for example, it has more or less handed it to you on a plate already.
The actors were good. Morgan Freeman and Woody Harrelson stealing the show, of course, with Dave Franco doing a bang up job with some incredible physical acting, stunts and so forth. I'm afraid Jesse Eisenberg didn't convince in his character and was annoying after a while, Franco rather underutilised really. Isla Fisher was good but clearly the "glamour" rather than a serious character, which was a shame as she was good.
This was supposed to be a big blockbuster film, big back drops, epic stunts and huge crowd scenes, but it failed to deliver. As heist/magic genre films go it's not that great, and The Prestige was far more cerebral and gripping. Entertaining to a point but I got a bit bored, and some of the scenes were too long - chases etc. If you are a fan of heist films or magic you'll enjoy it, or are a fan of particular actors, or will just enjoy it for what it is and don't want to be challenged intellectually, it's a great film. I think Hollywood endings are just too commonplace. 6/10 for me.
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