With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Four magicians each answer a mysterious summons to an obscure address with secrets inside. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. This puts agents Dylan Rhodes of the FBI and Alma Dray of Interpol on the case to find out how they did it. However, this mystery proves difficult to solve even with the insights of the professional illusion exposer, Thaddeus Bradley. What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see. Written by
Kenneth Chisholm (firstname.lastname@example.org)
In the scene before J. Daniel Atlas and Merritt McKinney enter the secret room, McKinney tells Atlas that he is a "bit of a control freak," to which Atlas replies "Have we met before?" This is a nod to the previous film, Zombieland that Harrelson and Eisenberg have done together. See more »
Henley Reeves (Isla Fisher), after magically coming out from the piranha tank, celebrates with the audience by giving a high-five to a few people. But she misses the last high-five. See more »
Come In Close. Because the More You Think You See, the Easier It'll Be To Disappoint You...
"Come in close. Because the more you think you see, the easier it'll be to fool you..." Not only do the distributors of Now You See Me use this piece of gripping dialogue as the tagline for the film, but exhibitors will also utilise it to trick international audiences into delving into their pockets and wasting their time with this enormously disappointing and unexciting caper film. Now You See Me follows the story of four magicians, known as The Four Horsemen, as they captivate the world with 'magical', near inexplicable bank heists before rewarding their audiences and supporters with the money they take. The only trickery happening here is being hypnotised by the highly intriguing trailer, only to find you yourself have been robbed as you sit in disbelief that you paid to see a film that is about as unique and intricate as a card game of snap!
Despite the sensational ensemble of Jesse Eisenberg, Mark Ruffalo, Woody Harrelson, Mélanie Laurent, Isla Fisher, Dave Franco, Michael Caine and Morgan Freeman, they fail to assemble accordingly. They all deliver satisfactory performances but are not given the opportunity to flourish as we may have seen them do so in past roles. This is primarily due to the fact that director Louis Leterrier, along with the writers, attempt to pull too many rabbits out of the hat at one time and so rather than enjoy one bunny at a time, we instead see a ton of terrific actors be undervalued and restricted in showcasing their talents. Most oddly, The Four Horsemen (Eisenberg, Fischer, Harrelson and Franco) are even given surprisingly little screen time after their thirty minute introduction as the film begins.
In all fairness, Now You See Me does remain consistent. Consistently unintriguing that is. The film's aforementioned tagline, along with unsubtle hints scattered dubiously throughout regarding the illusionary concept of misdirection, completely ruin any surprise and twist that the 'suspense' film has to offer. By doing this the film leaves little to be unveiled during the climax, one would think, though time is actually wasted explaining all of the plot points you already guessed, while conjuring up new components to the story that remain unresolved and/or illogically explained to the extent that even in a film about magic/illusions, you fail to believe any of the tricks being performed. The illusion of cinema fails as much as the illusion of magic fails to prevail in Now You See Me.
Now You See Me is comparable to the student who believes they are the cool fresher on campus, the funniest, with a unique personality, and a mistaken sense of self-intelligence that causes them to continue to contribute to seminars despite the fact they never answer anything correctly. No, in fact, Now You See Me needs to be told by its peers (let's say that's us) that it is not nearly as intellectually gifted, cool, witty or exceptional as it pretends to be. You most certainly will not miss out on anything if you chose not to befriend this dull, generic and embarrassingly misleading film, that is posing as an intricate and sophisticated figure on the surface.
When the first thought on my mind after exiting my cinema seat after Now You See Me was "I actually wish the film had been sold out so I could have returned home to watch The Prestige (2006) or see Man of Steel (2013) again", it pretty much encapsulates my attitude towards the disappointing Leterrier film. While there is nothing necessarily evident to hate in Now You See Me, there is not a single component to commend as great either. Now You See Me is truly a forgettable 115 minute time thief, and though I have Seen it Now, I would have preferred instead to have missed it and been kept under the illusion that it was in fact an intricate tale, rather than a misdirected fail.
167 of 320 people found this review helpful.
Was this review helpful to you?