IMDb > Cave of Forgotten Dreams (2010)
Cave of Forgotten Dreams
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Cave of Forgotten Dreams (2010) More at IMDbPro »

Photos (See all 15 | slideshow) Videos (see all 5)
Cave of Forgotten Dreams -- Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France, capturing the oldest known pictorial creations of humankind in their astonishing natural setting.
Cave of Forgotten Dreams -- Cave of Forgotten Dreams - Clip
Cave of Forgotten Dreams -- Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France, capturing the oldest known pictorial creations of humankind in their astonishing natural setting.
Cave of Forgotten Dreams -- Cave of Forgotten Dreams - "Movement"
Cave of Forgotten Dreams -- Cave of Forgotten Dreams - "Authenticity"

Overview

User Rating:
7.4/10   12,021 votes »
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Popularity: ?
Down 2% in popularity this week. See why on IMDbPro.
Director:
Writer:
Werner Herzog (written by)
(more)
Contact:
View company contact information for Cave of Forgotten Dreams on IMDbPro.
Release Date:
25 March 2011 (Ireland) See more »
Plot:
Werner Herzog gains exclusive access to film inside the Chauvet caves of Southern France and captures the oldest known pictorial creations of humanity. Full summary » | Add synopsis »
Awards:
11 wins & 19 nominations See more »
User Reviews:
Lutheran Dead Sea Scrolls See more (90 total) »

Cast

  (in credits order)

Werner Herzog ... Himself / Narrator
Jean Clottes ... Himself
Julien Monney ... Himself
Jean-Michel Geneste ... Himself
Michel Philippe ... Himself
Gilles Tosello ... Himself
Carole Fritz ... Herself
Dominique Baffier ... Herself
Valerie Feruglio ... Herself
Nicholas Conard ... Himself
Maria Malina ... Herself
Wulf Hein ... Himself
Maurice Maurin ... Himself
rest of cast listed alphabetically:
Valerie Milenka Repnau ... (voice)

Charles Fathy ... Interpreter (voice) (uncredited)

Volker Schlöndorff ... Narrator (French version) (voice) (uncredited)

Directed by
Werner Herzog 
 
Writing credits
Werner Herzog (written by)

Judith Thurman  article (uncredited)

Produced by
Andrea Anderson .... associate producer
Amy Briamonte .... co-producer
Adrienne Ciuffo .... producer
Phil Fairclough .... co-producer
Dave Harding .... executive producer: Creative Differences
Julian Hobbs .... executive producer: History Films (as Julian P. Hobbs)
David McKillop .... executive producer: History Films
Erik Nelson .... producer
Molly Thompson .... executive producer: History Films
Judith Thurman .... co-producer
Alain Zenou .... associate producer
Nicolas Zunino .... associate producer
 
Original Music by
Ernst Reijseger 
 
Cinematography by
Peter Zeitlinger (director of photography)
 
Film Editing by
Joe Bini 
Maya Hawke 
 
Production Management
Randall M. Boyd .... supervising producer: post-production (as Randall Boyd)
Matteo Rivoli .... unit manager
 
Sound Department
Michael Klinger .... sound mixer: Post-production (as Mike Klinger)
Eric Spitzer .... sound
 
Visual Effects by
Kaur Kallas .... 3d compositor
Van Ling .... motion graphics
Cabinet Perazio .... 3d animator
José Péral .... 3d animator
James E.D. Stewart .... 3D mastering: Geneva Film Co.
Serge Valcke .... 3d animator
Eduard Vaseloo .... 3d compositor (as Eduard Vaselo)
Brad Wensley .... artist: Quantel Pablo
Kennedy Zielke .... 3d mastering: Geneva Film Co.
 
Camera and Electrical Department
Dave Blackman .... stereoscopic 3d consultant: Espirit Film
Kaspar Kallas .... supervisor: 3D-system-design
Erik Söllner .... assistant camera (as Erik Soellner)
Marc Valesella .... still photographer
Chris Watts .... stereographer
Jonathan Watts .... 3d rigs: British Technical Films
 
Editorial Department
Alex Bushe .... assistant editor
Colin Hatton .... post-production coordinator
 
Music Department
Sean Bergin .... musician: flute
Harmen Fraanje .... musician: organ, piano
Nederlands Kamerkoor .... musicians
Ernst Reijseger .... musician: violoncello
Stefan Winter .... music producer
Peter Fuchs .... score mixer (uncredited)
 
Other crew
Josh Braun .... advisor: domestic distribution
Jérémy Coste .... production assistant
Amy Grey .... publicist: Dish Communications
Bill Hayes .... accountant
Tabitha Jackson .... commissioning editor: Channel 4
Hong La .... accountant
Ashley Marriner .... publicist: Dish Communications (as Asley Mariner)
Hamish Mykura .... commissioning editor: Channel 4
David Perrin .... production assistant
Cynthia Shapiro .... business affairs
Huma Khan .... legal post production (uncredited)
Marc H. Simon .... distribution legal (uncredited)
 
