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Now You See Me (2013)

PG-13 | | Crime, Mystery, Thriller | 31 May 2013 (USA)
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An F.B.I. Agent, and an Interpol Detective, track a team of illusionists, who pull off bank heists during their performances, and reward their audiences with the money.

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(screenplay), (screenplay) | 3 more credits »
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1 win & 3 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Agent Fuller (as Michael J. Kelly)
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Evans
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Etienne Forcier
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Hermia (as Jessica C. Lindsey)
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Storyline

Four magicians each answer a mysterious summons to an obscure address with secrets inside. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. This puts agents Dylan Rhodes of the FBI and Alma Dray of Interpol on the case to find out how they did it. However, this mystery proves difficult to solve even with the insights of the professional illusion exposer, Thaddeus Bradley. What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Plot Keywords:

magician | heist | bank | fbi | interpol | See All (255) »

Taglines:

They're going to steal a billion dollars right before your eyes. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for language, some action and sexual content | See all certifications »

Parents Guide:

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Details

Country:

|

Language:

|

Release Date:

31 May 2013 (USA)  »

Also Known As:

Los ilusionistas: Nada es lo que parece  »

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend USA:

$29,350,389, 2 June 2013, Wide Release

Gross USA:

$117,723,989

Cumulative Worldwide Gross:

$351,723,989
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

| (extended edition)

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The final scene was filmed on the Pont des Arts in Paris, France, which, as shown in the film, was famous for having an estimated one million "love locks" attached to its railings. However, on June 1, 2015, city council workmen started to remove the padlocks following years of complaints from locals. See more »

Goofs

For Henley's trick she has handcuffs chained to her and is dropped into a tank. In one of the reverse angles, she has both of her arms stretched out. But in a close-up of her arms, she now has her arms extended with them in front of her. She is saying the same line during all of the shots as this happens so it couldn't have had anything to do with several seconds passing between shots. See more »

Quotes

Dylan Rhodes: You little shit!
Jack Wilder: [imitating Dylan] You little shit!
Dylan Rhodes: What game ya playin'?
Jack Wilder: [imitating Dylan] What game ya playin'?
[Jack is an expert impersonator; now that he knows he can mimic Dylan's voice, he speaks confidently into the walkie-talkie]
Jack Wilder: We're all good at six; move to seven.
[Dylan's police obey and run up to the seventh floor]
See more »

Crazy Credits

About halfway through the closing credits a scene is shown where the four horsemen arrive in the desert at an abandoned, dilapidated amusement park in Las Vegas. Appears in both the Blu-Ray Edition and the iTunes Extended Cut. See more »

Connections

References Catch Me If You Can (2002) See more »

Soundtracks

Entertainment
Written by Thomas Mars (as Thomas Pablo Croquet), Christian Mazzalai, Laurent Brancowitz (as Laurent Mazzalai), Deck D'Arcy (as Frederic Jean Joseph Moulin)
Performed by Phoenix
Courtesy of Glassnote Records
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Frequently Asked Questions

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User Reviews

 
trying desperately hard to be more intelligent than it is
6 July 2013 | by See all my reviews

Overall a showman of a film. Flashy, loud with bells and whistles and big personalities, an exciting premise... illusionists rob banks using (supposed) magic but the four horsemen are just puppets in a game, but the hype is more than the substance of the film itself.

You'd expect suspense, twists, intelligent plot misdirection and all sorts of thrilling viewing? No. This film tries to be a lot more intelligent than it actually is. Like Atlas (Eisenberg) says, "Always be the most intelligent person in the room" or something similar, this film thinks it is being intelligent but actually it's not challenging enough. It gives too much away, isn't as unpredictable as it should be (really, you couldn't see that ending coming?) and just isn't as clever as it promises. The tricks I really wanted explaining weren't... the ones that were more obvious, were explained. The ending actually isn't a denouement, as it's been laying clues all along - and anyone who's seen a lot of films can see the "twists" coming a mile away. I focus on the twists and reveal because as a heist movie, the end is the big reveal. But, unlike Oceans Eleven, for example, it has more or less handed it to you on a plate already.

The actors were good. Morgan Freeman and Woody Harrelson stealing the show, of course, with Dave Franco doing a bang up job with some incredible physical acting, stunts and so forth. I'm afraid Jesse Eisenberg didn't convince in his character and was annoying after a while, Franco rather underutilised really. Isla Fisher was good but clearly the "glamour" rather than a serious character, which was a shame as she was good.

This was supposed to be a big blockbuster film, big back drops, epic stunts and huge crowd scenes, but it failed to deliver. As heist/magic genre films go it's not that great, and The Prestige was far more cerebral and gripping. Entertaining to a point but I got a bit bored, and some of the scenes were too long - chases etc. If you are a fan of heist films or magic you'll enjoy it, or are a fan of particular actors, or will just enjoy it for what it is and don't want to be challenged intellectually, it's a great film. I think Hollywood endings are just too commonplace. 6/10 for me.


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