In Kaliningrad two Lithuanian boys meet two Russian girls. They have difficulties in finding places where they can sleep together. But this is the only problem they do solve. All four ... See full summary »
The aspirant nun Céline vel Hadewijch is invited to leave the convent where she studies and she returns to the house of her mother in Paris. Céline meets her outcast Muslim teenage friend ... See full summary »
A social movie about life nowadays in the north of France. Freddy and his friends are all unemployed. They try to pass away the time by wandering around on their motorcycles and by ... See full summary »
A car, following the Tour de France. Children screaming in front of the puppet show. Women, often prostitutes, trying to scream as they are being strangled. Then he will meet Claire, the ... See full summary »
Vargas, a 54 year old man, gets out of jail in the prvince of Corrientes, Argentina. Once released, he wants to find his now adult daughter, who lives in a swampy and remote area. To get ... See full summary »
The story takes place in a country about which we know nothing: a country of snow and dense forests somewhere in the North. A family lives in an isolated house near a lake. Alexi, the ... See full summary »
Avant-garde movie exploring issues of good and evil, their interdependency, and transformation of one into the other. The pace is extremely slow and script mostly uneventful, so that viewer could focus on the truly meaningful scenes. Landscapes of Northern France along with visual and sound techniques are intended to capture viewer's attention during long scenes of walking amidst green scenery that take large part of the running time. Yet movie's overall slowness, which could be an allegory for mundane daily life of an average person, provides good counter-balance to several naturalistic scenes that are intense, and even shocking. The dialogue is scarce, which also serves to illuminate important plot twists. It is obvious why general public might not like the movie, however I enjoyed it at TIFF11 and my biggest regret is not being able to stay for the Q&A session with director Bruno Dumont after the screening.
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