With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
In a future where people stop aging at 25, but are engineered to live only one more year, having the means to buy your way out of the situation is a shot at immortal youth. Here, Will Salas finds himself accused of murder and on the run with a hostage - a connection that becomes an important part of the way against the system.
Katniss Everdeen voluntarily takes her younger sister's place in the Hunger Games, a televised fight to the death in which two teenagers from each of the twelve Districts of Panem are chosen at random to compete.
In 2074, when the mob wants to get rid of someone, the target is sent into the past, where a hired gun awaits - someone like Joe - who one day learns the mob wants to 'close the loop' by sending back Joe's future self for assassination.
Four magicians each answer a mysterious summons to an obscure address with secrets inside. A year later, they are the Four Horsemen, big time stage illusionists who climax their sold out Las Vegas show with a bank apparently robbed for real. This puts agents Dylan Rhodes of the FBI and Alma Dray of Interpol on the case to find out how they did it. However, this mystery proves difficult to solve even with the insights of the professional illusion exposer, Thaddeus Bradley. What follows is a bizarre investigation where nothing is what it seems with illusions, dark secrets and hidden agendas galore as all involved are reminded of a great truth in this puzzle: the closer you look, the less you see. Written by
Kenneth Chisholm (email@example.com)
Isla Fisher got into difficulty while filming the piranha tank scene. The top of the tank remained opened so that Fisher would be able to swim to the top to get some air, and there was also an emergency lever inside the tank that, if pulled, would alert the crew that she needed help. During one take, Fisher was running out of air and tried to swim to the top, but the chains on the handcuffs she was wearing got stuck on the bottom of the tank, so she was unable to swim to the top or pull the lever. She then attempted to alert the crew by hitting the glass of the tank, but since her character is supposed to be panicked and scared in the scene, the crew thought she was acting. She was stuck for 3 minutes before the stunt coordinator finally realized that something was wrong after he noticed that her handcuffs were stuck. See more »
(at around 28 mins) When the cop pulls Daniel Atlas's neck, Atlas's right handcuff becomes undone. Then, in the next shot, it is back on correctly. See more »
I can maintain my resolve much longer than you can maintain that phony arrogance. And the instant that you even show the slightest crack in that smug facade, I'll be there. I'll be all over you like...
J. Daniel Atlas:
Like white on rice? Sorry, that's unfair. Let me warn you. I want you to follow, because no matter what you think you might know, we will always be one step, three steps- seven steps ahead of you, and just when you think you're catching up, that's when we'll be right behind you. And at no time ...
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Includes the credit: "Magic Inspired By... David Copperfield" See more »
Like a Vegas Show, Entertaining but Lacking of Much Else
Imagine Now You See Me as Ocean's Eleven meets The Prestige and you sort of get what director Louis Leterrier was going for with this film. Is Now You See Me as successful as the aforementioned films? Not necessarily, but it's a fun movie that deconstructs the acts of modern magicians.
The story follows four Vegas magicians, known as the Four Horsemen, who rob a bank in the middle of one of their shows. What follows is a cat-and-mouse thriller where the FBI chases after these magicians, always one step behind, trying to figure out how they did it.
Where Now You See Me works best is when Leterrier creates cinematic sequences showing us how these magicians used real-life magic tricks to befuddle and dupe both their victims and the FBI. As well, if you want a film with twists and turns, this one will not disappoint. While most of the major twists can be found out before revealed, there is still a joy in watching those twists unfold, thanks to Leterrier's Sherlock Holmes' style of visual deduction. However, the script often falters in one of the most crucial areas, that of character.
Leterrier and company are constantly trying to balance the breakneck pace with the large cast of characters, and it just leaves the characters hanging out to dry. Character development is sorely lacking in Now You See Me, to where I never really cared about any of the characters. Part of this is because the film is constantly shifting points of view. The first thirty minutes follow our Robin Hood-like magicians, and then it switches to the FBI agents tracking them down, but then the film has the magicians constantly one step in front of the FBI to the point that it makes the FBI often come across as buffoons, and I find it hard to care for characters who are so easily fooled. Ultimately, I feel that had the film focused entirely on one set of characters, like the magicians or the FBI, the film would have been stronger and been easier to find a focal point, but as it is the film's core is often muddled.
While Now You See Me may not be a grand slam, it's still entertaining, thanks to the thrills and visual style of the film. Bottom line, if you're a fan of the heist genre, you'll like this movie. For me though, it just lacks a further script rewrite to have become one of the best examples of the genre.
I give Now You See Me an 8 out of 10!
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