Frank Bartlett has been tortured, embarrassed, and humiliated by his brother Bruce -- usually on film -- his entire life. Now that Bruce is finally off drugs and has turned his life around, things should be different. They are not.
A decent but troubled young man is sent to a psychiatric institution for the criminally insane and soon finds himself in a fight for his life battling ghosts inside his head and very real enemies all around him.
New York police officer Ralph Sarchie investigates a series of crimes. He joins forces with an unconventional priest, schooled in the rites of exorcism, to combat the possessions that are terrorizing their city.
After a heist of a casino, the criminal Addison and his sister Liza are on the run to Canada with their driver/accomplice Theo. Out of the blue, Theo hits a deer and loses control of the car that leaves the road and overturns. Theo dies and Addison kills a patrolman that comes to help them. Then he splits the money with Liza and tells his sister to get a ride to the border while he will cross the woods. Addison leaves a trail of blood in his runaway. Meanwhile, the former boxer Jay, who was arrested for losing a fight, is released from prison on probation and calls his mother June Mills that lives in an isolated house with his estranged father Chet Mills that was the former Sheriff. June invites her son for the Thanksgiving dinner, but he goes first to the gym to collect money that his couch owes him. They quarrel and Jay hits him and believes that has killed him. He flees and while driving on the road, he sees Liza and gives a ride to her. Soon they fall in love with each other. ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Olivia Wilde's first day of shooting was actually the scenes where her character almost freezes to death and she was only in a miniskirt during filming in Canada. See more »
While the movie is supposedly set in Michigan around Detroit, an early scene show's a Dunn's Delicatessen and the Dominion Square Tavern, both recognizable landmarks on Metcalfe Street in Downtown Montreal. See more »
What would home look like? I don't know. A farmhouse in the valley, I guess, like the one we grew up in, Liza and I. I remember hiding in the Orchard at night, looking down at the lighted windows, and waiting for our daddy to fall asleep just so we could go back inside. Do you remember that, Liza? Hmm, do you remember that?
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Haven't seen a crime thriller this good in ages, with such fast moving pace but excellent character development at the same time.
The screenplay is exciting and observant of human psychology. The acting is superb, and I guess the directing had a lot going for it too. Like the perfect storm,this just all came together and did a job of stirring me up good.
The tension built up from the start with Addison and what we learn about him and his coach. The relationship between the sheriff and his daughter, and the how the men treated her, and her stoic dealing with it...wow, I could not have handled it.
The relationship between the siblings was ambiguous but inspiring at the same time. The relationship in the family between the spouses and the son was written with such deft strokes which said so much.
The actors were fabulous. Especially at the dinner table at the climax of the story. The mother, Sissy Spacek, had such easy going wisdom about her but exploded with outraged indignation when pushed beyond the limit.
Loved the way the brother got the "L" word out of the protagonist in the climactic denouement. And it left you in the end wondering how the story would go on with our antiheroes.
One of those screenplays where you just fall in love with the bad guy and it just kills you to know he is fated, and that he has written his own tragedy as well as having been written by it.
Look forward to more of Zach Dean's screenplays.
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