After a heist of a casino, the criminal Addison and his sister Liza are on the run to Canada with their driver/accomplice Theo. Out of the blue, Theo hits a deer and loses control of the car that leaves the road and overturns. Theo dies and Addison kills a patrolman that comes to help them. Then he splits the money with Liza and tells his sister to get a ride to the border while he will cross the woods. Addison leaves a trail of blood in his runaway. Meanwhile, the former boxer Jay, who was arrested for losing a fight, is released from prison on probation and calls his mother June Mills that lives in an isolated house with his estranged father Chet Mills that was the former Sheriff. June invites her son for the Thanksgiving dinner, but he goes first to the gym to collect money that his couch owes him. They quarrel and Jay hits him and believes that has killed him. He flees and while driving on the road, he sees Liza and gives a ride to her. Soon they fall in love with each other. ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Olivia Wilde's first day of shooting was actually the scenes where her character almost freezes to death and she was only in a miniskirt during filming in Canada. See more »
While the movie is supposedly set in Michigan around Detroit, an early scene show's a Dunn's Delicatessen and the Dominion Square Tavern, both recognizable landmarks on Metcalfe Street in Downtown Montreal. See more »
What would home look like? I don't know. A farmhouse in the valley, I guess, like the one we grew up in, Liza and I. I remember hiding in the Orchard at night, looking down at the lighted windows, and waiting for our daddy to fall asleep just so we could go back inside. Do you remember that, Liza? Hmm, do you remember that?
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Atrocious sub-Fargo story with the two leads looking like they'd just come from a modelling agency. No sign of the fierce Minnesota climate on their faces. One of them even pulls a bank raid wearing a backless dress. In winter. The script is appalling with no cliché left unturned, particularly painful is the introductory dialogue between the femme fatal and a fellow fugitive on the lam.
The direction is even worse with a total lack of rhythm and pacing. The long takes in some scenes rather than being (hopefully) pregnant with meaning, induce only yawns. It's amazing that such a shoddy work could attract actors like Eric Bana and Kate Mara who were clearly working to scale. Kris Kristofferson and Sissy Spacek also appear, but only remind you of better days at the cinema.
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