The aspirant nun Céline vel Hadewijch is invited to leave the convent where she studies and she returns to the house of her mother in Paris. Céline meets her outcast Muslim teenage friend ... See full summary »
A car, following the Tour de France. Children screaming in front of the puppet show. Women, often prostitutes, trying to scream as they are being strangled. Then he will meet Claire, the ... See full summary »
A social movie about life nowadays in the north of France. Freddy and his friends are all unemployed. They try to pass away the time by wandering around on their motorcycles and by ... See full summary »
Winter, 1915. Confined by her family to an asylum in the South of France - where she will never sculpt again - the chronicle of Camille Claudel's reclusive life, as she waits for a visit from her brother, Paul Claudel.
David, an independent photographer, and Katia, an unemployed woman, leave Los Angeles, en route to the southern California desert, where they search a natural set to use as a backdrop for a... See full summary »
In Chile's Atacama Desert, astronomers peer deep into the cosmos in search for answers concerning the origins of life. Nearby, a group of women sift through the sand searching for body ... See full summary »
Sobering tale about the small-time loser Santiago, who roams the streets of a Spanish town after leaving his wife and children looking for ground under his feet. There only seems to be one ... See full summary »
Carlos Serrano Azcona
Antonio Martin Beato,
Ana Casado Boch
Avant-garde movie exploring issues of good and evil, their interdependency, and transformation of one into the other. The pace is extremely slow and script mostly uneventful, so that viewer could focus on the truly meaningful scenes. Landscapes of Northern France along with visual and sound techniques are intended to capture viewer's attention during long scenes of walking amidst green scenery that take large part of the running time. Yet movie's overall slowness, which could be an allegory for mundane daily life of an average person, provides good counter-balance to several naturalistic scenes that are intense, and even shocking. The dialogue is scarce, which also serves to illuminate important plot twists. It is obvious why general public might not like the movie, however I enjoyed it at TIFF11 and my biggest regret is not being able to stay for the Q&A session with director Bruno Dumont after the screening.
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