4 items from 2014
3D seems like it is here to stay, for now. It was a gimmick to win back the audiences the film industry lost to the emergence of TV in the 50s, now it is revived as a last ditch effort to save the ailing industry, probably until TV starts broadcasting its contents in 3D (as we all know, it's only a matter of time that we'd be enjoying our football games and movies at home with silly glasses on). But can this new/old technology be elevated onto an art form, rather than being used exclusively to show us a mangled hunk of metal/asteroid as it hurtles toward us? If Werner Herzog's awe inspiring Cave of Forgotten Dreams and now Jean-Luc Godard's Goodbye to Language are any...
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Friday Am Update: Dawn of the Planet of the Apes earned an estimated $4.1 million from Thursday night shows beginning at 10 p.m. That's a significant improvement on Rise of the Planet of the Apes, which earned $1.25 million at midnight.Unfortunately, it doesn't compare favorably to recent releases. That number is less than half of the Thursday night openings for The Amazing Spider-Man 2, Godzilla and Transformers: Age of Extinction. Godzilla and Spider-Man benefited from 7 p.m. showtimes, though Transformers was essentially in the same position as Apes.Another unflattering comparison: on the same weekend last year, Pacific Rim scored $3.6 million from late Thursday shows. For the weekend, the movie wound up with just $37.3 million.Apes should still be safely over $50 million for the weekend. But the odds of it breaking out to over $75 million now look slim.Forecast: Coming off the slowest Fourth of July in over a decade, the »
- Ray Subers <firstname.lastname@example.org>
During a conversation held at the Brooklyn Academy of Music's Rose Theater in conjunction with the premier of Hearsay of the Soul, Werner Herzog's multichannel audio/visual installation at the 2012 Whitney Biennial, the director shared with the crowd an exchange between himself and the curators which concluded with the proclamation “I’m not an artist, I'm a soldier.” He would elaborate that the art world had become “excessive,” going so far to say “I don't go to museums because I don't like art.” Herzog has for years displayed a knack for such rhetoric that often comes off as equal parts blunt sincerity and self-aware myth-building. With Hearsay of the Soul, currently on view at the Getty Center in Los Angeles, Herzog is able to address the excesses of the art world directly.
Rather than creating a physical art object, »
- Daniel Watkins
‘Stories We Tell,’ ‘Blackfish’ out of the Oscar 2014 race: Academy’s Documentary Branch ‘anti-female’? (Photo: Sarah Polley [with camera] directing ‘Stories We Tell’) Besides Tom Hanks and Emma Thompson, among the other glaring Oscar 2014 absentees were Robert Redford and Golden Globe-winning composer Alex Ebert for All Is Lost; Joel and Ethan Coen’s well-received Inside Llewyn Davis from the Best Picture, Best Director, and Best Original Screenplay shortlists; Daniel Brühl and his movie, Ron Howard’s Rush, which was completely shut out; two Weinstein Company releases that were also completely shut out, Lee Daniels’ The Butler and Ryan Coogler’s Fruitvale Station, and their respective stars Forest Whitaker and Oprah Winfrey, and Michael B. Jordan; Guillermo del Toro-Charlie Hunnam’s Pacific Rim and Marc Forster-Brad Pitt’s World War Z from any of the technical categories; and finally, Sarah Polley’s Stories We Tell and Gabriela Cowperthwaite’s »
- Andre Soares
4 items from 2014
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