| Photos (See all 23 | slideshow) | Videos (see all 4) |
| Eric Bana | ... | Addison | |
| Olivia Wilde | ... | Liza | |
| Charlie Hunnam | ... | Jay | |
| Patrick Kerton | ... | State Trooper | |
| Kwasi Songui | ... | Corrections Officer | |
| Kris Kristofferson | ... | Chet Mills | |
| Sissy Spacek | ... | June Mills | |
| John Robinson | ... | Ronnie | |
| Job Daniel | ... | Young Boxer | |
| Jocelyne Zucco | ... | Doris | |
| Treat Williams | ... | Sheriff Marshall T. Becker | |
| Jason Cavalier | ... | Deputy Travis | |
| Maxime Savaria | ... | Deputy Brice | |
| Kyle Gatehouse | ... | Deputy Bill | |
| Tom Jackson | ... | Old Indian Hunter | |
| Allison Graham | ... | Mandy | |
| Tomomi Morimoto | ... | Suki | |
| Nobuya Shimamoto | ... | Hiro | |
| Cheryl Diabo | ... | Ottawa Indian Mother | |
| André Kasper Kolstad | ... | Ottawa Indian Child | |
| Anie Pascale | ... | Tricia | |
| Andrew Johnston | ... | Marvin | |
| Sarah Booth | ... | Amy (as Sarah Hansen) | |
| Teale Hansen | ... | Lisa | |
| Alain Goulem | ... | Bobby (as Al Goulem) | |
| Victor Cornfoot | ... | Snowplow Driver | |
| Warona Setshwaelo | ... | Female Paramedic (as Warona Setshewaelo) | |
| rest of cast listed alphabetically: | |||
| Teale Bishopric | ... | Lisa | |
| Kate Mara | ... | Hanna | |
| Kevin Desfosses | ... | State Trooper (uncredited) | |
| David Goff | ... | Harold (uncredited) | |
| Benoit Priest | ... | Stund (uncredited) | |
Directed by | |||
| Stefan Ruzowitzky | |||
Writing credits(in alphabetical order) | ||
| Zach Dean | written by | |
Produced by | |||
| Shelly Clippard | .... | producer | |
| Ben Cosgrove | .... | producer | |
| Olivier Courson | .... | executive producer | |
| Mark Cuban | .... | executive producer | |
| Ron Halpern | .... | executive producer | |
| Winfried Hammacher | .... | executive producer | |
| Adam Kolbrenner | .... | executive producer | |
| Gary Levinsohn | .... | producer | |
| Josette Perrotta | .... | executive producer | |
| Todd Wagner | .... | producer | |
| Robyn Meisinger | .... | executive producer (uncredited) | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Shane Hurlbut | (director of photography) | ||
Film Editing by | |||
| Arthur Tarnowski | |||
| Dan Zimmerman | |||
Casting by | |||
| Randi Hiller | |||
Production Design by | |||
| Paul D. Austerberry | (as Paul Denham Austerberry) | ||
Art Direction by | |||
| Michele Laliberte | (as Michèle Labierté) | ||
Costume Design by | |||
| Odette Gadoury | |||
Makeup Department | |||
| Charles Carter | .... | makeup artist | |
| Annick Chartier | .... | key makeup artist | |
| Corald Giroux | .... | key hair department head | |
| Gaétan Landry | .... | co-hair department head | |
| Fanny Vachon | .... | makeup: extras | |
Production Management | |||
| Tricia Miles | .... | post-production supervisor | |
Art Department | |||
| Katia Kim Depatie | .... | props | |
| Alain Giguère | .... | head scenic painter | |
| Denis Hamel | .... | set property master | |
| Félix Larivière-Charron | .... | assistant art director | |
| Simone Leclerc | .... | property master | |
| Jean-François Merlot | .... | scenic painter | |
| Blanche Moreau | .... | art department assistant coordinator | |
| Jean-Francois Poupart | .... | graphic artist | |
Sound Department | |||
| Wade Barnett | .... | adr recordist | |
| Cedric Charron | .... | sound assistant | |
| Ryan Collins | .... | sound effects editor | |
| Chris David | .... | sound re-recording mixer | |
| Brian Dunlop | .... | foley editor | |
| Christopher Eakins | .... | adr editor | |
| David Esparza | .... | sound effects editor | |
| Tim Limer | .... | sound recordist | |
| Travis MacKay | .... | adr mixer | |
| Louis Marion | .... | location sound mixer | |
| Thomas O'Neil Younkman | .... | supervising sound editor | |
| Angelo Palazzo | .... | sound effects editor | |
| Louis Piche | .... | boom operator | |
| A. Josh Reinhardt | .... | sound mixer | |
| Miguel Rivera | .... | dialogue and adr editor | |
| Gabriel J. Serrano | .... | sound re-recording mixer | |
| Mandell Winter | .... | sound effects editor | |
| Sang Kim | .... | dialogue editor (uncredited) | |
Special Effects by | |||
| Louis Craig | .... | special effects supervisor | |
