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Storyline
Wounded in Afghanistan while in the Army, Dr. John Watson returns to contemporary London and though a mutual acquaintance becomes the flatmate at Mrs. Hudson's house at 221B Baker Street with brilliant if eccentric private investigator Sherlock Holmes. There have been three identical apparent suicides, and Inspector Lestrade asks for Sherlock's intervention over the fourth, the suspicious death of Jennifer Wilson. As she lay dying she wrote 'Rachel' in the dust and Sherlock deduces that this was not only the name of her stillborn daughter of many years earlier but the password to her mobile phone. Jennifer sent a text to her killer to give a clue as to their identity. This leads Sherlock to a meeting in a deserted college with a terminally ill serial killer, slaying people for kicks, to show superiority over the rest of society and determined to make Sherlock the next victim. Written by
don @ minifie-1
Plot Summary
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Plot Synopsis
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Did You Know?
Trivia
Sherlock kissing Mrs. Hudson on the cheek wasn't scripted.
Benedict Cumberbatch had known
Una Stubbs since he was very young, and it was his reaction on being able to work with someone who was like a mother to him.
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Goofs
When Holmes and Watson walk out of the house after seeing it for the first time, a police car is visible over Sherlock's right shoulder, but when Watson walks past the police car vanishes.
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Quotes
[
first lines]
Ella:
How's your blog going?
Dr John Watson:
Yeah good - very good.
Ella:
You haven't written a word, have you?
Dr John Watson:
You just wrote, "still has trust issues".
Ella:
And you read my writing upside down. You see what I mean? John, you're a soldier. It's going to take you a while to adjust to civilian life. And writing a blog about everything that happened to you will honestly help you.
Dr John Watson:
Nothing happens to me.
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Connections
References
Apollo 13 (1995)
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Soundtracks
"Opening Titles "
(uncredited)
Written by
David Arnold &
Michael Price See more »
A sharp, witty modernization of the Holmes mythos, the first in this ongoing series of feature-length chapters almost perfectly strikes the difficult balance between respect for the source material and fresh, original elaborations. Benedict Cumberbatch and Martin Freeman are equally prickly, sardonic and brilliant as Holmes and Watson, respectively, both to the common folks they're tripping over at every turn and to each other while they hash out the boundaries of their burgeoning friendship. Smart, fresh editing techniques give the audience an abundance of visual hints to Sherlock's methods at a crime scene, and also give the transitions between each scene a sleek, artsy edge that helps to convince this is more than a made-for-TV movie. Though it does occasionally leave Holmes himself in the dark just a bit too long in hopes that viewers at home will figure things out first, that's a very minor gripe and one I'm not entirely sure is actually a negative in this era of the deus ex machina. A bold, rewarding first step that sets the ball into motion for any number of future developments.