On Tuesday, Dec. 1, at 7 p.m. ET/4 p.m. PT, IMDb Asks brings you a livestream Q&A and online chat with Lisa Edelstein. Tune in to Amazon.com/LisaEdelstein to participate in the live conversation and even ask a question yourself. Plus, catch up with Christina Ricci, star of new Amazon pilot "Z." The livestream is best viewed on laptops, desktops, and tablets.
Both detectives on a sickening murder case struggle with being alone and childless in their 40s. As they investigate the young man found beaten and strangled to death, platonic friends ... See full summary »
Claire is a young woman who leads a somewhat formatted life. Pierre is an improviser, but not an actor. Brief encounter, brief romance, doomed or not, who can say? When things like that happen, you act on the spur of the moment.
Arman is 33 and ready to make a change, starting with a run in the park. When he literally bumps into Amélie - slightly cynical but nevertheless lovely - on the jogging path, he's dead-set ... See full summary »
At 10 years old, Owens becomes a ragged orphan when his sainted mother dies. The Conways, who are next door neighbors, take Owen in, but the constant drinking by Jim soon puts Owen on the ... See full summary »
Anna Q. Nilsson,
Grandson of a rugby legend, son of a rugby legend and himself a rugby legend, Jo Canavaro brings up his 13 year old son, Tom, alone in a small village in the Tarn region of France. To the ... See full summary »
When Lola's boyfriend is unfaithful to her on his summer holiday, she dumps him and flirts with his best friend as punishment. But as their class prepares to leave on an excursion to London, the relationship heats up.
The French title, 'Légitime défense', was translated on the screening I watched into 'The law of violence'. This put me in mind of Cronenberg's 'History of violence'; parallels surfaced right through Pierre Lacan's film. Each film held my attention but in strikingly different ways. Cronenberg provided an intense feed of sensational episodes of a threatening, a violent or a sexual nature, with lurking, dark family issues permeating the mix. But this was achieved, in view, at the cost of impoverished coherence and credibility of the story line. Is that a pedantic criticism? Is 'story' relatively irrelevant in films of an 'action' genre? Lacan shows that this need not be the case. He maintains attention through exactly the same devices as Cronenberg but not at the expense of a believable narrative thread. Believable, and as a consequence, identifiable with: with Lacan's movie I couldn't help asking myself, 'Christ - what the hell would I do in that situation?' That level of artistic intimacy wasn't reached, for me, by the Cronenberg film.
6 of 10 people found this review helpful.
Was this review helpful to you?