In Bolivia, Butch Cassidy (now calling himself James Blackthorne) pines for one last sight of home, an adventure that aligns him with a young robber and makes the duo a target for gangs and lawmen alike.
Cullen Bohannon, a former soldier and slaveholder, follows the track of a band of Union soldiers, the killers of his wife. This brings him to the middle of one of the biggest projects in US... See full summary »
A gang overruns a small mining town murdering their own leader Guerrero (Trejo) in a cold-blooded power grab. Sentenced to eternity in hell he finds himself confronted by Satan himself (... See full summary »
Anthony Michael Hall
After a heist of a casino, the criminal Addison is on the run to Canada with his accomplice Theo and his sister Liza. Out of the blue, Theo hits a deer and loses control of the car that leaves the road and overturns. Theo dies and Addison kills a patrolman that comes to help them. Then he splits the money with Liza and tells her to get a ride to the border while he will cross the woods. Addison leaves a trail of blood in his runaway. Meanwhile, the former boxer Jay, who was arrested for losing a fight, is released from prison on probation and calls his mother June Mills that lives in an isolated house with his estranged father Chet Mills that was the former Sheriff. June invites her son for the Thanksgiving dinner, but he goes first to the gym to collect money that his couch owes him. They quarrel and Jay hits him and believes that has killed him. He flees and while driving on the road, he sees Liza and gives a ride to her. Soon they fall in love with each other. Meanwhile Sheriff ... Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the opening sequence, the get-away car hits a deer, smashing the windshield and covering it with blood. In the following shots showing the car careening out of control, the windshield is intact with no damage. See more »
What would home look like? I don't know. A farmhouse in the valley, I guess, like the one we grew up in, Liza and I. I remember hiding in the Orchard at night, looking down at the lighted windows, and waiting for our daddy to fall asleep just so we could go back inside. Do you remember that, Liza? Hmm, do you remember that?
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Haven't seen a crime thriller this good in ages, with such fast moving pace but excellent character development at the same time.
The screenplay is exciting and observant of human psychology. The acting is superb, and I guess the directing had a lot going for it too. Like the perfect storm,this just all came together and did a job of stirring me up good.
The tension built up from the start with Addison and what we learn about him and his coach. The relationship between the sheriff and his daughter, and the how the men treated her, and her stoic dealing with it...wow, I could not have handled it.
The relationship between the siblings was ambiguous but inspiring at the same time. The relationship in the family between the spouses and the son was written with such deft strokes which said so much.
The actors were fabulous. Especially at the dinner table at the climax of the story. The mother, Sissy Spacek, had such easy going wisdom about her but exploded with outraged indignation when pushed beyond the limit.
Loved the way the brother got the "L" word out of the protagonist in the climactic denouement. And it left you in the end wondering how the story would go on with our antiheroes.
One of those screenplays where you just fall in love with the bad guy and it just kills you to know he is fated, and that he has written his own tragedy as well as having been written by it.
Look forward to more of Zach Dean's screenplays.
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