Alongside Night is the story of the final economic collapse of the United States as seen through the eyes of 16-year-old Elliot Vreeland, searching for his missing Nobel-laureate-economist ... See full summary »
Great white sharks bio-engineered to be the size of piranhas with the purpose of living in rich people's exotic aquariums terrorize New York City when they get into the water supply and do what great white sharks do best.
A 31-year old Seattle stockbroker with a mysterious past walks on to a small North Carolina college basketball team, and inspires his struggling teammates' lives with hope, as they reach for the Final Four championship.
Alongside Night is the story of the final economic collapse of the United States as seen through the eyes of 16-year-old Elliot Vreeland, searching for his missing Nobel-laureate-economist father, and the mysterious teenage "Lorimer" whom Elliot meets in a black-market underground, whose own father might be the reason Elliot's father is missing. Written by
Canzonetta from Violin Concerto in D major
Composed by Pyotr Ilyich Tchaikovsky
Julius Schulman - solo violin
Mutual Network Symphony Orchestra
Courtesy of the
Betty and Julius Schulman Living Trust See more »
While I'm sure its target audience, those who are already familiar with the source material, will probably enjoy this movie, for those of us in the mainstream, the whole thing comes across as a poorly thought out political screed. There's unexplained jargon thrown around, massive plot holes (the economy has collapsed, yet Vegas is still full of green grass? One of the least hospitable environments for such?), and a general tedium. The whole thing is clearly aimed strictly at its believers, or maybe those involved were so close to the material that they couldn't see the problems. Sorbo is properly credited as a lead, not just a day or two of filming, but most of the acting is passable, at best. Apologies for the lack of details, but I saw this a few months ago, and the finer points have mercifully faded from memory.
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