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Elle s'appelait Sarah (2010)

PG-13 | | Drama, War | 22 July 2011 (USA)
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In modern-day Paris, a journalist finds her life becoming entwined with a young girl whose family was torn apart during the notorious Vel' d'Hiv Roundup in 1942.

Writers:

(novel), (screenplay) | 1 more credit »
4 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jules Dufaure
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Bertrand Tezac
Michel Duchaussoy ...
Édouard Tezac
Dominique Frot ...
Geneviève Dufaure
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Mme Starzynski
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Mamé
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William Rainsferd
Sarah Ber ...
Rachel
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M. Starzynski
Karina Hin ...
Zoé
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Mike Bambers
Joseph Rezwin ...
Joshua (as Joe Rezwin)
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Alexandra
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Storyline

One of the darkest moments in French history occurred in 1942 Paris when French officials rounded up over 10,000 Jews and placed them in local camps. Eventually over 8,000 were sent off to German concentration camps. As 10-year old Sarah and her family are being arrested, she hides her younger brother in a closet. After realizing she will not be allowed to go home, Sarah does whatever she can to get back to her brother. In 2009, a journalist named Julia is on assignment to write a story on the deported Jews in 1942. When she moves into her father-in-law's childhood apartment, she realizes it once belonged to the Strazynski family, and their daughter Sarah. Written by Jeff Mellinger

Plot Summary | Plot Synopsis

Taglines:

Sometimes the past can unlock the future See more »

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated PG-13 for thematic material including disturbing situations involving the Holocaust | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

22 July 2011 (USA)  »

Also Known As:

Sarah's Key  »

Box Office

Budget:

€10,000,000 (estimated)

Opening Weekend:

$115,708 (USA) (24 July 2011)

Gross:

$7,691,700 (USA) (4 December 2011)
 »

Company Credits

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Technical Specs

Runtime:

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Sound Mix:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Was the most successful French movie in the Netherlands, due to the popularity of the book on which the film is based, until The Intouchables (2011) took the record. See more »

Goofs

The cab that Julia gets into has a medallion number of 1M11. The one she gets out of has a medallion number of 7H83. See more »

Quotes

Julia Jarmond: And so I write this for you, My Sarah. With the hope that one day, when you're old enough, this story that lives with me, will live with you as well. When a story is told, it is not forgotten. It becomes something else, a memory of who we were; the hope of what we can become.
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Connections

Featured in De wereld draait door: Episode #6.38 (2010) See more »

Soundtracks

A Charonne
Written by Eric Gemsa and Dominique Vernhes
Performed by Eric Gemsa and Dominique Vernhes
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Frequently Asked Questions

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User Reviews

 
Beautiful
12 January 2011 | by (Australia) – See all my reviews

When the humble home of a poor Jewish family is raided by a vile strand of the French authorities hoping to get in Hitler's good books, their well-meaning daughter Sarah (a heartwrenching Mélusine Mayance) instinctively hides and locks her little brother in the closet to keep him safe from the unspeakable horrors of the Vel d'Hiv detention centre for Jews. It is only after she and the rest of the family seems well beyond escape that she realises the long-term consequences of her decision and is determined to get back to free him, holding onto that precious key relentlessly as she, like thousands of others, tries her hardest to endure the atrocities of the Holocaust. We as the audience follow this earlier part her captivating story – another of those outstanding tales that are of of a personal nature yet have a grand historical context – mostly on our own, with regular cuts to American-born Parisian-resident journalist Julia Jarmond (the masterful Kristin Scott Thomas) who is writing about the events concerned and soon develops a keen interest in Sarah's life. Her segments are much less harrowing, being set in the present day and involving much more trivial complications than those relating to Sarah, and are actually a welcome relief when they come.

Julia's irritating struggle to dissuade her husband (Frédéric Pierrot) from having her get an abortion after she has endured two miscarriages is as poignant a subplot as any in a drama, allowing us to become familiar with her character before we discover the final fate of the girl along with her. Her inquiries lead her to many different people who are linked to these affairs, from her own father-in-law (Michel Duchaussoy) to Sarah's only son (Aidan Quinn), a simple western entrepreneur clueless about his own mother's past. The fact that a handful of these scenes are in English brings another refreshing touch of variety to the film, helping to make it the must-see beautiful cinematic triumph that it is.


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