| Photos (See all 15 | slideshow) | Videos (see all 12) |
| Werner Herzog | ... | Himself / Narrator | |
| Jean Clottes | ... | Himself | |
| Julien Monney | ... | Himself | |
| Jean-Michel Geneste | ... | Himself | |
| Michel Philippe | ... | Himself | |
| Gilles Tosello | ... | Himself | |
| Carole Fritz | ... | Herself | |
| Dominique Baffier | ... | Herself | |
| Valerie Feruglio | ... | Herself | |
| Nicholas Conard | ... | Himself | |
| Maria Malina | ... | Herself | |
| Wulf Hein | ... | Himself | |
| Maurice Maurin | ... | Himself | |
| rest of cast listed alphabetically: | |||
| Charles Fathy | ... | Interpreter (voice) (uncredited) | |
| Volker Schlöndorff | ... | Narrator (French version) (voice) (uncredited) | |
Directed by | |||
| Werner Herzog | |||
Writing credits | ||
| Werner Herzog | (written by) | |
| Judith Thurman | article (uncredited) | |
Produced by | |||
| Andrea Anderson | .... | associate producer | |
| Amy Briamonte | .... | co-producer | |
| Adrienne Ciuffo | .... | producer | |
| Phil Fairclough | .... | co-producer | |
| Dave Harding | .... | executive producer: Creative Differences | |
| Julian Hobbs | .... | executive producer: History Films (as Julian P. Hobbs) | |
| David McKillop | .... | executive producer: History Films | |
| Erik Nelson | .... | producer | |
| Molly Thompson | .... | executive producer: History Films | |
| Judith Thurman | .... | co-producer | |
| Alain Zenou | .... | associate producer | |
| Nicolas Zunino | .... | associate producer | |
Original Music by | |||
| Ernst Reijseger | |||
Cinematography by | |||
| Peter Zeitlinger | (director of photography) | ||
Film Editing by | |||
| Joe Bini | |||
| Maya Hawke | |||
Production Management | |||
| Randall M. Boyd | .... | supervising producer: post-production (as Randall Boyd) | |
| Matteo Rivoli | .... | unit manager | |
Sound Department | |||
| Michael Klinger | .... | sound mixer: Post-production (as Mike Klinger) | |
| Eric Spitzer | .... | sound | |
Visual Effects by | |||
| Kaur Kallas | .... | 3d compositor | |
| Van Ling | .... | motion graphics | |
| Cabinet Perazio | .... | 3d animator | |
| José Péral | .... | 3d animator | |
| James Stewart | .... | 3d mastering: Geneva Film Co. | |
| Serge Valcke | .... | 3d animator | |
| Eduard Vaseloo | .... | 3d compositor (as Eduard Vaselo) | |
| Brad Wensley | .... | artist: Quantel Pablo | |
| Kennedy Zielke | .... | 3d mastering: Geneva Film Co. | |
Camera and Electrical Department | |||
| Dave Blackman | .... | stereoscopic 3d consultant: Espirit Film | |
| Kaspar Kallas | .... | supervisor: 3D-system-design | |
| Erik Söllner | .... | assistant camera (as Erik Soellner) | |
| Marc Valesella | .... | still photographer | |
| Chris Watts | .... | stereographer | |
| Jonathan Watts | .... | 3d rigs: British Technical Films | |
Editorial Department | |||
| Alex Bushe | .... | assistant editor | |
| Colin Hatton | .... | post-production coordinator | |
| Ian Vertovec | .... | colorist (uncredited) | |
Music Department | |||
| Sean Bergin | .... | musician: flute | |
| Harmen Fraanje | .... | musician: organ, piano | |
| Nederlands Kamerkoor | .... | musicians | |
| Ernst Reijseger | .... | musician: violoncello | |
| Stefan Winter | .... | music producer | |
| Peter Fuchs | .... | score mixer (uncredited) | |
Other crew | |||
| Josh Braun | .... | advisor: domestic distribution | |
| Jérémy Coste | .... | production assistant | |
| Amy Grey | .... | publicist: Dish Communications | |
| Bill Hayes | .... | accountant | |
| Tabitha Jackson | .... | commissioning editor: Channel 4 | |
| Hong La | .... | accountant | |
| Ashley Marriner | .... | publicist: Dish Communications (as Asley Mariner) | |
| Hamish Mykura | .... | commissioning editor: Channel 4 | |
| David Perrin | .... | production assistant | |
| Cynthia Shapiro | .... | business affairs | |
| Marc H. Simon | .... | distribution legal (uncredited) | |
Thanks | |||
| Dominique Baffier | .... | special thanks | |
| Éliette Brunel | .... | dedicatee | |
| Jean-Marie Chauvet | .... | dedicatee | |
| Jean Clottes | .... | special thanks | |
| Nicholas Conard | .... | special thanks | |
| Valérie Fergulio | .... | special thanks | |
| Carole Fritz | .... | special thanks | |
| Jean-Michel Geneste | .... | special thanks | |
| Christian Hillaire | .... | dedicatee | |
| Maria Malina | .... | special thanks | |
| Julien Monney | .... | special thanks | |
| Michel Philippe | .... | special thanks | |
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| The Interpreter | Kings of Pastry | Paragraph 175 | Joyeux Noel | Sicko |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Canada section |
As much as I love Herzog's feature films, it's in his documentaries that I feel he really excels and this one is no exception. Regardless of being faced with extremely restricted access to the Chauvet caves, the subject matter and Herzog's unique angle on story telling make this one of the most compelling documentaries I've ever seen. His documentaries always have a way of moving me, be it in the passion and determination in the people he studies like Dr Graham Dorrington and Timothy Treadwell or in the sense of awe inspired by the environments he focuses on like in Encounters at The End of The World and this one was no different, right from the start I was overcome with the beauty of the caves and the drawings on the walls.
The context and hypotheses given by the interviewees only helps to deepen the sense of wonder as each section of the cave is discussed in turn by everyone from the chief scientist to art historians, to a master perfumer, and in typical Herzog fashion, many of them are quite eccentric and add some humorous touches along the way. Throughout the film, these specialists, along with Herzog's narration really set your mind racing and I went to bed last night still thinking about the cave's mysteries.
The sign of a good film is never wanting it to end and during his last visit to the cave, the film fades to black a number of times, each time left me praying that we were going to be allowed to see just a bit more. Films like this help to open your eyes and remind you that outside the boring drudgery of our 9-5 existence, there is a whole world of beauty and mystery for us to explore and by leaving us with the allegorical example of crocodiles living in a nearby artificial tropical habitat, Herzog leaves you asking questions about the way we lead our modern life that will last long after you've left the cinema.