| Jean-Martin Desmarais | .... | special effects technician | |
| Karim El Fassi | .... | special effects coordinator | |
| Pierre L'Heureux | .... | head snow dresser | |
| André Laforest | .... | special effects best boy | |
| Sebastien Roussel | .... | special effects | |
| Luc Therrien | .... | special effects technician | |
Visual Effects by | |||
| Maris Abolins | .... | visual effects artist: Alchemy24 | |
| Sébastien Chartier | .... | visual effects artist: Alchemy24 | |
| Daniel Coupal | .... | visual effects artist: Alchemy24 | |
| Philippe Desiront | .... | visual effects artist: Alchemy24 | |
| Jean-François Ferland | .... | visual effects producer: Alchemy 24 | |
| Jean-François Ferland | .... | visual effects supervisor: Alchemy24 | |
| Alexis Lamoureux | .... | visual effects editor: Alchemy24 | |
| Maxime Lapointe | .... | visual effects artist: Alchemy24 | |
| Andris Pakalns | .... | visual effects artist: Alchemy24 | |
Stunts | |||
| Alain Bérard | .... | stunts | |
| Alexandre Cadieux | .... | stunts | |
| Jean Frenette | .... | stunt coordinator | |
| Alessandro Gallizzi | .... | stunt rigger | |
| François Gauthier | .... | stunts | |
| Flavie Groleau | .... | stunts | |
| Jean-Francois Lachapelle | .... | senior stunt rigger | |
| Héléna Laliberté | .... | stunts | |
| Alain Moussi | .... | stunts | |
| Peter Seaborn | .... | stunt rigger | |
| Philippe Souvay | .... | senior stunt rigger | |
| Martin St-Antoine | .... | head stunt rigger | |
| Maxime Savaria | .... | stunt performer (uncredited) | |
Camera and Electrical Department | |||
| Alain Bisson Doyal | .... | super techno crane operator | |
| Jean-Sébastien Caron | .... | assistant video assist | |
| Gael Giraud | .... | rigging grip | |
| Soupharak Keoborakoth | .... | second assistant camera: "A" camera | |
| Maarten Kroonenburg | .... | camera operator | |
| Rhyce Langker | .... | remote head technician | |
| Michel Périard | .... | key grip | |
| Dany Racine | .... | first assistant camera: "a" camera | |
| Daniel Sauvé | .... | a-camera/steadicam operator | |
| Michael Svitak | .... | director of photography: second unit | |
| Jan Thijs | .... | still photographer | |
| Jean-Francois Tousignant | .... | second assistant additional camera | |
| Stephen Wells | .... | camera grip | |
| Jonathan Wenk | .... | still photographer | |
Casting Department | |||
| Gina Gallego | .... | casting assistant | |
| Andrea Kenyon | .... | Canadian casting | |
| Tamara Notcutt | .... | casting associate | |
| Randi Wells | .... | Canadian casting | |
Costume and Wardrobe Department | |||
| Rosalie Clermont-Bilodeau | .... | wardrobe supervisor | |
| Catherine Gélinas | .... | key dresser | |
| Gavina Reitnauer | .... | stylist | |
Editorial Department | |||
| Mathieu Berube | .... | first assistant editor | |
| P.J. Burch | .... | first assistant editor | |
| Richard A. Eisenstein | .... | post-production technician | |
| Serge Harvey | .... | digital intermediate editor | |
| Nicolae Ilies | .... | digital intermediate colorist | |
| Carl S.G. Moore | .... | digital intermediate producer | |
| Trevor White | .... | dailies film colorist | |
Music Department | |||
| Jay Duerr | .... | music editor | |
| John Kurlander | .... | music recording engineer | |
| John Kurlander | .... | score mixer | |
| Tyson Lozensky | .... | assistant score mixer | |
| Tyson Lozensky | .... | assistant scoring engineer | |
| Curtis Roush | .... | music editor | |
Transportation Department | |||
| Réal Hamel | .... | picture car coordinator | |
| Daniel Matthews | .... | transportation coordinator | |
| Jon Prévost | .... | driver: cast | |
| Ian Vandewalle | .... | driver: Eric Bana | |
| Tania Veri | .... | driver: cast | |
| Jerome Wheeler | .... | driver captain: second unit | |
| Jerome Wheeler | .... | driver | |
Other crew | |||
| Valérie Binette | .... | production secretary | |
| Pierre Blondin | .... | location manager | |
| Harry Buerkle | .... | assistant to director | |
| Michael Buster | .... | dialect coach: Eric Bana, pre-production | |
| Nickey Chow | .... | second assistant accountant | |
| Rick Cranford | .... | script coordinator | |
| Puelo Deir | .... | unit publicist | |
| Yves Desjardins | .... | production coordinator | |
