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The story takes place in a small town (called Hakkari) in Turkey at the beginning of the 70's. The time has come to bring technology into that small town. The first Television (or called ... See full summary »
Failed magician Iskender decides to do a tour to save his career, but has to bring his grumpy and senile father along. The tour is quite unexpectedly interrupted when a bride actually disappears from the stage.
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Sadik is one of the rebellious youth who has been politically active as a university student and became a left-wing journalist in the 70's, despite his father's expectations of him becoming... See full summary »
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Zephyr, a strong-willed adolescent girl, spends her summer vacation with her grandparents in the mountains, waiting for her mother to come and take her back home. Her mother finally shows ... See full summary »
Ali Osman is a former bully of city of Istanbul. But lately he gives up bully and starts to operate a synthetic pitch. He often meets his old friends, former bullies, too. One day Ali Osman... See full summary »
A hand belonging to a teenage girl is found in the river, and with this find starts our journey to the unknowns of few people's lives
Av Mevsimi (Hunting Season) is in certain terms as good as a production can get in Turkey: great cast, great cinematography, great sets, state of the art technology unfortunately though the great production could not be translated into a good movie. Yavuz Turgul is a masterful screenwriter, the best in Turkish cinema history for sure. He knows his mathematics very well. He was time and again proved this since Muhsin Bey. There is no hole in his scripts which is impossible for other Turkish films and scripts that contain more holes than swiss cheese. Mr Turgul has had the self made fortune of collaborating with Sener Sen for over 30 years now! Sener Sen has not appeared in any movie that was not written by Turgul. Hopefully after this his mind will change. Because as masterful as Mr Turgul is with script mathematics he is just as unimaginative and lacks creativity when it comes to tuning that mathematics with great story lines, engaging characters and witty developments. Unfortunately he keeps repeating himself and regardless of whether he is writing about an old time bandit (eskiya), a teacher who has returned to his Istanbul home after years at Anatolia outskirts (gönül yarası), a Mafioso who still embraces old ethic codes like a samurai (kabadayı) or as with this picture about a forensic chief he is depending on the same main character and similar web of story lines. Every main character Mr Turgul created since Eskiya have been the same and unfortunately he alone has access to Turkey's tour de force actor Sener Sen. The acting and directing in the movie has been the most disappointing aspects of the picture for me: at times the acting is raw, at times authentic and at other times comical (Çetin Tekindor's delivery of last lines). The Turkish media and critics that is composed of a few monkeys scratching each other's back and never writing anything bad about bad movies made by influential people has of course spoken of this picture too as a 'masterpiece'. Unfortunately it is not! Especially the acting of Cem Yılmaz, a loved persona by myself too, doesn't get better than any of the characters from Turkish police TV series such as Arka Sokaklar. The storyline never gets interesting or clever. At an age when CSI and similar TV series are putting such emphasis on the storyline, Hunting Season manages to be as interesting as an episode of CSI NY, and nothing more. Compared to Millennium Trilogy it is a movie for people who have no idea about the genre. The music selection was good but Mr Turgul has for the first time agonized me with his use of music as a mood pusher. The music always makes itself more than apparent! Which is very sad as the use of music has always been one of Mr Turgul's strenghts. Editing and the overly washed light footage are other inconsistent elements of the movie. At times the editing reminds one of Svankmayer's pieces: creating an alter persona through blurring of images and movement of the camera close to the face however this (as with Tekindor's last scene) makes the movie more comical than anything! The worst aspect yet of the movie was the unnecessary voice over! If anyone catches the meaning of that voice over please explain as all it did was push feelings down the throat of the audience in arabesque ways and it didn't even have a finely tuned closure. 5 stars for what Mr Turgul means to Turkish Cinema and regardless of how disappointing he has been still the contribution Cem Yılmaz will have to the same art.
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