| Videos (see all 5) |
| Goh Nakamura | ... | Himself | |
| Chadd Stoops | ... | Danny Tunrer | |
| Lynn Chen | ... | Rachel | |
| Mary Cavett | ... | Valerie | |
| Joy Osmanski | ... | Amy | |
| Parry Shen | ... | Bradley | |
| Calpernia Addams | ... | Tammi | |
| Eric M. Levy | ... | Arthur | |
| Joe Polhemus | ... | Dave Margolis (as Josiah Polhemus) | |
| Dan Bjornson | ... | Mark (as Dan 'Damage' Bjornson) | |
| Di Quon | ... | Emily | |
| Alexandra Fulton | ... | Diane | |
| Natalie Lander | ... | Sarah | |
| Manuela Horn | ... | Mark's Girlfriend | |
| Matthew A. Gallagher | ... | Fan #1 | |
| John-Michael Carlton | ... | Fan #2 | |
| Ron Eliot | ... | TV Host | |
| rest of cast listed alphabetically: | |||
| Jimmy Chunga | ... | Radio DJ | |
| Patrick Epino | ... | Sound Engineer | |
| John Fukuda | ... | Danny's old boss | |
| Mary Elise Hayden | |||
Directed by | |||
| Dave Boyle | |||
Writing credits(in alphabetical order) | ||
| Dave Boyle | written by | |
| Joel Clark | written by | |
| Goh Nakamura | written by | |
Produced by | |||
| Duane Andersen | .... | producer | |
| Dave Boyle | .... | producer | |
| Alex Cannon | .... | co-executive producer | |
| Paul Cannon | .... | co-executive producer | |
| Gary Chou | .... | executive producer | |
| Michael Lerman | .... | co-executive producer | |
Original Music by | |||
| Goh Nakamura | |||
Cinematography by | |||
| Bill Otto | |||
Film Editing by | |||
| Duane Andersen | |||
| Dave Boyle | |||
| Michael Lerman | |||
Makeup Department | |||
| Michelle Dallas | .... | makeup artist | |
| Monique Ford | .... | makeup artist | |
Sound Department | |||
| Micah Dahl Anderson | .... | foley artist | |
| Curtis Choy | .... | sound mixer | |
| Carlos Sanches | .... | supervising sound editor | |
| Nathan Whitcomb | .... | sound mixer | |
Visual Effects by | |||
| Leonid Karachko | .... | compositor | |
Camera and Electrical Department | |||
| Matthew J. Stroud | .... | assistant camera | |
Editorial Department | |||
| Spencer Plewe | .... | assistant editor | |
Other crew | |||
| David Benjamin | .... | production assistant | |
| Marlene Minori Nishime | .... | production assistant | |
| Drew Sugimoto | .... | production assistant | |
| Serena Wong | .... | production assistant | |
|
|
|
|
|
| I Want to Destroy America | Just Like Heaven | Boys on the Side | The Princess Diaries | Duets |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Surrogate Valentine (2011)
An interesting if not commanding attempt to show a slice of life of a promising young musician at a crossroads in his life. There are echoes here are of the much better in other movies, including the really special "I Am Not a Hipster" released 2012.
Here in rather nice black and white we have quiet (rather introverted) guitarist and singer who is asked to help train a loud (rather extroverted) actor who needs to pretend to play guitar in a scene. A couple of love interests (girlfriends) come and go, and a weird, incomplete friendship forms between the two male leads. On paper it sounds pretty cool.
The problem (with the movie) is multi-fold. For one, this story only goes so far. It's simple to the point of needed either depth of expression or some layering and complexity (you know: a subplot). It has neither. Sometimes it's even a little cursory (or confusing) as the lead trots between cities for a brief this or that (a performance, a talk). There are asides that don't quite matter (like a part about a promoter who collects guns).
The lead actor (Goh Nakamura) is rather good, but he's so restrained you don't totally get on board with his situation. The actor who is his counterpoint (Chadd Stoops) is appropriately over the top, but not completely convincing. The rest of the cast is fine to middling, sometimes bordering on obviously amateur.
Yes, I know it's a low budget indie. If you want to lower your bar and go along with the style as "necessary" to the genre, you might get more out of it than I did. Or than is there. The nuances of the time, the bits of Seattle and San Francisco in the backdrop, are not examined or revealed or even enjoyed for simply being there. The idea of making it in that world of renting studio time and performing half baked music and performing on a shoestring is great stuff, but it's subdued here. The meat of it is supposed to be the interaction between these two opposite males, and it never quite connects and takes off.
In short, it's a okay movie with an okay premise and some okay talents. That adds up to a watchable, gentle movie with a few strong moments. Is that clear without being brutal?