Thanks
Dominique Baffier .... special thanks
Éliette Brunel .... dedicatee
Jean-Marie Chauvet .... dedicatee
Jean Clottes .... special thanks
Nicholas Conard .... special thanks
Valérie Fergulio .... special thanks
Carole Fritz .... special thanks
Jean-Michel Geneste .... special thanks
Christian Hillaire .... dedicatee
Maria Malina .... special thanks
Julien Monney .... special thanks
Michel Philippe .... special thanks
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
Runtime:
90 min | Canada:95 min (Toronto International Film Festival)
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:

Did You Know?

Trivia:
According to cinematographer Peter Zeitlinger in his talk at the Berlinale Talents 2015, the first 20 minutes of the film are shot with two GoPro Hero cameras taped side-to-side (one upside down), because at the time of shooting no 3D-system small enough for the cave shoot was available. The rest of the film was shot on professional, higher-quality 2k 3D-cameras with follow-focus, when they later became available.See more »
Quotes:
Werner Herzog:Crocodiles have been introduced into this brooding jungle and warmed by the water to cool the reactor, man do they thrive. There are already hundreds of them. Not surprisingly, mutant albinos swim and breed in these waters. A thought is born of this surreal environment...See more »
Movie Connections:
Features Swing Time (1936)See more »

FAQ

This FAQ is empty. Add the first question.
6 out of 8 people found the following review useful.
Lutheran Dead Sea Scrolls, 24 August 2012
Author: tedg (tedg@filmsfolded.com) from Virginia Beach

Gosh. I sincerely love the commitment that Herzog has made to a cinematic life, and I will follow every chapter.

And I am deeply invested in the creative history of man, and what we have of his/her art.

Also — but quite independently — there are times when my soul is ready for full on German romanticism. The music of Reijseger is relatively new to me, but I find it haunting, beautiful.

And another thread that sews me together is sorting through the mysteries of how we know what we know about the past — and particularly how we know anything at all of ourselves.

But I am not prepared to smoosh all these things together, and that's what my companion Herzog asks me to do. Worse, it is as if he drags us through this as a sequence of motivational posters.

In previous comments, I have noted that often worthwhile artists should just shut up. Where their art opens worlds, sometimes their person just seems dumber than chocolate. The problem here is that Herzog knew that he would not be surprised, had a very narrow set of options so far as what to show, and so retreats to telling us of his own discovery. He gives us a story that is dull, articulated through what he thinks are engaging souls and using often discredited anthropological notions.

(At the end — I am not joking — he warns that nuclear-mutated albino alligators may threaten the cave and their unique dreams and that perhaps we are those very beasts.)

For those who might not know: the cave is thousands of years earlier than others. It is not revolutionary; if it is as old as claimed (there is some controversy) there is remarkable art from the same period and locale — just not cave paintings. But the paintings carry mysteries... and some seem amazingly modern and engaging on terms we can reach.

Who made them and why? Who was the audience and is that even the right question? Where did these masters practice so that the small moments of drawing yielded such accomplishment? What was erased so that the paintings we see could be made? What do the child's footprints mean? Was it really 5,000 years of creation and how did that change? Where were the entrances, really? Light, what about the light?

I spent a lot of time working to understand the Dead Sea Scrolls. The problem is that there are so many presumptions brought by loud thinkers that they have possibly plowed the truth into oblivion. Israelis want to validate a certain history — fundamentalists want to hide certain legacies — everybody with a skill or insight wants that insight to dominate. I recognize that here.

I believe that we are quite different than the souls who made these paintings, radically so. Radically so. The magic is not in discovering ancient artists like me who speak to me as they intended. Rather the magic is that our reach is so vast, it can swallow artifacts of an intent we cannot fathom. No logic can help. Science drifts us away, melting truth rather than freezing it.

There is no logic at all, and surely not Bavarian, that can clarify.

The beauty in this film comes to me indirectly. On the DVD is a film about the film score, written by a Dutch cellist. The cave inspires Herzog. Herzog inspires this cellist/composer. The composer inspires his wife, who we briefly see with their child, the celestially named Ea. Looking at these two (mother and child) gave me more about the cave than images of the cave did.

Ted's Evaluation -- 3 of 3: Worth watching.

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Message Boards

Discuss this movie with other users on IMDb message board for Cave of Forgotten Dreams (2010)
Recent Posts (updated daily)User
A Focus on What the Paintings Were Not mikebeljak
Why did they only paint animals? quellcode
Question about the Venus statues LunaSDominni
Bunny LeFever, JITTERBUG PERFUME beyondpacifism
Albino Crocodiles KristinVS
Only picture of a person in the cave, and we can't see all of it? mikey074
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