| Eric Fitzgerald | .... | titles by | |
| Jean-Francois Hall | .... | production assistant | |
| Charles Heaphy | .... | production financing | |
| Jean-Patrick Joseph | .... | special equipment supplier | |
| Nutan Khanna | .... | clearance/product placement coordinator | |
| Leah Kilpatrick | .... | assistant to Mr. Levinsohn/Ms. Clippard | |
| Nathalie Lagacé | .... | first assistant accountant | |
| Gaetan Martel | .... | project manager | |
| Eva Quintero | .... | assistant to cast | |
| Alex van der Hoek | .... | production assistant | |
| Nadia Venesse | .... | dialect coach | |
Thanks | |||
| Catherine Colvey | .... | in memory of | |
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| Leather and Iron | The Deposition | Julia | Boy Wonder | Pale Blue Balloons |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
A forgettable little winter thriller, Stefan Ruzowitzky's Deadfall doesn't provide anything too worthy of note but it's not a bad time- waster either. I'm a big fan of several members of this cast and as such it was worth the watch for me just to see them perform, though none of their work is going to last as any kind of defining performance from them either. The narrative splits in too many directions, sharing it's time between characters played by Eric Bana, Olivia Wilde, Charlie Hunnam, Kate Mara, Kris Kristoffersen and Sissy Spacek, with all of their paths colliding at an explosive Thanksgiving dinner in the final act.
Bana's section relies entirely on his presence as an actor which he provides quite well and it's nice to see him back on the screen again (though I definitely preferred him the year prior in Joe Wright's Hanna) after taking a few years off lately and working in some films of questionable quality along the way. His career has taken an odd trajectory and I'd like to see him do more character-driven pieces such as this, as I think he's a strong actor who can really shine if given the proper material. He plays the big bad of the piece and gives an intimidating portrayal, with his counterpoint being the hulked up ex-con boxer played by Charlie Hunnam.
If there's anything that does manage to stand out about Deadfall I'd say it's Hunnam's performance, as he brings a lot of heart to his role, allowing a vulnerable soul to be exposed underneath his stacked frame. Pretty much at a polar opposite end of his career spectrum, Hunnam is just starting to take on projects in an attempt to transition himself from television to feature films and I really hope it works out for him in the long run since he's a young actor with plenty of talent. Here's hoping his collaborations with Guillermo del Toro can pay off.
Aside from the two of them, no one in the cast makes too much of an impression, be it positive or negative. Olivia Wilde gives one of her least offensive performances, but I'm still not a fan of hers at all and she looks especially weak since she shares almost all of her scenes with Hunnam. Kristoffersen and especially Spacek are two actors of distinguished skill, but neither are given much to work with here, though they do their best. I'm starting to like Kate Mara, certainly more than her sister, and I think she's fine in her role as a local officer who is harassed by her male co-workers but the biggest flaw in the whole picture is the ridiculous exaggerations in their "boy's club" mentality that lead to lines like her father (who is also her boss) refusing to let her hunt a murderer because she might have to "change her tampon" while she's out there. The debut script from writer Zach Dean is mostly adequate without being anything exceptional, but when it comes to that subplot it really looks abysmal.
Deadfall rounds itself out a little too conveniently to get everyone in the same room at the end and it all goes down expected paths, but I liked the cast enough for it to be a decent viewing without having anything that I'm likely to remember within it. I'm always a fan of a winter setting and the blizzard that handicaps several of the characters in the first act was a nice touch in creating the proper atmosphere for Ruzowitzky to establish a chilly tone, but overall this is just a standard affair that doesn't warrant much conversation, if any.